Sentences with phrase «sell audio rights»

You have suggested that we do not sell our audio rights.

However, we still were able to sell audio rights» for Marr's book.

And I'd be happy to sell audio rights if there were legitimate interest.

Five years later: we've published well over 200 ebooks, we've incorporated, we've doubled our membership, our ebooks are in libraries worldwide, sold by nearly one hundred retailers worldwide, and we've just sold the audio rights to over one hundred of our books.

For Kay Kenyon we've sold audio rights to her new series with Saga, AT THE TABLE OF WOLVES (July 2017) and SERPENT IN THE HEATHER (April, 2018) to Audible.

We sold the audio rights, international rights and book club rights.

I've sold audio rights to it for 2.5 times what the audio rights for Riyria sold for, I've sold one foreign deal for it, and I'll make 100 % of the ebook royalty and more than twice as much of the audio royalty.

It's also sold audio rights and foreign rights to Germany and the Czech Republic.

So be looking at what you've sold and what you haven't sold, or have you sold audio rights, for example.

Not exact matches

No wonder Italian rights were sold even before the book was published, and Turkish and audio rights were sold shortly after publication.

The rights to return the goods under the Distance Selling Regulations will not apply in the following circumstances: * in the event that the product has been used or returned incomplete * accommodation, transport, catering or leisure services * package travel * food, drinks or other goods delivered regularly to the consumer's home or workplace by a «regular roundsman» such as a milkman or domestic oil supplier * goods made to the customer's specification * goods that are perishable or can't be returned, such as frozen food and fresh flowers * audio or video recordings or computer software that the consumer has opened * newspapers or magazines * betting, gaming and lotteries * premium - rate telephone and website services We will not issue refunds for any items lost or stolen in transit to us.

SOLD YEAR: 2014 DRIVE SIDE: Right MILEAGE: 10695 TRANSMISSION: 8 - Speed Touchtronic 3 Automatic POWER: 560 bhp ENGINE SIZE: 6.0 litre V12 EXTERIOR COLOUR: Mariana Blue INTERIOR COLOUR: Dark Knight Leather ACCELERATION: 4.2 s (0 - 60 mph) MAX SPEED: 203 mph Standard Features • 1000 W Bang & Olufsen BeoSound audio system with ICEpower ® technology including six - CD autochanger • Adaptive Damping System (ADS) • Alarm and immobiliser • Aluminium and composite body • Auto - dimming rear view mirror • Automatic front and rear temperature control • Automatic Headlights • Automatic Wipers • Auxilliary audio input including integrated Apple iPod ® connector • Bluetooth ® telephone preparation • Boot - mounted umbrella • Cruise control • Dual Cast disc brakes with ABS • Dual stage driver and passenger front airbags • Dynamic stability control (DSC) • Electrically adjustable front seats • Electronic brakeforce distribution (EBD) • Electronic Park Brake (EPB) • Emergency brake assist (EBA) • Four - door body style with tailgate and 4 individual seats • Front and rear parking sensors • Front occupant side airbags • Full - grain leather interior • Head protection airbags for front and rear occupants • Heated fr

SOLD YEAR: 2008 DRIVE SIDE: Right MILEAGE: 39000 TRANSMISSION: 6 - Speed Touchtronic 2 Automatic POWER: 450 bhp ENGINE SIZE: 6.0 l V12 EXTERIOR COLOUR: Onyx Black ACCELERATION: 4.9 s (0 - 60 mph) MAX SPEED: 186 mph Standard Features • 19» alloy wheels • 6 CD autochanger with MP3 device audio connection • 700W Premium Audio w / Dolby Pro Logic II • Alarm and immobiliser • Battery conditioner and disconnect switch • Bluetooth telephone preparation • Cruise control • Dual stage driver and passenger front airbags • Dynamic stability control (DSC) • Electrically adjustable heated front seats • Electronic brakeforce distribution (EBD) • Emergency brake assist (EBA) • Front occupant side airbags • Full leather interior • HID projector headlamps • Memory seats and exterior mirrors • Powerfold mirrors • Rear LED lamps • Rear parking sensors • Satellite navigation system • Trip computer • Tyre pressure monitoring • Ventilated, grooved disc brakes with ABS Optional Extras • 19» alloy wheels - 15 spoke diamond turned • Alarm upgrade (volumetric & tilt sensors) • Auto - dimming interior rear - view mirror • Bright finish grille • Front parking sensors • Wind deflector Accessories You can add a personal touch to your new Aston Martin s

SOLD YEAR: 2012 DRIVE SIDE: Right MILEAGE: 21783 TRANSMISSION: 6 - speed Manual POWER: 510 bhp ENGINE SIZE: 6.0 litre V12 EXTERIOR COLOUR: Quantum Silver INTERIOR COLOUR: Obsidian Black ACCELERATION: 4.1 s (0 - 60 mph) MAX SPEED: 190 mph Standard Features • Alarm and immobiliser with volumetric and tilt sensors • Aluminium, magnesium alloy, composite and steel body • Auto dimming interior rear view mirror • Auxilliary audio input including integrated Apple iPod ® connector • Bluetooth ® telephone preparation • Carbon fibre door pulls • Cruise control • Dual stage driver and passenger front airbags • Dynamic stability control (DSC) with Track mode • Electronic brakeforce distribution (EBD) • Emergency brake assist (EBA) • Heated rear screen • HID projector headlamps (dipped beam) • LED rear lamps • Memory seats and exterior mirrors • Powerfold exterior heated mirrors • Rear parking sensors • Satellite navigation system • Traction Control (TC) • Trip computer • Tyre pressure monitoring system • Ventilated, carbon ceramic disc brakes with ABS Optional Extras • 19» 10 - spoke alloy graphite painted wheels with a diamond turned finish • 700 W Aston Martin Premium audio system with Dolby ® Pro Log

She encourages her authors to have one foot in traditional print publishing and the other in the digital - first arena, and is a huge advocate of utilizing secondary rights — she has sold film / TV, audio and foreign rights for her clients.

Looks basically like you do all the work of editing / cover, then you campaign for votes, and maybe you'll win $ 1500 and they get to do anything they want with it for two years, including ignoring it, or selling off all the foreign and audio and movie / TV / video game rights.

And if I'm that licensee (a publisher) and I haven't licensed the audio rights from the creator, only text rights, can I distribute my text product to an entity like Amazon to enjoy and sell to the public as a text / reading?

DAW also gets certain other rights that they can sublicense, including things like putting them out in audio, selling them to a book club (in English), or licensing the UK edition to a UK publisher.

A huge advocate for exploring secondary rights, Louise has sold audio, film and foreign rights for her traditional and self - published clients.

In cases where the author retains audio rights, Marsal Lyon agents sell directly to a number of audio publishers, including Audible, Brilliance, Tantor, and others.

Through Folio she is now able to provide the ability to manage intellectual property rights of authors by selling both domestic and foreign rights, co-agenting film and audio rights, as well as offering the services of a speakers bureau and licensing agency.

Some authors are requesting reversion of their audio rights if they've sold them and they're sitting there unused by the publisher.

While Rowling has made some positive remarks about the refreshing change of working on something new, one note in the press releases was rather interesting: Rowling sold all of the rights to this next project, including print, digital, and audio, to Little, Brown.

Things are so bad right now that indie authors are actively encouraged to sell the digital audio edition on their own website or via social media.

Maybe in the indie world that might not always be the readers in the U.S. market, but we also enable them to sell foreign rights, translation rights, audio rights... We also can free their time so they can sell their own books and do what's most important and that is write more books.

You retain all your rights, including TV, film, audio and translation, which you are free to sell to publishers or production companies.

Foreign rights is the granting to a foreign publisher legal licensing rights to translate (or reprint in English in English - speaking countries such as Australia, New Zealand, United Kingdom, and India), publish and sell a «work» (book content) in its country in specific formats (printed book, e-book, audio, video, book club, etc.) for compensation in the form of royalties and an advance payment thereof for a specific period of time.

On the other hand, audio rights sell for anywhere from $ 2k - $ 5k or more (half of which goes to the author).

Did you know that if you bundle audio / foreign rights in with your publishing deal that when they sell those rights you get whatever percentage of the sale that's in your contract and it's applied to your advance?

It is somewhat time consuming which is why I'm not publishing in audio until next year, but I see that as the only real advantage to selling the rights.

We work directly with various audio publishers and producers, whether you want to sell your rights or exploit them yourself.

Her goal is not only to sell books, but to also build long and ever - growing careers for her clients, giving each of them close and thorough attention as well as being an advocate in all aspects of the publishing process, including licensing foreign rights, audio rights, dramatic rights and more.

In her case, we've sold film, audio, large print and several foreign rights, all of which required negotiation and contract work.

The problem as he sees it is that Amazon is giving away something that authors (and publishers) have traditionally sold, namely audio rights to their books.

Selling subrights is an area that many of them have farmed out to the publishers (if these houses have a strong presence globally on foreign rights or have audio studios, etc), but there's still money to be made here.

There are really only a few markets: Amazon, B&N, foreign rights, and screen options... okay and audio books (which are sold..

If Amazon the retailer were to suddenly delist (or otherwise make difficult to purchase) the OMW books they don't own and make them more difficult to purchase, that will have implications both on Audible's ability to sell the ones they do own — and also will color any future discussions of audio rights purchases by Audible, an Amazon subsidiary.

The Kindle's text - to - speech function has raised controversy because some publishers want to keep their rights to sell audio books in addition to text books.

(You could have also sold the piece of the pie that had French hardback rights, or French audio rights, or French mass market rights, or French film rights.

-- Then I sold the rights to an audio play made from the story, making more off of that slice than the other three before, and then I was hired with Kris to write the script from my story, so more money yet again.

I'm constantly clicking that right stick to highlight what's around me — what's useful, what's not (but obviously I'm picking up every digital watch left over from the Old Ones, and scanning all the audio / holo - logs I find, building up that lore and collecting tat to sell to traders).

But, his own legal terms do not grant any rights to the listeners (the paying users) to share or sell his audio files, nor adopt or remix them or use in any other way exept to listen to them.

We get that Samsung wants to be taken more seriously in the audio department, and we agree it deserves recognition for its efforts on this new system Still, such lofty pricing, right or wrong, is a big reach for Samsung, and is going to be a tough sell to its customer base.