Sentences with phrase «separate exhibitions into»

A Space in Two Dimensions, in fact, does not so much «weave two separate exhibitions into a single space» as make plain a rather unseemly MoMA - lite agenda.

Not exact matches

Additionally, this exhibition considers the ways in which drawing is employed as a means to push the boundaries that traditionally separate one artistic discipline from another by expanding beyond the page and into the realms of performance, photography, sculpture, film, and video.
The decision to split this exhibition into two separate venues for its New York run complicates and confuses the message as well as the form of the show, which suffers as a result.
The wood appears inside in the form of a sliding wall that can separate the open plan into a larger and smaller exhibition space.
For the inaugural exhibition of its satellite location in Williamsburg, Brooklyn, the artist Emily Katrenik is eating the wall that separates the gallery's exhibition space from the bedroom of its director -LSB-...] Video of her ingestion is included in the exhibition; she also removes some of the plaster and bakes it into loaves of bread, which are available for gallery visitors to sample.
The exhibition will be separated into six sections, showcasing works with precious metals, gemstones, enamels, miniature Easter eggs and hardstone carvings.
The show itself is spilt into two separate levels; downstairs is a self - curated retrospective of some of his finest work of the past five years, upstairs contains two installation pieces, one of which created especially for the ICA and is the first solo curation of a show at the venue for Mark Sladen, the ICA's new Exhibition Director.
It has since expanded into a 5,000 - square - foot, street - level gallery containing three separate exhibition spaces on West 21st Street in Chelsea.
In a separate exhibition hosted by Devin Borden Gallery, Where the Ranch Actually Was, Margolin and Vaughan offered up a peek into the research they've been conducting in Texas.
Separated into distinct body of works from his versatile arsenal, the first of seven exhibitions started at Michael Kohn Gallery with some of his signature iconographic work bursting with color and detail entitled simply Recent Paintings.
In the HVCCA's utilitarian space, lust and its antidote love, were separated into two exhibitions.
For the exhibition the gallery spaces will be separated into single exhibition spaces.
Work in this exhibition is greatly informed by her experiences hunting, which required separating her surroundings into the visual, the auditory, and the physical.
The exhibition, designed by Dyvik Kahlen Architects, is sorted into separated sections, where from 20 to 3,000 objects belonging to each personal collection are presented in separate spaces, reflecting each artist's aesthetic approach, own preferences and live / work environment.
It's possible to imagine an exhibition one day where the «Armi» and the «Finte sculture» would be shown near the last groups of works — albeit ideally in separate rooms — illustrating what a jump it was for Pascali to make sculptures based on animal forms, or how he moved from using industrial materials to re-create contemporary weaponry into using domestic materials to conjure a world of prehistoric fantasy.
For her first solo exhibition in Germany (co-organized with the Kunsthalle Nürnberg and the Museion in Bolzano, Italy), Tatiana Trouvé has transformed eight galleries of the Kunstmuseum Bonn into a series of separate but interconnected installations.
Divided into two separate rooms, the first part of the exhibition consists of photographs, some with text, two web projects, a banner, a drawing, a DVD, a tent, and a project space installed with drawings, text, and a tape recording.
The artefacts and artworks are separated into six themes: Domestic Life, Decoration & Adornment, Fertility & the Body, Religion & Burial, Trade & Agriculture and War & Battle, mimicking the curatorial choices of historical museum exhibitions.
Clearing owner Olivier Babin moved into the massive compound in 2017 — the gallery operated for five years out of a small townhouse, but the support for his program from local collectors prompted him to bet on more ambitious digs in Brussels, and he purchased a 5,400 - square - foot former shutter factory and turned it into a stunning space with high ceilings that run together like the roof of a church, buttressed by separate exhibition spaces, a bar, a café, and office space.
What's on view: The gallery, which is separated into two exhibition spaces, contains a series of Fraga's amorphous, figurative paintings on crinkly found paper in one space, while in the other, his collection of altered found objects and materials forms the basis of a spacious, room - sized installation.
Pangea (also the title of a work in the exhibition by Lance Turner) is geology's name for the primal, unified landmass, which has since broken into today's separate continents by the subterranean drift of the earth's tectonic plates; as this apocalyptic year of 2012 progresses, the work brought together in this combined seven - artist show will undergo its own continental drift, and the meaning of each individual artistic practice will become more apparent.
Inspired by the late artist and author Édouard Levé's book Works, in which he gathered more than five - hundred artistic ideas he aimed to bring into fruition, the exhibition scrutinizes the ambiguous border separating success from downfall.
The fair, which will take place at the Miami Beach Convention Center December 3 through 6, is separated into several sectors including Kabinett, a space for galleries to present additional curated exhibitions alongside their regular booth presentations.
Almost too large for any one solo exhibition, it has several focal points that can be worked to flow into one another, or which can be successfully screened off to create separate, intimate spaces.
The impact is potent enough that when two curators from the Museum of Modern Art paid separate studio visits last summer, they both proposed putting it directly into a solo exhibition at the museum, bypassing the typical introductory show at Matthew Marks Gallery.
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