Sentences with phrase «seminal early performance»

In addition to the installation, we will present a carefully curated, dynamic selection of works including a stunning new series of paintings by Terence Koh - ART HK 12 is one of the premiere occasions that the gallery has exhibited work by the ground - breaking contemporary artist - as well as a rarely seen editioned work documenting a seminal early performance piece by Tehching Hsieh and an important early work by Joseph Kosuth.

The exhibition presents photographic, video and audio documentation of seminal early performances such as Like, 1969, Lax / Relax, 1969 - 1995, and Past Future Split Attention, 1972.

Not exact matches

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

Emin's work is uninhibited in the way it absorbs and reflects her personal life - whether in seminal installations such as Everyone I Have Slept With 1963 - 1995 and My Bed, her early performances and videos such as Why I Never Became a Dancer, or her writings (which include a memoir, Strangeland, and a period as a newspaper columnist.

«Joe the Lion» — David Bowie's song about Chris Burden — is a tribute to the seminal performance artist's early days, when his body was a laboratory and canvas for bullets, nails, starvation, and potential electrocution.

Two seminal early works, Howardena Pindell's Free, White and 21, 1980, and Adrian Piper's Cornered, 1988, reveal the earliest uses of video in art, in which it frequently helped disseminate performance - based work.

Despite Walther's studies at the Kunstakademie Dusseldorf in the early 1960s, a hotbed of European artistic talent that bred classmates such as Gerhard Richter; despite his subsequent four - year immersion in New York City, similar to stays that propelled fellow Germans such as Hanne Darboven to statewide institutional recognition; and despite his participation in seminal shows, including the Museum of Modern Art's «Spaces» in 1969 and Harald Szeemann's Documenta 5 in 1972, North America has still been slow to recognize Walther's significance for the expansion of painting, for the convergence of art and design, and for time -, performance -, and (especially) participation - based art.