It also demonstrates how subjects established and experimented with
their sense of identity through photography.
Not exact matches
They fail to distinguish those who meet the expectations
of valued others because their
sense of self and
identity is totally dependent upon that membership from those who express their selfhood and
identity through the choice to affiliate with a group and to adopt its norms.
The same point appears in The Logic
of Sense as follows: «disjunction posed as a synthesis exchanges its theological principle for a diabolic principle,» ensuring that «instead
of certain number
of predicates being excluded from a thing in virtue
of the
identity of its concept, each «thing» opens itself up to the infinity
of predicates
through which it passes, as it loses its center, that is, its
identity as concept or as self» (LS 176 and 174).
«A man's
sense of his own
identity seems largely determined by the kind
of story which he understands himself to have been enacting
through the events
of his career, the story
of his life.
I tend to side with Pannenberg's «loose»
sense of identity — continuity
through time
of an individual — as phenomenologically more adequate: it does express the subjective
sense of sameness
through time
of which persons are aware.
To common
sense, a human mind retains its personal
identity through the passage
of time.
First, there is the notion
of an individual or «primary» substance, an ousia in Aristotle's
sense, which retains its individual
identity through change and
of which universals are predicable, while it itself is predicable
of nothing.
The
sense of group
identity grows as mutual need - satisfaction develops and psychological fields overlap
through interaction.
Its spiritual dimension is fostered and gleaned
through the interplay
of relationships in the school, how people treat each other, and the ritual gatherings that evoke a
sense of continuity with the past and give a community its
identity.
Belonging in a group always involves a tension between our personal
identity, our own
sense of self, and our social
identity which reflects the claims
of our family or community
through prescribed roles and behaviors.
Methodist
identity makes
sense only as it entails a commitment to discovering the unity
of God's church
through our different histories.
When he gave his definition
of individual
identity, the view
of continuity he had in mind would seem to be the «common
sense» one he came to
through a modification
of Kant's definition «that a continuum is that
of which every part has itself parts
of the same kind» (6.168).
The permanence or
identity through time that we observe in daily experience, however, is also real in a
sense,
of course.
Each time a newcomer is added (or an old member lost), the group becomes a different group and must work
through to a new
sense of identity.
Second, even in this short exchange, we can see that
identity creation
through brand choice leads to a form
of security,
through a
sense of belonging to a self - chosen group.
As well as a direct effect on support for Scottish independence, personality also has important indirect effects, which operate
through the influence
of personality on things such as a voter's
sense of national
identity and appetite for risk.
Today, domination often works
through the reproduction
of ideologies which shape our
identities, our
sense of who we are, in order to extract our commitment and discretionary effort rather than to satisfy our interests in experiencing work which is autonomous, free and dignified.
«Avatars can convey a player's
sense of humour, displeasure, intrigue and interest
through cues like gestures, movement and language, which can reveal real - life
identity,» says Mia Consalvo, one
of the study's authors and a professor in Concordia's Department
of Communication Studies.
It's this time
of the year, where our fashion
sense is all stressed out, our style in transition and our closets going
through an
identity crisis!
To say she is not contributing to society
through a more normative
sense of responsibility would be too preachy for this film, but Complete Unknown does not shy away from showing us Alice in her eerily quiet moments
of identity transformation.
Through the exploration
of her fractured
sense of identity and loss
of self - control, the film investigates modern day alienation, the struggle to connect, and the dividing lines between individual
identity, personal relationships, and societal pressures.
As Egoyan employs his usual technique
of travelling back and forth
through time, some secrets about Hilditch's past and present surface, and the relationship between Felicia and Hilditch is in a constant state
of flux — but no moreso than than their individual
sense of identity.
Through the tight knit group, he finds
identity and belonging, and a
sense of family he hasn't felt since the death
of his father in the British war in the Falkland Islands.
While geo - specifically Canadian, and working within a coloniality
of power that I often felt obliged to critique, I think my
identity growing up in Canada was more mobile than nationalist, if not badly mangled, bleeding
through the figurative membranes
of its Canadian - ness, as something that was always already foreign to itself, as I really didn't have a
sense of what it meant to be a Canadian but at the same time I tried to account for the people I met and the ideas I encountered in the context
of living a life in the service
of something larger than one's nation state, trying to understand what it meant to be
of service to society.
A scheme
of work exploring heritage,
identity and a
sense of place
through World Heritage Sites.
This often includes a common world view
through their Aboriginal and Torres Strait Islander
identity, a deep
sense of obligation to family, and similar upbringings in places
of poverty and financial hardship.
«Gareth's mind - blowing
sense of melody and uncanny expertise at reinforcing specific themes and emotions
through his music helped shape the
identity of ARK: Survival Evolved from the very beginning,» said Jesse Rapczak, Co-Founder and Co-Creative Director
of Studio Wildcard.
Join Derek and the Sugar Hill Children's Museum to celebrate the opening
of Derek Fordjour: Parade, a journey
through the
sense - memory
of childhood and the process
of forging an
identity, inspired by artist Derek Fordjour's own experiences growing up in Memphis, Tennessee.
This display
of works by 28 major artists examines how we project our
identity through our appearances and consumer choices, ultimately shaping our
sense of self in relation to society.
The Ogden's display materialises
through its acknowledgment
of this tension: those who have considered their art as framing their own unique
sense of self, and those who have used it for the purposes
of forging a collective black
identity.
Navigating the often contradictory notions
of identity, self - perception, longing and desire, Brotman and Taylor convey urgency and vulnerability, embodied
through formal material choices and a
sense of touch.
Fallah's compositions, both fluid and fragmented, embrace the moments when things do not quite align, and give the work a
sense of honesty that reveals the complex factors
of identity which can not be expressed
through a simple corporeal rendering.
Regional artists manuel arturo abreu and Christopher Paul Jordan explore the abstracted visual and emotional cues that influence how a
sense of «place» is communicated
through signifiers
of the cultural, economic, and racial influences within inherited
identity.
Emerging from the maze and heading up the stairs, a
sense of self is still hazy as Yang Fudong's three channel video piece Flutter, Flutter... Jasmine, Jasmine explores the challenges
of identity facing a generation
of Chinese youth, filtered
through perceptions
of love.
Through misalignments
of film fragments and interview voiceover, Jordan Baseman sets up a series
of portraits that leave you with an uneasy
sense of the fragilities
of self -
identity.
During an artist residency in Duntara Newfoundland Professor Brunet explored the concept
of identity through cultural referent; the objective was to appropriate objects
of meaning that convey a deep
sense of cultural
identity.
This critical enquiry emerges
through the production
of a body
of work that makes close reference to his
sense of identity, belonging and loyalty.
They ask the participating artists to examine the very tenets
of materiality
through the lens
of phenomenological inquiry, and to consider «everyday encounters with the material world», exploring the ways in whey contribute to our collective
sense of identity, value, and place.
The works are garments that embody cultural politics,
identity and a
sense of activism
through their performative (and thus disruptive) quality.
They then try to reconstruct lost meaning and
identity in order to find their way again, mapping their surrounding environs
through hope, doubt, risk, fear, success,
sense of humour, irony, sarcasm, fun, wounds and despondency, signposting the surveyed terrain with landmarks
of experience, life scars and party lights, as they round out their lives with their way
of being and
of behaving, but also
of subsisting, resisting and (re) existing.
Any
sense of a national cultural
identity comes
through the ad hoc development
of pop culture — the movies; rock and roll; youth culture.
The photographs show not only popular hairstyles, but also African Americans who express their
sense of self and
identity through their hair.
If von Zeipel's work is about group
identity and forming a
sense of self
through a subculture, Insulting the archive reflects a shift in this paradigm.
One gets a very physical
sense of perspective
through her works; you're led instinctively to the big picture ideas about the way cultures, histories, and
identities intertwine.
«Consensus - messaging» works quite well for «anti-consensus» messengers, i.e., «skeptics» as a way to consolidate their
sense of group identification
through identity - aggressive and
identity - defensive behaviors.
He is best known for developing a life - story theory
of human
identity,
through which he has demonstrated that people form
sense of purpose in their lives by creating «personal myths.»
The process
of reunion and the feeling
of belonging is a critical part
of the process
of gaining and improving self - esteem
through a stronger
sense of identity.
These include improving relationships, working
through difficult feelings, managing anxiety, changing troubling behaviors, strengthening a
sense of identity and purpose, or improving ones ability to cope with difficult circumstances.
I also enjoy helping transgender and gender - queer clients
through the transition process, as well as helping those who are gender - questioning develop a
sense of their own personal gender
identity.»
In this free webinar, they walk us
through their reunion journey and talking about: what led them to search, their experience utilizing search options, how they prepared for reuniting with family, how they navigate new relationships with family members, how they approach the remaining unknowns, and how this process has affected and changed their
sense of identity and family.