A Space in Two Dimensions, in fact, does not so much «weave two
separate exhibitions into a single space» as make plain a rather unseemly MoMA - lite agenda.
Not exact matches
Additionally, this
exhibition considers the ways in which drawing is employed as a means to push the boundaries that traditionally
separate one artistic discipline from another by expanding beyond the page and
into the realms of performance, photography, sculpture, film, and video.
The decision to split this
exhibition into two
separate venues for its New York run complicates and confuses the message as well as the form of the show, which suffers as a result.
The wood appears inside in the form of a sliding wall that can
separate the open plan
into a larger and smaller
exhibition space.
For the inaugural
exhibition of its satellite location in Williamsburg, Brooklyn, the artist Emily Katrenik is eating the wall that
separates the gallery's
exhibition space from the bedroom of its director -LSB-...] Video of her ingestion is included in the
exhibition; she also removes some of the plaster and bakes it
into loaves of bread, which are available for gallery visitors to sample.
The
exhibition will be
separated into six sections, showcasing works with precious metals, gemstones, enamels, miniature Easter eggs and hardstone carvings.
The show itself is spilt
into two
separate levels; downstairs is a self - curated retrospective of some of his finest work of the past five years, upstairs contains two installation pieces, one of which created especially for the ICA and is the first solo curation of a show at the venue for Mark Sladen, the ICA's new
Exhibition Director.
It has since expanded
into a 5,000 - square - foot, street - level gallery containing three
separate exhibition spaces on West 21st Street in Chelsea.
In a
separate exhibition hosted by Devin Borden Gallery, Where the Ranch Actually Was, Margolin and Vaughan offered up a peek
into the research they've been conducting in Texas.
Separated into distinct body of works from his versatile arsenal, the first of seven
exhibitions started at Michael Kohn Gallery with some of his signature iconographic work bursting with color and detail entitled simply Recent Paintings.
In the HVCCA's utilitarian space, lust and its antidote love, were
separated into two
exhibitions.
For the
exhibition the gallery spaces will be
separated into single
exhibition spaces.
Work in this
exhibition is greatly informed by her experiences hunting, which required
separating her surroundings
into the visual, the auditory, and the physical.
The
exhibition, designed by Dyvik Kahlen Architects, is sorted
into separated sections, where from 20 to 3,000 objects belonging to each personal collection are presented in
separate spaces, reflecting each artist's aesthetic approach, own preferences and live / work environment.
It's possible to imagine an
exhibition one day where the «Armi» and the «Finte sculture» would be shown near the last groups of works — albeit ideally in
separate rooms — illustrating what a jump it was for Pascali to make sculptures based on animal forms, or how he moved from using industrial materials to re-create contemporary weaponry
into using domestic materials to conjure a world of prehistoric fantasy.
For her first solo
exhibition in Germany (co-organized with the Kunsthalle Nürnberg and the Museion in Bolzano, Italy), Tatiana Trouvé has transformed eight galleries of the Kunstmuseum Bonn
into a series of
separate but interconnected installations.
Divided
into two
separate rooms, the first part of the
exhibition consists of photographs, some with text, two web projects, a banner, a drawing, a DVD, a tent, and a project space installed with drawings, text, and a tape recording.
The artefacts and artworks are
separated into six themes: Domestic Life, Decoration & Adornment, Fertility & the Body, Religion & Burial, Trade & Agriculture and War & Battle, mimicking the curatorial choices of historical museum
exhibitions.
Clearing owner Olivier Babin moved
into the massive compound in 2017 — the gallery operated for five years out of a small townhouse, but the support for his program from local collectors prompted him to bet on more ambitious digs in Brussels, and he purchased a 5,400 - square - foot former shutter factory and turned it
into a stunning space with high ceilings that run together like the roof of a church, buttressed by
separate exhibition spaces, a bar, a café, and office space.
What's on view: The gallery, which is
separated into two
exhibition spaces, contains a series of Fraga's amorphous, figurative paintings on crinkly found paper in one space, while in the other, his collection of altered found objects and materials forms the basis of a spacious, room - sized installation.
Pangea (also the title of a work in the
exhibition by Lance Turner) is geology's name for the primal, unified landmass, which has since broken
into today's
separate continents by the subterranean drift of the earth's tectonic plates; as this apocalyptic year of 2012 progresses, the work brought together in this combined seven - artist show will undergo its own continental drift, and the meaning of each individual artistic practice will become more apparent.
Inspired by the late artist and author Édouard Levé's book Works, in which he gathered more than five - hundred artistic ideas he aimed to bring
into fruition, the
exhibition scrutinizes the ambiguous border
separating success from downfall.
The fair, which will take place at the Miami Beach Convention Center December 3 through 6, is
separated into several sectors including Kabinett, a space for galleries to present additional curated
exhibitions alongside their regular booth presentations.
Almost too large for any one solo
exhibition, it has several focal points that can be worked to flow
into one another, or which can be successfully screened off to create
separate, intimate spaces.
The impact is potent enough that when two curators from the Museum of Modern Art paid
separate studio visits last summer, they both proposed putting it directly
into a solo
exhibition at the museum, bypassing the typical introductory show at Matthew Marks Gallery.