Sentences with phrase «separate exhibition rooms»

Treat the culture lover that you have met online to a visit to the East Surrey Museum, which has no entry fee, boasts four separate exhibition rooms, and is conveniently located near to the town centre in Caterham.

In San Jose, on the other hand, businesses had a separate exhibition room to set up in, making it possible to interact with entrepreneurs and representatives at length without disturbing the presenters who were in other rooms.

Not exact matches

Her work Loop is central to the exhibition, but is also the only work to have a separate room (Swartz's line drawings are also technically in separate compartments, but are only viewable through windows in the main gallery).

The exhibition in Chur was conceived for an Art Nouveau villa, where the works could be organized thematically in a series of separate rooms.

Part of Knockdown Center's Ruin Series, the exhibition is held within the remains of a century - old stone building, which encompasses three separate rooms, one of which has no roof and is exposed to the elements.

«L8S ANG3LES: 11 L.A. Photographers» was organized as the inaugural exhibition, the «8» standing for the eight artists whose work was shown on the walls of the new gallery, and the «3» representing three Los Angeles Times staff photographers whose work was digitally projected in a separate screening room.

The pipes enter three separate sculptures that define each of the exhibition rooms.

By invitation of both Rodeo and Yama and in dialogue with curator Krist Gruijthuijsen, Gabriel Lester has conceived an exhibition on two separate platforms, one as a commission for Yama's video screen located on top of the Marmara Pera hotel, which will also include screenings in two different rooms located inside the hotel, and a solo show at Rodeo.

Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).

The exhibition at the Rupertinum is dedicated to Kentridge's exploration of theater and opera, with a separate project in each room.

The overall exhibition design by Herzog & de Meuron will serve as the interstitial structure tying the separate rooms together.

The exhibition also includes a separate projection room featuring filmic works by Hicham Berrada, Galina Leonova, Uriel Orlow, Mario Pfeifer and Superflex.

It's an opportunity for one artist to exhibit a body of their work in a small room of the gallery, separate from the rest of the juried exhibition.

The exhibitions are sited not only within the main Gallery and adjoining Resource Room, but also incorporate a separate exhibiting strand in the Gallery's Window Space as well as touring activity to other gallery and non-traditional art spaces.

Be on the watch, i am doing a solo exhibition in March 18th at State Space in Sf as well as curating a separate show in their back room.

It's possible to imagine an exhibition one day where the «Armi» and the «Finte sculture» would be shown near the last groups of works — albeit ideally in separate rooms — illustrating what a jump it was for Pascali to make sculptures based on animal forms, or how he moved from using industrial materials to re-create contemporary weaponry into using domestic materials to conjure a world of prehistoric fantasy.

Divided into two separate rooms, the first part of the exhibition consists of photographs, some with text, two web projects, a banner, a drawing, a DVD, a tent, and a project space installed with drawings, text, and a tape recording.

In one room, the walls do not extend to the ceiling, allowing for an airiness that extends beyond the exhibition space and is indicative of the artist's process: art can not be separated from daily life — it must be left open to influences from within and without.

A separate room of the exhibition will contain seven vintage portraits of von Furstenberg by Warhol, as well as others of her by Chuck Close and Zhang Huan.

A separate white cube space designed for the exhibition occupies the center of the room, presenting focused selections of works inside the cube, which change seasonally.

What's on view: The gallery, which is separated into two exhibition spaces, contains a series of Fraga's amorphous, figurative paintings on crinkly found paper in one space, while in the other, his collection of altered found objects and materials forms the basis of a spacious, room - sized installation.

The works on paper, a number of them executed in partnership with artist Reza Farkhondeh, are displayed in a separate little room along the route of the exhibition that contains Amer's earliest «dream woman» drawings inspired by Disney - style fairy tales.

The exhibition will also include new films by Mattias Härenstam and Lina Selander in separate rooms.

The viewer moves from room to room, and thus experiences the narrative of art history as a sequence which forms a totality, and at the same time as a succession of separate individual presentations or small - scale exhibitions.

Tracing Richard Avedon's extraordinary depictions of women over the course of six decades, this ambitious exhibition will include more than 100 silver gelatin prints, 300 contact prints selected from the artist's personal archives, and in a separate room, the artist's lesser - known color transparencies displayed on light - boxes.

A video featuring interviews and historical footage of the artist and his work will be shown in a separate room adjacent to the exhibition.