At the same time, he was constantly going back to
the seminal artistic vocabulary that he elaborated instinctively after World War I.
Not exact matches
The work was included in Rothko's
seminal exhibition at Betty Parsons gallery in 1950 in which his now definitive
artistic vocabulary of floating and layered horizontal forms of colour as emotion entered the Abstract Expressionist and Art historical lexicon for the first time.
In these
seminal works, Katz was already developing his unique
artistic voice — a
vocabulary of elemental forms, aesthetic efficiency and flat color.