NEW YORK — MARC STRAUS is proud to announce a solo presentation of Hermann Nitsch at THE ARMORY SHOW 2018, at Pier 92, Booth F22, featuring
seminal historic works as well as recent paintings.
Not exact matches
Personal Archaeology is an intimate look into the development of Abramović as a
seminal artist, beginning with her
historic performance
work of the 1970's through to her most recent
work from 2010.
The Van (Redux) On view in ICA Miami's Atrium Gallery, The Van (Redux) features a
seminal but rarely - seen video by Alex Bag, The Van, 2001, alongside a video and a dramatic new site - specific installation that brings the
historic work to the present.
DeFeo was a pivotal figure in the
historic San Francisco community of Beat artists, poets, and jazz musicians at the time, and in 1966 she completed her
seminal work The Rose.
Personal Archaeology a new show opening at the Sean Kelly Gallery in New York City, is an intimate look into the development of Abramović as a
seminal artist, beginning with her
historic performance
work of the 1970s through to her most recent
work from 2010.
In 15,000 square feet of exhibition space, imaginatively designed by renowned architect David Adjaye, the exhibition will feature
historic work from the Edison Manufacturing Company and the Fleischer Studios, as well as
seminal works by masters of the moving image genre — Paul Chan, William Kentridge, Raymond Pettibon, Martha Colburn, Kara Walker and Federico Solmi.
In addition to contributions by the directors of the Museum Ludwig and ARoS — Yilmaz Dziewior and Erlend G. Høyersten — the authors include Tom Holert, distinguished German art historian, taking an in - depth look at Rosenquist's unique spatiality; Stephan Diederich, curator and specialist at Museum Ludwig, giving a review of the themes in the exhibition; Sarah Bancroft, art historian, curator, and Rosenquist expert who co-curated the 2003 Guggenheim Museum Rosenquist retrospective (and current head of the Rosenquist Foundation and the studio) illuminates Rosenquist's
seminal source collages; Tino Grass, German designer and researcher, revealing new perspectives on Rosenquist's
historic work F - 111; Isabel Gebhardt, Museum Ludwig conservator, outlining the intensive research efforts and conservation
work recently undertaken on Horse Blinders; and Tim Griffin, former editor - in - chief of the esteemed American art journal Artforum, discussing the political potential of Pop art as exemplified by a
work James Rosenquist created for one of the magazine's issues.