Sentences with phrase «sense of specific place»

While the work's use of text is a departure from the other pieces in the show, «Rebuild South Central» imparts a sense of specific place and time to the paintings that follow.

A marked departure from the artist's previous work in landscape photography — including her studies of American cities and of lake ice - houses, which strongly defined a sense of specific place — the new series denies any recognition of location.

Not exact matches

For example, in the specific case of privacy, what sense does it make to talk of your feelings as being either like or unlike mine, since an objective comparison between them can never take place?

This study is specific to women who have already chosen engineering, she notes, so the participants probably place more importance on a sense of belonging.

Be original — USE your sense of humor, give specific details about what you like to do, or places you like to visit.

And while the duo jettison a specific sense of place here — everywhere from Memphis to the Big Easy basically gets the postcard montage treatment — it actually serves the story better.

In a larger sense, Little Men completes a trio of pictures devoted to the specific pressures of apartment dwelling and the daily grace required to coexist in a place that's home to millions.

Rarely do you see independent films with this sense of time and place, but «Short Term 12» feels both confident and relaxed, emotionally specific without being overtly somber or intense.

With that in mind, there is still a sense of accomplishment that comes with being wrapped up in a story that not only tackles this specific point in history but addresses the problem using thoughts (and some well - placed famous Churchill quotes) that still apply today.

If the Terrence Malick film carefully bolsters its humane embrace of otherness through its richly textured and specific sense of place and past, then The Revenant is content to prop otherness up — and sometimes literally so — as a caricature.

Still, the veteran director comes up with some beautiful moments, mainly in capturing the story's specific sense of place, the wide - open roads and the hope that there's something left to find there.

But it's also highly irresistible, and though the comedy and sense of place are very specific, it comes with a kind of familial truthfulness that will resonate widely.

Black Panther is, obviously, a Wakanda story, meaning that its images ripple with Wakanda's specific rhythms and textures; characters» in - jokes and senses of humor seem to open up untold bits of history among them; rituals feel genuinely ritualistic, lived in and specific to the people and the place.

There are also more age - specific signs.Pre - school children may show: Persistent difficulty in learning nursery rhymes or the name for things, like «table» or «chair»; difficulty with clapping a simple rhythm; enjoyment of being read to but no interest in words or letters; delayed speech development; primary school children may show a poor sense of direction and confusion between left and right; pronounced reading difficulties, specifically hesitant or laboured reading, omitted lines or repetition of the same line or loss of place in the text and difficulties in saying multi-syllabic words.

No, for better or worse I am an impulsive, instinctive, intuitive writer, which means that when I begin writing a book, I know a couple of my key characters, though not well; I have a sense of the feel of the story, though not its specific events; I have a rough timeframe in mind over which the story will take place; and I have a hazy idea of where the main characters will end up.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

In this specific context, bentu evokes the way in which artists have discovered and found their place in countries around the world, the better to return to their «homeland» with a strengthened sense of self.

I'm not trying to recreate a specific landscape, but rather to present a more universal sense of place for the viewer to travel into.

Often reflecting a sense of landscape and place, he regularly makes site - specific works to commission.

Rooted in observation and a specific sense of place, his works also prompt viewers to explore the contingency of viewpoint and perception.

Characterized as a way to play with a shared neuroses of place (read «complex» in the Freudian sense), whether a specific locality or a wider set of circumstances that frame interaction, her activity considers forms of gathering, both from the perspective of historical examples and the situations that she initiates.

Some arrested motion to infuse their pictures with a sense of a specific time and place.

Conceiving of cultural information and materials this way allows for both a sense of reverence to the place and time in which is work is made, as well as a sense of play as he works with a specific audience and place to create new contexts as a curator.

In this exhibition alone, the artist produced three site - specific installations — including a fantastic public artwork — that convey a sense of urgency, risk, imagination, and a deep passion for pushing physical and conceptual boundaries of place, space, and time.

Color Field painters, Fauvists and Orphists strongly believe that specific colors enhance each other when placed next to each other, creating a sense of movement an vibration within the image.

He collaborates with communities connected to places of production to generate site - specific performances to camera which explore the role sound plays in creating a sense of collectivity, highlighting alternative modes of human existence, work and action.

In responding to Donald Judd who made «specific objects,» Le Va provides the viewer with «non-specific situations,» inviting us to complete the work of art through bodily interaction with materials and our sense of perception: «What I want [viewers] to do is place themselves in the work, and search out some kind of meaning that fits the object, as opposed to immediately seeing something and applying some readymade explanation... I want the work to set up a dialogue.

«I started incorporating the figure into my work as a way to navigate my own sense of identity, particularly because I came from a place that didn't fit into one specific narrative.

She has expanded that style, however, by incorporating her imagination to create a sense of place, rather than a specific represention.

All are entirely abstract, yet an absorbing sense of place is as specific within each canvas rectangle as it is in the environment outside.

Examining different cities might also make sense alongside an investigation of what study characteristics are specific to certain places.

But that gives little sense of how the temperature changes in specific places might compare with historical norms.

The Emotionally Focused Thearpist uses specific steps in the process to help the couple establish a greater sense of safety so that they can communicate hurts, needs and longings and respond to one another in ways that get you unstuck from the cycle and back to a place of intimacy and connection.

Just 7 percent limited their sense of home to a specific place.