Sentences with phrase «separate exhibition spaces»

Clearing owner Olivier Babin moved into the massive compound in 2017 — the gallery operated for five years out of a small townhouse, but the support for his program from local collectors prompted him to bet on more ambitious digs in Brussels, and he purchased a 5,400 - square - foot former shutter factory and turned it into a stunning space with high ceilings that run together like the roof of a church, buttressed by separate exhibition spaces, a bar, a café, and office space.

The museum consists of two separate exhibition spaces, one on each floor.

It has since expanded into a 5,000 - square - foot, street - level gallery containing three separate exhibition spaces on West 21st Street in Chelsea.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

[5] In the 1970s he began to remove elements from spaces, for example sandblasting away layers of paint (at Galleria Toselli, Milan, in 1973) or removing the partition walls separating an exhibition space from the gallery office.

Not exact matches

In the adjacent Fifth Floor Resource Center, a zone separated from the main exhibition space by a glass wall, a punching bag hung from the ceiling.

The question is whether separate exhibitions are still needed to tell the stories that were left out and continue to be absent from conventional tellings of art history, or whether creating these separate spaces amounts to a kind of ghettoization that prevents the artwork from being considered on the larger stage.

Each year, AAC accepts proposals from artists for solo exhibitions to take place in one of AAC's seven separate gallery spaces or outside on the grounds.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Art writer Joyce Beckenstein writes: «At first glance these two wildly different exhibitions, which are in fact consigned to separate gallery spaces, have absolutely nothing to do with one another.

The exhibition «Louise Bourgeois: Structures of Existence: The Cells» presents 28 emotionally charged architectural spaces, each an individual microcosm separating the internal from the external world, the exhibition also reunites Cells I to VI for the first time since 1991, when they were first shown at the Carnegie International in Pittsburgh.

In fact, the gallery had moved a wall to separate the street entrance from the exhibition, making the viewing space narrower than it normally was.

Archival materials are spread through two geographically separated spaces, the A + D Gallery and the Glass Curtain Gallery, and the program also includes workshops and student exhibitions as part of a yearlong fellowship from the Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media.

New this year is an experimental group show called «Art Supernova»: Instead of each gallery having its own separate booth, the exhibitors have interconnected exhibition spaces.

An inspiring and highly important part of the Gallery's exhibition program, Gallery 2 was formerly located adjacent to the main gallery at the 525 West 24th Street location, prior to the recent opening of separate Gallery 2 space at 544 West 24th Street.

Host galleries that give up portions of their own space to visiting galleries while mounting their own separate exhibitions mostly miss the mark: either one show eclipses the other or both co-exist awkwardly, in a kind of flat - footed dance that only increases the overall sense of market competition.

Project Space is a boutique exhibition space located within, but separate from, Gallerysmith in North MelboSpace is a boutique exhibition space located within, but separate from, Gallerysmith in North Melbospace located within, but separate from, Gallerysmith in North Melbourne.

The new gallery incorporates a sliding plywood wall, which separates a large exhibition space from a smaller one.

The wood appears inside in the form of a sliding wall that can separate the open plan into a larger and smaller exhibition space.

For the inaugural exhibition of its satellite location in Williamsburg, Brooklyn, the artist Emily Katrenik is eating the wall that separates the gallery's exhibition space from the bedroom of its director -LSB-...] Video of her ingestion is included in the exhibition; she also removes some of the plaster and bakes it into loaves of bread, which are available for gallery visitors to sample.

Piper's move, ARTNews's Robin Cembalest wrote, raised the question of «whether separate exhibitions are still needed to tell the stories that were left out and continue to be absent from conventional tellings of art history, or whether creating these separate spaces amounts to a kind of ghettoization that prevents the artwork from being considered on the larger stage.»

«Invisible» is spread across three separate, nearby locations: Schoeni's main gallery on Old Bailey Street, the Hollywood Road branch and the gallery's newest exhibition space, at 8 Chancery Lane — formerly used as the gallery's storage space.

This presents a way of re-thinking the «curated» exhibition - which usually relies on formal similarities - as a text or newspaper wherein each «article» or artwork is a separate entity to be read singularly, only held together by the group show format and gallery space itself.

If 30 years of gains made by artists of color are not reflected in the constitution of the 2014 Whitney Biennial, does it stand to reason that the ethnicity exhibition is a space that is separate but not equal?

A Space in Two Dimensions, in fact, does not so much «weave two separate exhibitions into a single space» as make plain a rather unseemly MoMA - lite agSpace in Two Dimensions, in fact, does not so much «weave two separate exhibitions into a single space» as make plain a rather unseemly MoMA - lite agspace» as make plain a rather unseemly MoMA - lite agenda.

There are also supplementary materials as part of the exhibition, pulled from the gallery's almost 50 year history and extensive archive, set on shelves and in a vitrine in a separate gallery space, taking the exhibition offscreen to the physical page.

During the length of the exhibition the Alternative Spaces will present a week - long special project in a separate space within the show.

After venturing inside the museum, Ross's art is installed in two exhibition spaces separated by a long hall that forms the spine of the museum.

Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).

In the HVCCA's utilitarian space, lust and its antidote love, were separated into two exhibitions.

Its 4000 sq. ft. Bowery space, we present monthly solar and group exhibitions — often two separate exhibitions simultaneously — including artists from the very emerging to the established in our thematic shows.

From 31 May 2012 the Irish Museum of Modern Art's exhibitions programme will be based in two separate locations — the New Galleries in the grounds of the Royal Hospital in Kilmainham and the ground floor exhibition spaces in the National Concert Hall building in Earlsfort Terrace.

For the exhibition the gallery spaces will be separated into single exhibition spaces.

The exhibitions are sited not only within the main Gallery and adjoining Resource Room, but also incorporate a separate exhibiting strand in the Gallery's Window Space as well as touring activity to other gallery and non-traditional art spaces.

The primary space of the exhibition consisted of four separate works, each of which comprised a set of similar components: On the left stood a new, unmodified smeg - brand refrigerator, whose retro design features a sherbety color and Streamline Moderne curves, while to the right hung a trio of monochrome panels, each a different hue.

The exhibition, designed by Dyvik Kahlen Architects, is sorted into separated sections, where from 20 to 3,000 objects belonging to each personal collection are presented in separate spaces, reflecting each artist's aesthetic approach, own preferences and live / work environment.

Be on the watch, i am doing a solo exhibition in March 18th at State Space in Sf as well as curating a separate show in their back room.

For Galerie Gmurzynska to present simultaneously in its two separate Zurich exhibition spaces a survey exhibition of 100 years of sculpture with around 70 objects, is both a reference to its more than 50 - year history as well as to its presence.

In this exhibition, organized by Haus der Kunst, Munich, in collaboration with the Guggenheim Museum Bilbao, visitors will be able to discover and experience 28 emotionally charged architectural spaces, each an individual microcosm separating the internal from the external world, by one of the most influential artists of the twentieth century.

Art critic Minoru Shimizu observes of Caivano's work as follows: «Her art is an endless collage, composed of varied brushstrokes and unpainted white areas, individual works and the walls of the exhibition space, and the overall installation and position of the viewer... Caivano's installations are like paintings, the individual works performing in the same way as separate strokes of the brush, and her paintings are like installations composed of discrete touches of paint.

Divided into two separate rooms, the first part of the exhibition consists of photographs, some with text, two web projects, a banner, a drawing, a DVD, a tent, and a project space installed with drawings, text, and a tape recording.

When it comes to guys like me taking up space I believe that most, if not all, intentionally separate their art from politics, because they all continue to have solo exhibitions and seem to have no problem showing in places where black and brown artists (local and foreign) get little to no representation or exposure.

In one room, the walls do not extend to the ceiling, allowing for an airiness that extends beyond the exhibition space and is indicative of the artist's process: art can not be separated from daily life — it must be left open to influences from within and without.

A separate white cube space designed for the exhibition occupies the center of the room, presenting focused selections of works inside the cube, which change seasonally.

What's on view: The gallery, which is separated into two exhibition spaces, contains a series of Fraga's amorphous, figurative paintings on crinkly found paper in one space, while in the other, his collection of altered found objects and materials forms the basis of a spacious, room - sized installation.

Geiser's recent exhibition at Kips Gallery — one of the smaller, more intimate spaces in West Chelsea — consists of a sequence of enlarged microorganisms and painterly floral forms on separate panels.

In the exhibition space, the windows are fundamentally alienated in several ways: they are not part of a house; and their layout creates doubt about their ability to separate inside and outside — to be tight.

As a separate location from the mental health units they ordinarily work in, this exhibition offers the freedom to draw out the potential in carefully, radically and candidly thought out living spaces.

A curtain — a recurrent motif in Condorelli's work — separated space and articulated the many relationships at play in the exhibition; between specific yet contingent objects, the dichotomy between friendship and work, and the difficulties of finding comfort in an austere gallery setting.

This exhibition consists of five separate solo exhibitions which is a novel use of the building's space.