Amid the strife of the Culture Wars and the heated partisan divides between Red and Blue states, one thing seems to bring together a great many Americans across both sides of the nation's secular / sacred divide: a deep, abiding
sense of amusement and incredulity — if not outright contempt — for purveyors and supporters of the so - called «Prosperity Gospel».
Not exact matches
Contemporary modernists like Barth, Barthelme, Coover, Pynchon and Gass offer works that are, in Dillard's estimate, nearly completely artifactual, objects
of wonder,
amusement or contemplation, but not to be taken in any
sense as mirroring reality «out there.»
From the way their lips form words, from the body language that speaks more than words, from sharing a close space with another soul that brings yours pleasure... if we can find beguiling pleasure in exchanging words, smiles, darting eyes, in moments
of understanding and
amusement, we are only widening our other
senses» capacity for pleasure.
Candies ® considers itself an «
amusement park» — a combustion
of bold colours, wild graphics, playful interpretations
of mainstream slogans and quirky rubber designs — which combined brings Candies
sense of craziness to life via recognisable iPhone cases, handbags, and fashion jewellery must - haves!
This
sense of variety, for me, sums up what The Hangover is ultimately about: intermittent, episodic
amusements fleshing out a reliable, but not earth - shattering concept.
For a film about a woman who enjoys the the act
of sex without actually being able to achieve orgasm, it's fittingly ironic how The Oh in Ohio manages to make us
sense amusement without actually getting us to laugh out loud.
Scary: It's closer to an
amusement - park ride
sense of scary rather than a chilling, lose - control -
of - your - bladder type
of horrifying.
Strands
of its story can be found in The Terminator (relentless android that can't be stopped), Predator (a nonhuman being with hightened
senses and infrared sight preying on humans) and even in Crichton's later and more popular work Jurassic Park (high - concept
amusement park that goes awry and becomes deadly.)
Take this as the pitch for a low - budget frightfest
amusement, and no one would have any trouble accepting it; treat it seriously, attempt to create a genuine
sense of unrest, and an audience may reject it outright.
A
sense of panic sweeps over party - goes when a children's
amusement collapses with youngsters inside (no one is hurt).
This story
of an
amusement park, werewolves (possibly) and homework might not make
sense to you, but kids will likely devour it.
It has to be based in reality and contain some
sense of humor and
amusement about the people and places in the story.
Kotaku: Given that we talked about your experience with games as sort
of fads as
amusements, those Computer Game Developer Conferences with the more serious - minded stuff, what's your
sense of the potential
of games?
When I sat down to create my
amusement park, I knew what I wanted to make: a tropical themed wonderland, chock full
of thrilling rides, a bayou - like landscape dense with mysterious, tree - lined paths, and a quirky
sense of style.
As with more than enough conceptual painting, too, I felt ashamed
of both my
amusement and
sense of wonder.
If
amusement is as indispensable as food for human life — the Roman emperors provided bread and circuses at the same time — Amusement Romana is a place for people to elicit an individual sense of pleasure here and no
amusement is as indispensable as food for human life — the Roman emperors provided bread and circuses at the same time —
Amusement Romana is a place for people to elicit an individual sense of pleasure here and no
Amusement Romana is a place for people to elicit an individual
sense of pleasure here and now».
Appealing to impulse Although many add - ons are designed to appeal to customers»
sense of convenience and usefulness, others are designed to appeal to a
sense of impulse and
amusement.