A natural wood table provides a rustic influence, while arty lights add
a sense of modernity.
This simple DIY sofa table not only helps you save on space but also brings with it a great
sense of modernity.
The house looks plain on the outside, and I don't get
the sense of modernity in any of the design or the exterior architecture of the building.
He might have seemed, at the time, to be speaking for the great cultural movement about to emerge — for James Joyce, with his layering of classical myth and the profane reality of early - twentieth - century Dublin in Ulysses; for Picasso, whose postwar art of pastiche seemed to disassemble and recombine historical styles just as his earlier work had taken apart and reconstructed pictorial space; for Stravinsky, whose music had found
a sense of modernity in both primitive ritual (The Rite of Spring) and the mincing artifices of the eighteenth - century ballroom (Pulcinella), and who sought for his Oedipus Rex «a medium not dead but turned to stone.»
NPR finds «a brave
sense of modernity and freedom» in The Art of Romaine Brooks at Smithsonian American Art Museum.
The flat - bottom steering wheel, overall plastic quality and the layout will convey
that sense of modernity.
Hi Shannon, this is an incredibly glamourous outfit, love the floatiness and fabric of the dress and the cutouts add a lovely
sense of modernity, you look sublime!
The dramatic print, designed in - house, adds
a sense of modernity to the softly scuplted sihouette.
Amir Adnan has designated these all kurtas with the pure
sense of modernity.
For such a classic name, Daniel has managed to evoke
a sense of modernity giving it a new and incredible dual appeal.
Not exact matches
To grow up in Canada is to inherit a privileged position for understanding
modernity» sufficently distant from that hurtling spaceship
of «the republic to our south,» while retaining (perhaps from connections to nature, to the history
of France, and to Catholicism) a sharp, intuitive
sense of what it once was like to be «premodern.»
Thus a Canadian tends to associate the negative aspects
of modernity with capitalism, its more positive sides to some inarticulate communitarian
sense that is not capitalist.
If there is a
sense in which addiction can be called a disease, it might be as the «disease
of modernity,» a symptom
of humanity's escalating disenchantment with authority, especially divine authority.
I think he and people around him have a
sense that the church's pendulum swung too far toward the firm reassertion
of Catholic rules and vision
of the Church as a bulwark against the turbulence
of modernity and so on.
The word «nihilism» has a complex history in modern philosophy, but I use it in a
sense largely determined by Nietzsche and Heidegger, both
of whom not only diagnosed
modernity as nihilism, but saw Christianity as complicit in its genesis; both it seems to me were penetratingly correct in some respects, if disastrously wrong in most, and both raised questions that we Christians ignore at our peril.
Here's one sentence: «It seems to me that MacIntyre's image
of modernity as an integrated, monolithic condition only makes
sense within Marxist assumptions that....
Whatever Leo Strauss» personal disposition on the question
of Biblical religion (and he certainly seems not to have been a believer in any familiar
sense), he remains an indispensable thinker for believers because
of his unrivaled deconstruction
of the faith
of modernity.
Now, with unseemly haste, the year 2000 rushes toward us, and with it what many
sense to be the end
of modernity as we have known it and the beginning
of a world whose character we have yet fully to discern.
Like the ancient dybbuk separated from its body and consigned to wander the world, modern man
senses his detachment from life as the peculiar curse
of his
modernity, the price paid to Satan in return for distance.
But as Novak points out, at least one reason for this quasi «religious subscription to the norms
of modernity is precisely the
sense that, in contrast to Christianity, Judaism» as primarily a behavioral rather than a doctrinal religion» is ideally suited to worship at the Kantian altar.
On the other hand, the so called Transcendentalist school
of thought - in its broadest
sense including Karl Rahner, Bernard Lonergan and Henri de Lubac - has attempted to develop a synthetic world view for
modernity.
Even if we have never heard
of the word» «
modernity,»» we
sense in inarticulate ways that we embody much that is «modern.»
This discovery is a product
of our
modernity in the
sense that it expresses the backlash
of the critical disciplines — philology and history — on the sacred texts.
Here's one sentence: «It seems to me that MacIntyre's image
of modernity as an integrated, monolithic condition only makes
sense within Marxist assumptions that he has clearly abandoned.»
The first
of these is that while the Western world is now «post» - modern in the
sense that
modernity is dying around us, it is not «post» - modern in the
sense that any new thing is yet replacing it.
Its» 129 villas offer a
sense of heritage presented with
modernity and drama, with some accommodations perched on a hillside.
The couture context made it feel even more relevant and punchy: it highlighted a
sense of urgent
modernity that made everything else feel suddenly old.
This white Christian Dior wool and silk crepe jumpsuit was a study in sleek glamour with its plunge neckline and wide - leg silhouette adding a
sense of sultry
modernity.
For both Sen and Appiah, one
senses a leaning over backwards to weaken the identification
of Muslim with an enemy
of the West and
modernity, or African with the primitive.
There is a quality
of lightness, easiness, and in some
sense blatant unseriousness that pervades Classical Christianity's dialogue with
modernity.
In connecting this concept, the hotel commissioned celebrated Chinese artist Man Fung - Yi to create a life - sized infant elephant metal sculpture to grace the hotel's lobby and give a
sense of place through an exciting blend
of modernity and Sri Lanka's nature.
Viceroy reinterprets today's
sense of history,
modernity, tradition and innovation in a uniquely timeless way.
He says in part, «[Ofili] asks questions about our time through intoxicating visual compositions that examine peripheral
modernities and enable us to make
sense of our world.»
The work nonetheless leads into the following two sections, the Pavilions
of Traditions and
of Shamans, which accurately point to an increasing
sense of doubt across some quarters
of the Western world as to whether the promise
of modernity and the progress
of Enlightenment have resulted in a step forward for humankind.
Street scenes and studio shots, while formally distinct from each other, all capture a pervasive
sense of freedom and identity amongst youth in postcolonial Mali and continue to speak to a shared spirit
of modernity and diaspora.
Their work can be seen to explore a
sense of nostalgia for the future through references that oscillate between the aesthetics
of 20th century science fiction, cold war propaganda and fin - de-siècle
modernity.
Distant worlds and stimuli with apparently nothing in common attain a happily eccentric coherence in Ernesto Esposito's collection, in which can be felt a
sense of vitality, albeit veiled by melancholy, which it is hard not to refer in some way to Naples, where the designer was born and has chosen to live, and where he very young began collecting in the 1960s in the lively climate
of avant - garde
modernity enjoyed in the city.
«One way
of understanding the relation
of the terms «modern,» «
modernity,» and «modernism» is that aesthetic modernism is a form
of art characteristic
of high or actualized late
modernity, that is,
of that period in which social, economic, and cultural life in the widest
sense [was] revolutionized by
modernity... [this means] that modernist art is scarcely thinkable outside the context
of the modernized society
of the late nineteenth and twentieth centuries.
This exhibition is comprehensive, informative, fascinating and simply brilliant, allowing the viewer an insight into this short - lived art movement that attempted to make
sense of the rapid
modernity that was sweeping through their lives.
Omer Fast's new exhibition at the Chinatown branch
of James Cohan Gallery, August, revels in the power
of the Western imagination to utilize non-white cultures as a way to role play and «time travel» into playgrounds for voyeuristic pleasure - seeking that reinforce Western
modernity's
sense of superiority.