Sentences with phrase «separate exhibitions from»

The Biennale consists of separate exhibitions from 77 nations as well as a large overarching show, this year organised by the Swedish curator Daniel Birnbaum.

What separates this exhibition from others in the city is its rich history and the amount of artists, according to Weiss.

Gleisser also spoke of how she wanted it to be a separate exhibition from the one by the HATCH projects within the same gallery.

Not exact matches

Visitors can physically engage with exhibitions and the gallery is part of the university while also facing out onto the city, says Fitzgerald, «so it is not separated from the sciences.»

But in Paris two separate exhibitions are looking at the iconoclast from Antwerp.

As part of the BFI's major UK - wide Black Star season the BFI Southbank is currently home to the Separate Cinema Exhibition, showcasing original film posters loaned from the most extensive private holdings of African - American film memorabilia in the world, The Separate Cinema Archive.

In the cases of both Phillips and Parker, separated by more than two hundred years, each school received broad but specified authority from the state, with diplomas granted on the basis of public «exhibitions» and with the expectation - the trust - that the details of the program and its assessment would be creatures of the schools» immediate community, subject, as deemed necessary, to the inspection by the state or, in the case of Phillips, the local superintendent of (public) schools.

While there is an apparent connection between learning and effort, we want to instill grading practices that separate acknowledgment of academic achievement from the exhibition of learning behaviors.

The World's Columbian Exposition was the first world's fair with an area for amusements that was strictly separated from the exhibition halls.

In the adjacent Fifth Floor Resource Center, a zone separated from the main exhibition space by a glass wall, a punching bag hung from the ceiling.

The question is whether separate exhibitions are still needed to tell the stories that were left out and continue to be absent from conventional tellings of art history, or whether creating these separate spaces amounts to a kind of ghettoization that prevents the artwork from being considered on the larger stage.

This show — more like three separate exhibitions plus a «library» filled with materials from Auerbach's Diagonal Press — exposes the magic of the artist's oeuvre and the suspension of disbelief required in closely reading it.

This week, our picks for gallery exhibitions opening in New York City feature solo and group shows and one exhibit featuring work from 11 separate galleries.

Additionally, this exhibition considers the ways in which drawing is employed as a means to push the boundaries that traditionally separate one artistic discipline from another by expanding beyond the page and into the realms of performance, photography, sculpture, film, and video.

Each year, AAC accepts proposals from artists for solo exhibitions to take place in one of AAC's seven separate gallery spaces or outside on the grounds.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

His most recent exhibition, What Separates Us, at the Embassy of Brazil in London, centers around themes of circuits of exchange and value from a cultural, social, and political point of view.

Hockney's series of charcoal drawings, Woldgate, The Arrival of Spring in 2013 (twenty thirteen), first presented in the de Young Museum's exhibition, depict five scenes of Woldgate drawn on separate occasions, from January to May of 2013.

A solo exhibition of Zanele Muholi's work is on display at the Williams College Museum of Art in Williamstown, MA, through April 27, 2014, featuring photographs from three separate bodies of work: Faces and Phases (2006 - ongoing), Beulahs (2006 - 2010), and Being (2007).

The exhibition «Louise Bourgeois: Structures of Existence: The Cells» presents 28 emotionally charged architectural spaces, each an individual microcosm separating the internal from the external world, the exhibition also reunites Cells I to VI for the first time since 1991, when they were first shown at the Carnegie International in Pittsburgh.

The exhibition focuses on the most extraordinary painting of a stone ever created in China: Wu Bin's Ten Views of a Lingbi Stone (1610), a Ming dynasty handscroll comprising 10 separate views of a single stone from the famous site of Lingbi, Anhui Province.

Beginning in the period prior to his signature «Black» paintings, massive canvases covered in black house paint in thinly separated stripes, the exhibition will showcase the breadth of Stella's creative output as he transitioned from abstraction to minimalism and sculpture.

Jurying an exhibition like Viridian's at that time was an essential activity, a relief from the horrifying realization that, at least in New York, little separates the art world from global financial markets and the entertainment industry.»

In fact, the gallery had moved a wall to separate the street entrance from the exhibition, making the viewing space narrower than it normally was.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

Archival materials are spread through two geographically separated spaces, the A + D Gallery and the Glass Curtain Gallery, and the program also includes workshops and student exhibitions as part of a yearlong fellowship from the Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media.

Joking aside, it is this inevitable interruption that separates Wheeler's gallery exhibition from, say, James Turrell's Aten Reign, another light - based work and one that illuminated the Guggenheim's rotunda this past summer to great fanfare.

Project Space is a boutique exhibition space located within, but separate from, Gallerysmith in North Melbourne.

The new gallery incorporates a sliding plywood wall, which separates a large exhibition space from a smaller one.

For the inaugural exhibition of its satellite location in Williamsburg, Brooklyn, the artist Emily Katrenik is eating the wall that separates the gallery's exhibition space from the bedroom of its director -LSB-...] Video of her ingestion is included in the exhibition; she also removes some of the plaster and bakes it into loaves of bread, which are available for gallery visitors to sample.

Celebrating the experience of not - knowing and unlearning, the artists in this exhibition understand the world in speculative terms, eager to keep art separate from explanation.

Piper's move, ARTNews's Robin Cembalest wrote, raised the question of «whether separate exhibitions are still needed to tell the stories that were left out and continue to be absent from conventional tellings of art history, or whether creating these separate spaces amounts to a kind of ghettoization that prevents the artwork from being considered on the larger stage.»

By setting up a dialogue of movements in painting from the 1960s to the present day, the exhibition brings together works by Emilio Renart, Enrico Castellani, Adolf Fleischmann und Michel Majerus that are separated in time by as much as four decades.

The spring exhibitions and projects will be presented in two separate groups, with the first on view from March 18 through April 15, 2012.

From a pool of fifty submissions to the UAG's open call for proposals, the UAG Exhibition Review Board selected Taylor and Perry, who provided separate applications, to mount this two - person exhibition that grapples with complex environmentExhibition Review Board selected Taylor and Perry, who provided separate applications, to mount this two - person exhibition that grapples with complex environmentexhibition that grapples with complex environmental issues.

There are also supplementary materials as part of the exhibition, pulled from the gallery's almost 50 year history and extensive archive, set on shelves and in a vitrine in a separate gallery space, taking the exhibition offscreen to the physical page.

The Repeat / Recreate exhibition is now closed, and many of these paintings were separated from their mates and returned to their owners.

A centrepiece of the exhibition Daytime Astronomy (1997 - 98) captures a moment of profound revelation: as a seventeen - year - old boy, working on Canada's wide - open Western plains, it is the moment that the artist first became aware of the void that separates man from the world around him.

The exhibition cautions us from making heavy weather of comparisons between these two artists separated by a century.

The Parrish Museum's Road Show series is designed to foster connections between aesthetic vision and commonplace existence by mounting exhibitions and presentations at venues separate from the main museum itself.

Separated into distinct body of works from his versatile arsenal, the first of seven exhibitions started at Michael Kohn Gallery with some of his signature iconographic work bursting with color and detail entitled simply Recent Paintings.

«By bringing together artists that are typically separated from one another in historical accounts, the exhibition suggests both conceptual and aesthetic parallels that cut across time, national borders and media,» says Mary Kate O'Hare, associate curator of American art at the Newark Museum and the exhibition's curator.

The exhibition featured 16 pictures from three separate series: the black, aluminum, and copper pictures.

Its 4000 sq. ft. Bowery space, we present monthly solar and group exhibitions — often two separate exhibitions simultaneously — including artists from the very emerging to the established in our thematic shows.

From 31 May 2012 the Irish Museum of Modern Art's exhibitions programme will be based in two separate locations — the New Galleries in the grounds of the Royal Hospital in Kilmainham and the ground floor exhibition spaces in the National Concert Hall building in Earlsfort Terrace.

It's an opportunity for one artist to exhibit a body of their work in a small room of the gallery, separate from the rest of the juried exhibition.

The excuses were a party and an exhibition featuring work inspired by French Baroque painter Nicholas Poussin's landscapes, while the reason was fundraising for the Bruce High Quality Foundation University (BHFQU), an experimental, non-profit art school that offers free classes and an alternative to the MFA by separating art from careerism.

The exhibition «The Border» studies and analyses borders as territorial isolations or on the contrary accessions, as cultural or social barriers, as an instrument separating «us» from the «others».

The exhibition, designed by Dyvik Kahlen Architects, is sorted into separated sections, where from 20 to 3,000 objects belonging to each personal collection are presented in separate spaces, reflecting each artist's aesthetic approach, own preferences and live / work environment.

It's possible to imagine an exhibition one day where the «Armi» and the «Finte sculture» would be shown near the last groups of works — albeit ideally in separate rooms — illustrating what a jump it was for Pascali to make sculptures based on animal forms, or how he moved from using industrial materials to re-create contemporary weaponry into using domestic materials to conjure a world of prehistoric fantasy.