Selected curatorial projects include Black Milk: Theories on Suicide, Marvelli (2004), Then & Now: Abstraction in Latin American Art, Deutsche Bank (2010), Memory Leaks, Creon (2010), Rituals of Chaos, Bronx Museum of the Arts (2012), The Skin I Live In, Curatorial Lab, SP - Arte (2013) and Hybrid Topographies - Encounters from Latin America, Deutsche Bank (2018).
The selected curatorial projects are assigned free space, making it possible for independent curators and emerging artists to be part of the crucial Armory Week (through March 12).
Selected curatorial projects include: Cero.
Selected curatorial projects include As If: Echoes from London (Westspace, Melbourne, 2015), Alice Lang Originals (Sydney College of the Arts, 2014), Backflip: Feminism and Humour in Contemporary Art (Margaret Lawrence Gallery, Melbourne, 2013) and Memory Screens (Australian Centre for the Moving Image, Melbourne, 2013).
Alongside the participating galleries, there will be a number of
selected curatorial projects.
Not exact matches
Françoise Grossen
Selects is organized by Windgate Research and Collections Curator Elissa Auther with the support of
Curatorial Assistant and
Project Manager Sophia Merkin.
Each year, a panel of established artists and curators
select two solo exhibitions and one
curatorial project to be realized at CUE.
Selected major exhibitions and catalogues include A Special
Curatorial Project with Rirkrit Tiravanija: The Way Things Go (2015); Public Intimacy: Art and Other Ordinary Acts in South Africa, (2014); Landscape: the virtual, the actual, the possible?
If you have curated a show, put that listing under «
Curatorial Projects» or similar category on your resume, rather than under «
Selected Exhibitions.»
In 2008, Astman completed a
curatorial project for the November 2008 re-opening of Frank Gehry's addition to the Art Gallery of Ontario, with works
selected from the AGO collection.
Selected independent exhibitions include Once around the block (twice) a solo exhibition of work by Scott Kiernan at NURTUREart, Brooklyn, NY (2011), Call & Response, a group exhibition commissioned by the Newark Arts Council in Newark, NJ (2011) and 5C5C, a two - year
curatorial project working with a team of five international curators resulting in a traveling exhibition.
Kia Henda's proposal was
selected by the jury including Cory Arcangel (artist), Eva Birkenstock (Director, Kunstverein für die Rheinlande und Westfalen, Düsseldorf), Tom Eccles (Executive Director of the Center for
Curatorial Studies, Bard College, New York) and Raphael Gygax (Curator, Frieze
Projects & Migros Museum für Gegenwartskunst, Zurich), chaired by Jo Stella - Sawicka (Artistic Director, Frieze Fairs).
Selected exhibitions include: «UK / raine» at Saatchi Gallery (2015), «Whispers»
curatorial project at Ronchini (2015), «Home» solo show at Ronchini (2014), «Time to Hit the Road» at Leila Heller, New York (2014), «Articulate» at Victoria Miro (2013), «The London Project» curated by Gerson Zevi at Yorkshire Sculpture Park (2013), «The Uncanny» curated by James Putnam at Ronchini (2013), «Dead Inside» at Bleecker St Arts Club, New York (2013), «The Future Can Wait» at Victoria House (2013), «Dividing Line» curated by Sumarria Lunn at High House (2012), «The Threadneedle Prize» at the Mall Galleries
project at Ronchini (2015), «Home» solo show at Ronchini (2014), «Time to Hit the Road» at Leila Heller, New York (2014), «Articulate» at Victoria Miro (2013), «The London
Project» curated by Gerson Zevi at Yorkshire Sculpture Park (2013), «The Uncanny» curated by James Putnam at Ronchini (2013), «Dead Inside» at Bleecker St Arts Club, New York (2013), «The Future Can Wait» at Victoria House (2013), «Dividing Line» curated by Sumarria Lunn at High House (2012), «The Threadneedle Prize» at the Mall Galleries
Project» curated by Gerson Zevi at Yorkshire Sculpture Park (2013), «The Uncanny» curated by James Putnam at Ronchini (2013), «Dead Inside» at Bleecker St Arts Club, New York (2013), «The Future Can Wait» at Victoria House (2013), «Dividing Line» curated by Sumarria Lunn at High House (2012), «The Threadneedle Prize» at the Mall Galleries (2012).
Willard has worked as a curator in residence with grunt gallery and Kamloops Art Gallery, and her past
curatorial projects include Beat Nation: Art, Hip Hop and Aboriginal Culture, a national touring exhibition, CUSTOM MADE (translation) at Kamloops Art Gallery, and
select recent
curatorial work includes: Nanitch: Historical BC Photography, Unceded Territories: Lawrence Paul Yuxweluptun, as well as LandMarks 2017 / Repères 2017.
More recently, with the
project Office US, presented by Storefront, Franch has been
selected by the State Department, jointly with a
curatorial and design team, to represent the US at the 2014 Venice Architecture Biennale.
Annandale - on - Hudson, NY, June 2, 2015 — The Center for
Curatorial Studies, Bard College and the Human Rights
Project at Bard College announced today that Shuddhabrata Sengupta, an artist, curator, and writer based in Delhi, has been
selected as the second... read more →
FOR IMMEDIATE RELEASE GALIT EILAT
SELECTED AS 2017 - 2018 KEITH HARING FELLOW IN ART AND ACTIVISM AT BARD COLLEGE Annandale - on - Hudson, NY, July 21, 2017 - The Center for
Curatorial Studies (CCS Bard) and the Human Rights
Project at Bard College announced today... read more →
Annandale - on - Hudson, NY, August 2014 — The Center for
Curatorial Studies and the Human Rights
Project at Bard College are pleased to announce that Jeanne van Heeswijk, an artist based in the Netherlands, has been
selected for the first Keith Haring... read more →
Annandale - on - Hudson, NY, July 21, 2017 - The Center for
Curatorial Studies (CCS Bard) and the Human Rights
Project at Bard College announced today that the curator and writer Galit Eilat has been
selected as the fourth recipient of the Keith Haring Fellowship in Art and Activism.
With more than 100
projects on display,
selected by an international team of twenty
curatorial advisors, eight newly commissioned works, and a web archive of more than 350
projects, the exhibition - was conceived as a broad attempt to take stock of socially engaged art.
In 2014 her
curatorial project «Dreaming Machines» was
selected for the special program of IV Moscow International Biennale for Young Art, and in 2015 she was invited to participate in the VI Moscow Biennale of contemporary art with two exhibitions.
Students from the undergraduate Honors program present their thesis
projects along with a
select solo exhibition curated by a student from the Critical &
Curatorial MFA Program.
The recipient of the ICI Independent Vision
Curatorial Award will be
selected by Hans Ulrich Obrist, Co-director of Exhibitions and Programmes and Director of International
Projects at the Serpentine Gallery.
Shayda Amanat (SC» 14), Graham «Bud» ’55 and Mary Ellen ’56 Kilsby
Curatorial / Research Intern, since Fall 2012, «
Project Series 46: Hirokazu Kosaka: On the Verandah
Selected Works 1969 - 1974,» «
Project Series 48: Andrea Bowers: #sweetjane,» and «Portraits, Abstractions, and the In - Between: Gathering the Work of Frederick Hammersley,» Mentor: Rebecca McGrew
SPECIAL EXHIBITIONS The Special Exhibitions program features
curatorial projects by
select regional, national, and international non-profit institutions, museums, and organizations.
Selected interns will be provided the opportunity to explore several areas of a non-profit arts organization by assisting staff members with
projects in the office related to
curatorial, gallery management, development, and administrative departments.
The global South and its myriad issues — concerning diasporas, hybrid identities, migration flows and travels, personal accounts, memories, isolation, the social fabric, and insularity — have inspired and set the parameters for the
Curatorial Committee to
select artworks and art
projects, as well as oriented the curating of all of the Festival's exhibitions, public programs, and publications.
We provide
curatorial support, installation assistance, insurance, promotion, documentation, and commission critical essays to accompany
selected projects and are committed to paying artist and copyright fees according to the guidelines established by CAR / FAC (Canadian Artists» Representation / Les Fronts des Artistes Canadiens).
He is currently assisting with
curatorial projects For The Santa Fe Art Project as well as assisting David Richard Gallery and DR Projects with select programming and curatorial init
projects For The Santa Fe Art
Project as well as assisting David Richard Gallery and DR
Projects with select programming and curatorial init
Projects with
select programming and
curatorial initiatives.
A local
curatorial advisory committee consisting of: Ximena Caminos (Director / Chief Curator, Faena Art Buenos Aires and Faena Forum Miami Beach), Tami Katz - Freiman (Independent Curator, former Chief Curator, Haifa Museum of Art), Brandi Reddick (Curator / Artists Manager, Miami - Dade County Art in Public Places), and @Chana Chana Budgazad Sheldon (Executive Director, Locust
Projects), who are making significant contributions to the Miami art community,
selected the final works.
After ten years» activity, the museum is being transformed to become a responsive, flexible institution, more democratic in assuring access to its holdings, more agile and independent in
selecting and presenting its exhibition and
curatorial projects.