He's not interested in
the sensual qualities of paint; as a painter, he gets the job done.
Not exact matches
Carnegie's handling
of paint has a tactile
quality that is fantastically
sensual and seductive, yet veers easily into faint repulsion at the sticky excess.
His tactile sculptural works are masterfully constructed and vibrate with
sensual energy, while his
paintings and drawings are fluid and intuitive with an indiscernible
quality that begs the question
of their origin.
His
sensual and earthy
paintings have a sculptural presence and evoke the mysterious
qualities of old ruins or archaeological relics.