In choosing to present
a select number of galleries, START doesn't feel much like a fair.
Not exact matches
We began thinking about the task with a museum metaphor: a relatively large
number of works would be collected and stored in the basement, with a small subset
of them
selected for public exhibit in various
galleries, by various curators, organized by grade level, core content, media type, etc..
Longtime dealer Michael Findlay, a director
of Acquavella Galleries, recalls a recent appointment with an established artist who's not represented by his
gallery: «She had
selected a small
number of paintings and gave me a piece
of paper with the titles.
A
number of significant benefit exhibitions followed: «Drawings, 1965,» simultaneously shown at Leo Castelli, Tibor De Nagy and Kornblee Galleries; a print exhibition at the Kornblee
Gallery in 1967; the 1980 «Drawings» show; «Eight Lithographs,» published by Gemini G.E.L. in 1981, shown at Leo Castelli; the «25th Anniversary Exhibition,» jointly shown at Brooke Alexander and Leo Castelli in 1988; the «30th Anniversary Exhibition
of Drawings» at Leo Castelli in 1993; «Prints» at Brooke Alexander in 1995; «Drawings & Photographs» at Matthew Marks
Gallery in 2000; «Clarissa Dalrymple's Exhibition
of Young Artists to Benefit the Foundation for Contemporary Arts» at Bortolami Dayan in February 2006, «Posters: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Paula Cooper
Gallery in December 2006, «Photographic Works: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at Cohan and Leslie in December 2008, «Painting and Sculpture: Works Donated by Artists to Benefit the Foundation for Contemporary Arts» at Lehmann Maupin in December 2010 and January 2011; «Artists for Artists: 51st Anniversary Exhibition to Benefit the Foundation for Contemporary Arts» at Matthew Marks
Gallery in December 2014 and January 2015; and «65 Works
Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts» at David Zwirner in December 2016 and January 2017.
Set in the cultural arts centre
of Somerset House, the fair focuses on quality over quantity, with 17
galleries exhibiting a limited
number of carefully
selected works.
Now
numbering in the thousands, the resulting images make up an archive entitled For the Lack
of Words, from which Lease has
selected three vivid examples for display in the
gallery's lounge.
Alongside the participating
galleries, there will be a
number of selected curatorial projects.
The art exhibition space main activity has now shifted toward the promotion
of a more succinct
number of artists
selected from the
gallery's past programmation.
A panel
of high profile art world figures, including writer and critic Ben Luke, artist Angela de la Cruz, collector Nicoletta Fiorucci, gallerist Jake Miller and Whitechapel
Gallery curators Daniel Herrmann, Eisler Curator and Head
of Curatorial Studies and Poppy Bowers, Assistant Curator
selected the artists from a record
number of 2,133 applicants.
In 2012 the Pomona College Museum
of Art and the Pitzer Art
Gallery, Pomona and Claremont, CA, exhibited In The Shadow
of Numbers, Charles Gaines
Selected Works from 1975 to 2012 [9] which involved a collaborative musical performance with Terry Adkins.
While a
number of the artists or specific works might be familiar to frequent visitors
of the
gallery over the exhibitions year,
Selected Works offers a chance to see certain pieces with fresh eyes and in a different context or dialogue with each other.
Manchester, City Art
Gallery, Everything's Inevitable: Works from the collection
of Manchester Art
Gallery selected by Des Hughes, March 2012 - March 2013, exhibition not
numbered.
From a record
number of 2,133 applicants, 48 artists have been
selected from open submission by a panel
of high profile art world figures, including artist Angela de la Cruz, collector Nicoletta Fiorucci, writer and critic Ben Luke, gallerist Jake Miller and Whitechapel
Gallery curators Daniel F. Herrmann, Eisler Curator and Head
of Curatorial Studies, and Poppy Bowers, Assistant Curator.
From a record
number of 2,133 applicants, 48 artists have been
selected from open submission by a panel
of high profile art world figures, including artist Angela de la Cruz, collector Nicoletta Fiorucci, writer and critic Ben Luke, gallerist Jake Millerand Whitechapel
Gallery curators Daniel F. Herrmann, Eisler Curator and Head
of Curatorial Studies, and -LSB-...]
Charles Gaines: Gridwork 1974 — 1989 The Studio Museum in Harlem, New York (travelling to Hammer Museum, Los Angeles) 2013 Notes on Social Justice Paula Cooper
Gallery, New York 2012 In The Shadow
of Numbers, Charles Gaines
Selected Works from 1975 - 2012 Pomona College Museum
of Art and Pitzer Art
Gallery, Pomona and Claremont 2011 Susanne Vielmetter Los Angeles Projects, Culver City 2008 Manifestos Kent
Gallery, New York Susanne Vielmetter Berlin Projects, Berlin 2007 Greenhouse LA > La Biennale di Venezia, Venice (curated by Robert Storr) Brigitte March
Gallery, Stuttgart 2006 Drawings from the «Explosion» and the «Randomized Text» Series Susanne Vielmetter Los Angeles Projects, Culver City Snake River, collaboration with Edgar Arceneaux and the LA Philharmonic REDCAT, Los Angeles Lentos Kunstmuseum, Linz Kapinos
Gallery, Berlin 2005 Steve Wolf
Gallery, San Francisco 2004 Survey exhibition 1991 - 2004 Triple Candie, New York 2003 Lurid Stories: Charles Gaines Projects 1995 - 2001 Phoebe Conley Art
Gallery, Fresno 2002 Lurid Stories: Charles Gaines Projects 1995 - 2001 Luckman Fine Art
Gallery, Cal State University, Los Angeles 2001 Lurid Stories: Charles Gaines Projects 1995 - 2001, Adoline Kent Award Exhibition Walter / McBean
Gallery, San Francisco Art Institute, San Francisco 2000 John Weber
Gallery, New York Richard Heller
Gallery, Santa Monica 1997 Brigitte March Galerie99, Stuttgart Richard Heller
Gallery, Santa Monica 1996 Conley Art
Gallery, California State University, Fresno John Weber
Gallery, New York 1995 Santa Monica Museum, Santa Monica 1993 Fresno Art Museum, Fresno 1991 Charles Gaines: A Survey Exhibition, 1979 - 1991
Gallery Lavignes - Bastille, Paris (traveled to John Weber
Gallery, New York; Leo Castelli
Gallery, New York; Dorothy Goldeen
Gallery, Santa Monica) 1990 Dorothy Goldeen
Gallery, Santa Monica 1989 John Weber
Gallery, New York Dorothy Goldeen
Gallery, Fresh Visions, Santa Monica 1988
Gallery Lavignes - Bastille, Paris Brigitte March
Gallery, Stuttgart 1987 John Weber
Gallery, New York Leo Castelli
Gallery, New York 1985 Leo Castelli
Gallery, New York 1984 Artist
of the Month Exhibition Los Angeles Institute
of Contemporary Art, Los Angeles 1981 Leo Castelli
Gallery, New York John Weber
Gallery, New York 1980 John Weber
Gallery, New York Leo Castelli
Gallery, New York Margo Leavin
Gallery, Los Angeles Daniel Weinberg
Gallery, San Francisco Thomas Segal
Gallery, Boston 1979 Young Hoffman
Gallery, Chicago Fresno Art Center, Fresno 1978 Daniel Weinberg
Gallery, San Francisco 1975 University
of Southern California, Los Angeles 1972 Cinque
Gallery, New York University
of Southern California, Los Angeles 1971 Louisville School
of Art, Anchorage 1969 State University
of New York, College at Oswego, New York
Pieces by 37
Gallery artists were
selected for the show by curator Kathy Battista, Program Director, MA Contemporary Art, Sotheby's Institute
of Art New York, who added to the mix a
number of works by 7 mainstream contemporary artists.
From 10 am - 12 pm on Sunday, March 5, 2017, a
select number of Lower Ease Side
galleries will open for LES Armory Week Special Hours & Brunch - timed for the Armory, ADAA, Independent, and NADA NY fairs.