Sentences with phrase «senior curator of collections»

Since July she has been interning with Senior Curator of Collections Research, Alice Yelen Gitter, at the New Orleans Museum of Art.
In her role as Associate Curator, Dr. Whitner curated the current exhibition New View: 2014 Faculty Exhibition; and is collaborating with Dr. Eve Straussman - Pflanzer, Assistant Director of Curatorial Affairs / Senior Curator of Collections, on the reinstallation of the permanent galleries at the Davis, scheduled to open in fall 2016.
Claire Whitner Assistant Director of Curatorial Affairs / Senior Curator of Collections 781.283.2175 [email protected]
Katherine Hart, senior curator of collections and Barbara C. and Harvey P. Hood 1918 Curator of Academic Programming, and Amelia Kahl, associate curator of academic programming, act as the principal liaisons between Dartmouth faculty and the Hood Museum of Art.

Not exact matches

Jody Joy, senior curator at the museum, said: «MAA has one of the best collections of Anglo - Saxon artefacts in the British Isles - and we are indebted to Grosvenor for their generosity in allowing this beautiful, mysterious artefact to remain in Cambridge.
The exhibition is organized by Cynthia Burlingham, director and senior curator of the Grunwald Center for the Graphic Arts, and deputy director of collections of the Hammer Museum.
At the Hammer, Hodge will work closely with Cynthia Burlingham, deputy director of collections and director of the Grunwald Center for the Graphic Arts; Douglas Fogle, chief curator and deputy director of exhibitions and public programs; Anne Ellegood, senior curator; curators Ali Subotnick and Allegra Pesenti; and adjunct curator Russell Ferguson.
Infinite Blue is organized by a curatorial team including Yekaterina Barbash, Associate Curator of Egyptian Art; Susan L. Beningson, Assistant Curator of Asian Art; Meghan Bill, Curatorial Assistant, Arts of Asia, Africa, the Pacific Islands, and the Islamic World; Edward Bleiberg, Senior Curator of Egyptian Art; Connie Choi, former Assistant Curator of American Art; Joan Cummins, Lisa and Bernard Selz Curator of Asian Art; Susan Fisher, Director of Collections; Barry R. Harwood, Curator of Decorative Arts; Deirdre Lawrence, Principal Librarian, Libraries and Archives; Cora Michael, former Associate Curator of Prints and Drawings; Kimberly Orcutt, Andrew W. Mellon Curator of American Art; Nancy Rosoff, Andrew W. Mellon Senior Curator of Arts of the Americas; Lisa Small, Senior Curator of European Art; Sara Softness, Assistant Curator of Special Projects; and Eugenie Tsai, John and Barbara Vogelstein Senior Curator of Contemporary Art; with guidance provided by Nancy Spector, former Deputy Director and Chief Curator, Brooklyn Museum.
Curated by Noguchi Museum Senior Curator Dakin Hart, Self - Interned, 1942 brings together about two dozen works from the Museum's collection, dating from before, during, and after Noguchi's time at Poston, along with a substantial selection of archival documents.
As The Margot B. Perot Senior Curator of Decorative Arts and Design, Schleuning will be responsible for the DMA's Decorative Arts and Design collection, internationally recognized as one of the foremost decorative arts collections in the United States.
In conjunction with the ongoing exhibition habitus, The Fabric Workshop and Museum presents a gallery talk by textile scholar Dr. Linda Eaton, the John L. & Marjorie P. McGraw Director of Collections and Senior Curator of Textiles at the Winterthur Museum.
Sarah Howgate, Senior Curator, Contemporary Collections, National Portrait Gallery, and Curator of Lucian Freud Portraits, the last exhibition of his works exhibited at the gallery in 2012, says: «This compelling self - portrait is one of the most intriguing of Freud's unfinished oil studies.»
Its authors include David Anfam, author of the seminal book Abstract Expressionism (1990); Susan Davidson, Senior Curator, Collections and Exhibitions, at the Solomon R. Guggenheim Museum, New York; Edith Devaney, Contemporary Projects Curator, Royal Academy of Arts; Jeremy Lewison, former Director of Collections at the Tate; Carter Ratcliff, author of Fate of a Gesture: Jackson Pollock and Postwar American Art (1996); and Christian Wurst, researcher for The Catalogue Raisonné of the Drawings of Jasper Johns (forthcoming).
This exhibition drawn from the Joyner / Giuffrida collection, tells the history of art by African - American artists from the 1940s to the present moment and is guest curated by Christopher Bedford, Dorothy Wagner Wallis Director, The Baltimore Museum of Art and Katy Siegel, Senior Programming and Research Curator, The Baltimore Museum of Art.
Panellists in 2018 included invited curator Hugh Mulholland (Senior Curator, The MAC, Belfast), Cliodhna Shaffrey (Director, Temple Bar Gallery + Studios, Dublin and IMMA Acquisition Committee member) and Christina Kennedy (Senior Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,curator Hugh Mulholland (Senior Curator, The MAC, Belfast), Cliodhna Shaffrey (Director, Temple Bar Gallery + Studios, Dublin and IMMA Acquisition Committee member) and Christina Kennedy (Senior Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,Curator, The MAC, Belfast), Cliodhna Shaffrey (Director, Temple Bar Gallery + Studios, Dublin and IMMA Acquisition Committee member) and Christina Kennedy (Senior Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,Curator, Head of Collections, IMMA), assisted by Claire Walsh (Assistant Curator, Collections,Curator, Collections, IMMA).
Working from the latest installation of highlights from the permanent collection, Noguchi Archaic / Noguchi Modern, Dakin Hart, Senior Curator of The Noguchi Museum, will focus on different ways Noguchi collapsed the past and the future — often, following Hiroshima and Nagasaki, out of fear for the present.
Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator & Research Assistant, Alma on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China
As Stephanie Barron, senior curator of modern art at the Los Angeles County Museum of Art, puts it: «When you have an institution of the scale and prestige of the Pompidou devoting its entire hang of its collection thematically to women artists, it's making a very serious statement.»
Sandra S. Phillips is senior curator of photography at SFMOMA where she has organized such exhibitions as History of Photography from California Collections (1989), and a 1989 retrospective of John Gutmann.
MOCA's presentation is organized by Senior Curator Alma Ruiz and will comprise a number of sculptures from the museum's permanent collection, including For Bob (1971), a partial and promised gift from Trustee Emeritus Blake Byrne; Lagniappe: Bayou Babe (1977), purchased with funds provided by the Acquisition and Collection Committee, and Pour Daum (1979), a gift of Councilman Joel Wachs.
In addition to her work on Rauschenberg, Davidson is senior curator for collections and exhibitions at the Solomon R. Guggenheim Museum, where her most recent exhibitions and catalogues include Robert Motherwell: Early Collages (2013); John Chamberlain: Choices (2012); Art in America: 300 Years of Innovation (2007); No Limits, Just Edges: Jackson Pollock's Paintings on Paper (2005); Peggy and Kiesler: The Collector and the Visionary (2004); and American Pop Icons (2003).
When Olivier Meslay — the DMA's associate director of curatorial affairs, senior curator of European and American Art, and the Barbara Thomas Lemmon Curator of European Art — began exploring its drawings, he initially had thoughts of mounting a comprehensive exhibition of collection highcurator of European and American Art, and the Barbara Thomas Lemmon Curator of European Art — began exploring its drawings, he initially had thoughts of mounting a comprehensive exhibition of collection highCurator of European Art — began exploring its drawings, he initially had thoughts of mounting a comprehensive exhibition of collection highlights.
Speakers: Iwona Blazwick — Director, The Whitechapel Gallery; Sonia Boyce — Artist; Caroline Douglas — Director, Contemporary Art Society; Ann Gallagher — Curator and Head of Collections, Tate; Professor Hilary Robinson — Dean of Art and Design, Middlesex University and author of Feminist - Art - Theory: An Anthology 1968 - 2000; Vanessa Jackson — Artist, former Senior Tutor at The Royal Academy Schools; Elizabeth Neilson — Director of The Zabludowicz Collection and Jennifer Thatcher — Art Critic.
Ramírez - Montagut previously served as senior curator at the San Jose Museum of Art; a curator at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut; assistant curator at the Guggenheim Museum in New York; and curator of collections and public programs at the Price Tower Arts Center in Bartlesville, Oklahoma;
Gary Garrels, senior curator for painting and sculpture, calls it «the cornerstone of our modern collection» and has hung it back where it was, in a spot which is now visible from a lobby that joins the old and new buildings.
She will continue to collaborate with John Rohrbach, senior curator of photographs, in managing the Amon Carter's photography collection and interpreting and developing exhibitions on photography.
Bradford was chosen from these nominations by review committee members assembled by the High, which included Andrea Barnwell Brownlee, 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine Art; Valerie Cassel Oliver, senior curator of the Contemporary Arts Museum Houston; and Lauren Haynes, associate curator, permanent collection, The Studio Museum in Harlem.
Thanks to the new senior curator at Rochdale, Mark Doyle, London - based collector Valeria Napoleone will be showing a portion of her collection at the gallery in December, following on from her current exhibition in Sheffield.
«With my Jasper Johns show, we originally talked about «Works by Jasper Johns from Bay Area Collections,» which is pretty dull,» says Gary Garrels, senior curator of painting and sculpture at SFMOMA.
On Saturday, February 27th at The Clark in Williamstown, MA noted private collector Jon Landau, art dealer Andrew Butterfield, and former Clark Senior Curator Richard Rand discuss the collection of Renaissance and nineteenth - century painting and sculpture Landau has assembled over many years.
«My colleagues (past and present) and I continually think about the relationship between the contemporary and historical parts of the museum's collection and exhibitions, and how they relate to the city of Baltimore,» said Kristen Hileman, the BMA's Senior Contemporary Curator since 2009, who curated Crosby's solo exhibition — a show planned years in advance of the museum's recent series of shows by women and people of color.
senior curator Madeleine Grynsztejn wondered aloud as we toured the reinstallation of the permanent collection at the San Francisco Museum of Modern Art.
Between Metaphor and Object is co-curated by Christina Kennedy, Senior Curator: Head of Collections, IMMA, and Marguerite O'Molloy, Assistant Curator: Collections, IMMA.
Instead of sticking to the plan of an advance schedule, senior curator Michael Darling and assistant curator Marisa Sanchez use the expanded gallery space from last year's remodel to alter exhibits from the permanent collections without notice and mount new ones without fanfare.
Short texts accompany each work, together with an introduction on IMMA's collecting policy by Director Enrique Juncosa, and essays on the history of the Collection and the Royal Hospital building by Catherine Marshall, Senior Curator: Head of Collections.
The exhibition is curated by Christina Kennedy, Senior Curator: Head of Collections, assisted by Seamus McCormack, Assistant Curator: Collections, and Jessica Monnin, Intern: Collections.
Commenting on the exhibition Christina Kennedy, Senior Curator: Head of Collections, IMMA, said «Rather than addessing an overarching theme, each of the works in this exhibition operates as a sort of microcosm of each artist's practice.
Dr. Omar Kholeif, Manilow Senior Curator at the Museum of Contemporary Art Chicago (formerly Curator at Whitechapel Gallery) tells The Creators Project that he proposed the Barjeel Art Foundation's collection to Whitechapel as part of a program of opening up private and public art collections to be seen by the public.
Suh — whose work is shown in the permanent collections of the Whitney Museum of American Art, the Museum of Modern Art, and Museum of Fine Arts, Houston — previously collaborated with The Contemporary's senior curator, Heather Pesanti, and executive director Louis Grachos, during the pair's former work with the Albright - Knox Art Gallery in Buffalo, NY.
Bradford was chosen by review committee members assembled by the High, which included Andrea Barnwell Brownlee, 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine Art; Valerie Cassel Oliver, senior curator of the Contemporary Arts Museum Houston; and Lauren Haynes, associate curator, permanent collection, The Studio Museum in Harlem.
, 2013 Driskell Prize recipient and director of the Spelman College Museum of Fine Art; Valerie Cassel Oliver, senior curator of the Contemporary Arts Museum Houston; and Lauren Haynes, associate curator, permanent collection, The Studio Museum in Harlem.
Barbara Knezevic, Susan MacWilliam, Mary McIntyre and Helen O'Leary were joined by Elaine Cullen of Hennessy Ireland, IMMA's Christina Kennedy, Senior Curator, Head of Collections and invited curator Hugh Mulholland, Senior Curator at The MAC, Belfast, as the works went on dCurator, Head of Collections and invited curator Hugh Mulholland, Senior Curator at The MAC, Belfast, as the works went on dcurator Hugh Mulholland, Senior Curator at The MAC, Belfast, as the works went on dCurator at The MAC, Belfast, as the works went on display.
The Govett - Brewster Art Gallery — recognised as the leading contemporary art museum in Aotearoa, New Zealand and home to the collection of modernist filmmaker and kinetic sculptor Len Lye — is seeking a Senior Curator.
Private collectors, art galleries, and major museums lent work for this exhibition, which is accompanied by a fully illustrated catalogue, with essays, by Linda Ferber, Senior Art Historian and Museum Director Emerita, New - York Historical Society; Egyptologist Floyd Lattin; and, Laura Vookles, the Museum's Chief Curator of Collections.
Jeffrey Grove, the DMA's senior curator of contemporary art, says Untitled fits in well with works already owned by the DMA or that, like the Rachofsky and Rose collections, are already promised to the museum through bequest.
The exhibition will be opened by Catherine Marshall, Senior Curator: Head of Collections, IMMA, at 6.00 pm.
The National Academy Museum's See It Loud: Seven Post-War American Painters presents nearly eighty works selected from the collection of the Center for Figurative Painting by senior curator Bruce Weber.
Curated by BMA Senior Curator of Decorative Arts and American Painting & Sculpture David Park Curry, the new presentation of the collection will offer a more global view of American art from the 18th century to the 1960s; provide a showcase for Maryland's influence in art, architecture, decoration, and collecting; and a dedicated gallery for the museum's stunning collection of glass works by Louis Comfort Tiffany.
Christina Kennedy, the Senior Curator: Head of Collections at IMMA, writes for RTÉ Culture about the Hennessy Art Fund for IMMA collection for 2017.
The works included in the exhibition have been selected by a process of consultation between Helen O'Donoghue, Senior Curator: Education and Community Programmes, IMMA, Catherine Marshall, Senior Curator: Head of Collections, IMMA and the customers and staff of Focus Ireland.
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