Since I had just received this post on the international book market, I felt a small
sense of irony when James Purefoy as Mowbray spoke those famous words protesting his exile from the Sceptered Isle.
Not exact matches
It's not just the title
of Martin Scorsese's brilliant, excruciating tale
of artistic delusion, The King
of Comedy, that retrospectively takes on a
sense of tragic
irony when viewed in the context
of its star's career.
That makes for tricky territory, particularly
when the script has been written by two experts in
irony, masters
of the put - down, the snigger and the snub, RG and his partner (in, I'm pretty sure, the non-sexual
sense) Stephen Merchant, now graduated from co-writing The Office to be an actor as Andy Millman's agent.
All
of it is written — overly peppered with her unique insertion
of pop - culture references and strange slang — by Cody with a
sense of detached
irony that feels dishonest, especially
when director Karyn Kusama tries to inject subtle bits
of humanity into it, which in turn feel dishonest because
of the overall tone.
The film's wittier bits indicate Anna's
sense of situational
irony, like
when she misleads a woman at Kate's party by giving her morbidly incorrect details about her sitcom's new season.
A common error amongst simple minded ideologues, whose
sense of irony deserts them
when attempting social analysis.