Sentences with phrase «separate exhibitions at»

Work by John Baldessari will be on view in two separate exhibitions at Marian Goodman Gallery's London and Paris locations.

Just like a reality TV show, the premise behind this year's Whitney Biennial aims for high spectacle: What happens when you take three curators and ask them to put on three separate exhibitions at one of the world's most prestigious museums?

Not exact matches

But in Paris two separate exhibitions are looking at the iconoclast from Antwerp.

This month the 2nd Fridays show at the Santa Barbara Tennis Club features two separate exhibitions for your viewing pleasure.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

His most recent exhibition, What Separates Us, at the Embassy of Brazil in London, centers around themes of circuits of exchange and value from a cultural, social, and political point of view.

Experimenting with a new model of inviting three separate curators who will each be responsible for a floor of the exhibition, the Whitney uncharacteristically reached outside New York City and, with the selection of Grabner, outside professional curators in an attempt to be less insular and more representative of the country at large.

Art writer Joyce Beckenstein writes: «At first glance these two wildly different exhibitions, which are in fact consigned to separate gallery spaces, have absolutely nothing to do with one another.

A solo exhibition of Zanele Muholi's work is on display at the Williams College Museum of Art in Williamstown, MA, through April 27, 2014, featuring photographs from three separate bodies of work: Faces and Phases (2006 - ongoing), Beulahs (2006 - 2010), and Being (2007).

«At the Museum of Modern Art, the current exhibition «Color Chart: Reinventing Color, 1950 to Today» examines two separate but related meanings of... read more... «America's Lessness»

The exhibition «Louise Bourgeois: Structures of Existence: The Cells» presents 28 emotionally charged architectural spaces, each an individual microcosm separating the internal from the external world, the exhibition also reunites Cells I to VI for the first time since 1991, when they were first shown at the Carnegie International in Pittsburgh.

Jurying an exhibition like Viridian's at that time was an essential activity, a relief from the horrifying realization that, at least in New York, little separates the art world from global financial markets and the entertainment industry.»

An inspiring and highly important part of the Gallery's exhibition program, Gallery 2 was formerly located adjacent to the main gallery at the 525 West 24th Street location, prior to the recent opening of separate Gallery 2 space at 544 West 24th Street.

At Conduit Gallery, three separate exhibitions include work by Vincent Falsetta, Gabriel Dawe, and the...

These two remarkable figures are celebrated in separate exhibitions this summer (at the Metropolitan Museum of Art in New York and the Van Gogh Museum in Amsterdam).

Although conceived independently and presented as separate solo exhibitions, when taken together two shows at Kai Lin Art through January 30 reveal much about the intellectual and emotional trajectory of global civilization — East, West, and points between.

A separate exhibition of Batchelor's Monochrome Archive (1997 - 2015) was also on display at Whitechapel Gallery until May 2015.

Inside on a Labor Day weekend, the small museum crammed in at least five separate exhibitions for its second summer.

Yayoi Kusama's exhibition at the National Art Centre in Tokyo (22 February — 22 May), and a separate one at the National Gallery Singapore in June, are ones to look out for.

«Invisible» is spread across three separate, nearby locations: Schoeni's main gallery on Old Bailey Street, the Hollywood Road branch and the gallery's newest exhibition space, at 8 Chancery Lane — formerly used as the gallery's storage space.

This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.

It is somewhat unclear whether the exhibitions by Vlatka Horvat and Sara Greenberger Rafferty at the Kitchen were conceived as separate shows, or as independent efforts that, as curated by Matthew Lyons, just happen to work well together.

By invitation of both Rodeo and Yama and in dialogue with curator Krist Gruijthuijsen, Gabriel Lester has conceived an exhibition on two separate platforms, one as a commission for Yama's video screen located on top of the Marmara Pera hotel, which will also include screenings in two different rooms located inside the hotel, and a solo show at Rodeo.

At the Museum of Modern Art, the current exhibition «Color Chart: Reinventing Color, 1950 to Today» examines two separate but related meanings of readymade color.

The show itself is spilt into two separate levels; downstairs is a self - curated retrospective of some of his finest work of the past five years, upstairs contains two installation pieces, one of which created especially for the ICA and is the first solo curation of a show at the venue for Mark Sladen, the ICA's new Exhibition Director.

Alliston's artist book seems to satirise the anodyne neutrality affected by exhibition catalogues, a bit of japery all the more apropos when the viewer considers that Mellon's assets were dispersed over the course of four separate auctions at Sotheby's.

The gallery will display some works in a booth at the fair; others will be included in a separate sculpture exhibition, also part of the fair.

The Parrish Museum's Road Show series is designed to foster connections between aesthetic vision and commonplace existence by mounting exhibitions and presentations at venues separate from the main museum itself.

The exhibition at the Rupertinum is dedicated to Kentridge's exploration of theater and opera, with a separate project in each room.

The Theater of Disappearance is an umbrella title covering four separate exhibitions of new, independent commissions taking place in 2017 across Europe and the US at The Metropolitan Museum of Art, New York (April 14 - October 29), Kunsthaus Bregenz, Austria (May 13 - August 27), NEON, Athens, (June 1 - September 24, 2017) and the Geffen Contemporary at MOCA, Los Angeles (October 22 - February 26, 2018).

«Photo: Courtesy of the Contemporary Arts CenterThe two separate exhibitions currently on view at the Contemporary Arts Center — one by artist Noel Anderson and one by Andrea Bowers — are timely reminders of the power art can wield to catalyze social change.

Separated by CDs, 12» vinyl, 7» vinyl and cassettes, the itemised list was included in the catalogue for his 1998 exhibition Peter Doig: Blizzard seventy - seven, shown at the Whitechapel Gallery, Kunsthalle zu Kiel and Kunsthalle Nürnberg.

he two separate exhibitions currently on view at the Contemporary Arts Center — one by artist Noel Anderson and one by Andrea Bowers — are timely reminders of the power art can wield to catalyze social change.

Separated into distinct body of works from his versatile arsenal, the first of seven exhibitions started at Michael Kohn Gallery with some of his signature iconographic work bursting with color and detail entitled simply Recent Paintings.

«By bringing together artists that are typically separated from one another in historical accounts, the exhibition suggests both conceptual and aesthetic parallels that cut across time, national borders and media,» says Mary Kate O'Hare, associate curator of American art at the Newark Museum and the exhibition's curator.

(A separate exhibition about Roden Crater is also at Kayne Griffin Corcoran Gallery.)

The exhibition Merce Cunningham: Common Time, currently on view at the MCA, showcases Cunningham's multidisciplinary projects and explores, as Cunningham described, the «underlying principle that music and dance and art could be separate entities independent and interdependent, sharing a common time.»

The residency is a major opportunity for Zhang to obtain exposure in New York, and comes at the invitation of prominent art patrons of tremendous depth and community standing, whose collection has been the focus of nine separate museum exhibitions.

Essentially five separate exhibitions over the span of a few months, Andrea Fraser presented Down the River — her site - specific project using audio recorded at a correctional facility to bridge the gap between museums and these institutions — February 26 thru March 13.

Separate preview stories will post on Friday for all four exhibitions at Hamptons Art Hub.com.

Her practice is simultaneously broad and refined; broad in the sense that it spans group and solo exhibitions (she's prolific), a legion of regularly - updated Tumblr pages (her email signature lists 11 separate links) and various residencies (she's this year completed one at Wysing, and has work in their upcoming group show The Uncanny Valley).

Be on the watch, i am doing a solo exhibition in March 18th at State Space in Sf as well as curating a separate show in their back room.

No Man's Art Gallery opened two exhibitions in the last week of May in Tehran, showcasing the work of 23 international and Iranian artists at two separate exhibition locations.

At Conduit Gallery, three separate exhibitions include work by Vincent Falsetta, Gabriel Dawe, and the English artist Sarah Ball.

Since the works are on view in a separate enclave at the back of the gallery, and almost constitute an exhibition of their own, I've decided to focus on their installment in this article.

Originally published on the occasion of the 2010 exhibition at David Zwirner, New York, Who Is Sleeping on My Pillow marked the first time Andersson and Nordström presented their work in concurrent solo shows, after spending half their lives together while maintaining separate practices.

Experience intricate collages by Handiedan and graphic fusion by Erik Basstein in their separate debut exhibitions at Jonathan LeVine Projects.

The exhibition at the 45,000 - square - foot Rubell Family Collection and Contemporary Arts Foundation, in the Wynwood Art District of Miami, features the work of 28 Chinese artists, each given a separate gallery.

The separate Getty Research Institute and Getty Foundation co-organized Pacific Standard Time, a mammoth, eclectic exhibition featuring the works of hundreds of post-World War II artists that opened last year at nearly 70 Southern California museums.

His work is now on view in three widely separated exhibitions: «Under the Westside Highway,» a small show of paintings and drawings focused on a single, expansive triptych, at the Aldrich Contemporary Art Museum in Ridgefield, Conn.; «Onsite Paintings, 1972 - 2008,» a retrospective display of 25 paintings at the Parrish Art Museum in Southampton, N.Y.; and «Rackstraw Downes: A Selection of Drawings, 1980 - 2010» at the Betty Cuningham Gallery in Chelsea.