Sentences with phrase «separate exhibitions of»

The Theater of Disappearance is an umbrella title covering four separate exhibitions of new, independent commissions taking place in 2017 across Europe and the US at The Metropolitan Museum of Art, New York (April 14 - October 29), Kunsthaus Bregenz, Austria (May 13 - August 27), NEON, Athens, (June 1 - September 24, 2017) and the Geffen Contemporary at MOCA, Los Angeles (October 22 - February 26, 2018).

A separate exhibition of Batchelor's Monochrome Archive (1997 - 2015) was also on display at Whitechapel Gallery until May 2015.

Not exact matches

Visitors can physically engage with exhibitions and the gallery is part of the university while also facing out onto the city, says Fitzgerald, «so it is not separated from the sciences.»

The Separate Cinema Exhibition runs until 2 Jan as part of BFI's Black Star, with a tie - in coffee table book «Separate Cinema: The First 100 years of Black Poster Art» available now.

As part of the BFI's major UK - wide Black Star season the BFI Southbank is currently home to the Separate Cinema Exhibition, showcasing original film posters loaned from the most extensive private holdings of African - American film memorabilia in the world, The Separate Cinema Archive.

In the cases of both Phillips and Parker, separated by more than two hundred years, each school received broad but specified authority from the state, with diplomas granted on the basis of public «exhibitions» and with the expectation - the trust - that the details of the program and its assessment would be creatures of the schools» immediate community, subject, as deemed necessary, to the inspection by the state or, in the case of Phillips, the local superintendent of (public) schools.

While there is an apparent connection between learning and effort, we want to instill grading practices that separate acknowledgment of academic achievement from the exhibition of learning behaviors.

Enjoy the views of leafy Exhibition Street in our One Bedroom Exhibition Apartments, which are well equipped with a kitchenette, separate living and dining areas and laundry facilities.

The question is whether separate exhibitions are still needed to tell the stories that were left out and continue to be absent from conventional tellings of art history, or whether creating these separate spaces amounts to a kind of ghettoization that prevents the artwork from being considered on the larger stage.

This show — more like three separate exhibitions plus a «library» filled with materials from Auerbach's Diagonal Press — exposes the magic of the artist's oeuvre and the suspension of disbelief required in closely reading it.

Additionally, this exhibition considers the ways in which drawing is employed as a means to push the boundaries that traditionally separate one artistic discipline from another by expanding beyond the page and into the realms of performance, photography, sculpture, film, and video.

Each year, AAC accepts proposals from artists for solo exhibitions to take place in one of AAC's seven separate gallery spaces or outside on the grounds.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Among other works, the exhibition includes a 24» high x 114» long photograph on raw wood that spans the length of MASS MoCA's tallest gallery and an immersive installation of animated video on twelve separate 24» high screens.

The gallery will be inaugurated with a series of four separate exhibitions in the ground and first - floor galleries: Since -LSB-...]

His most recent exhibition, What Separates Us, at the Embassy of Brazil in London, centers around themes of circuits of exchange and value from a cultural, social, and political point of view.

Experimenting with a new model of inviting three separate curators who will each be responsible for a floor of the exhibition, the Whitney uncharacteristically reached outside New York City and, with the selection of Grabner, outside professional curators in an attempt to be less insular and more representative of the country at large.

Hockney's series of charcoal drawings, Woldgate, The Arrival of Spring in 2013 (twenty thirteen), first presented in the de Young Museum's exhibition, depict five scenes of Woldgate drawn on separate occasions, from January to May of 2013.

A solo exhibition of Zanele Muholi's work is on display at the Williams College Museum of Art in Williamstown, MA, through April 27, 2014, featuring photographs from three separate bodies of work: Faces and Phases (2006 - ongoing), Beulahs (2006 - 2010), and Being (2007).

The presence of these two separate exhibitions affords a unique experience of an artist's work seldom seen.

«At the Museum of Modern Art, the current exhibition «Color Chart: Reinventing Color, 1950 to Today» examines two separate but related meanings of... read more... «America's Lessness»

The exhibition in Chur was conceived for an Art Nouveau villa, where the works could be organized thematically in a series of separate rooms.

These, along with a separate body of sculptures using bamboo skewers bound with string, will be featured in the exhibition.

A separate catalogue in the language of each country, all published ast «No. 8»; Robert Goldwater, Bryan Robertson, Peter Selz, Mark Rothko, A Retrospective Exhibition of Paintings, 1945 - 1960, London: Whitechapel Art Gallery, 1961, no. 23 (not shown); Robert Goldwater, Peter Selz, and Emilio Villa (in Dutch and French), Mark Rothko, Amsterdam, Stedelijk Museum, 1961, no. 23; Peter Selz, Mark Rothko, Palais des Beaux - Arts, Brussels, 1962, no. 23; Roberth Goldwater and Peter Selz, Mark Rothko, Kunsthalle, Basel, 1962, no. 23; Palma Bucarelli, Mark Rothko, Galleria Nazionale d'Arte Moderna, Roma, 1962 (not shown); Peter Selz, Mark Rothko, Musee de'Art Monderne de la Ville de Paris, Paris, 1963, no. 19.

The decision to split this exhibition into two separate venues for its New York run complicates and confuses the message as well as the form of the show, which suffers as a result.

The exhibition functions as a pairing of two separate artists working in...

Given the nature of the concurrent exhibitions, I can not help but draw comparisons between the exhibitions (for the sake of this argument, I will consider them two separate entities) and their locations.

The exhibition «Louise Bourgeois: Structures of Existence: The Cells» presents 28 emotionally charged architectural spaces, each an individual microcosm separating the internal from the external world, the exhibition also reunites Cells I to VI for the first time since 1991, when they were first shown at the Carnegie International in Pittsburgh.

Gagosian Gallery on Madison Avenue is spending the month of May 2014 (and beyond) with three separate exhibitions and projects with Ed Ruscha in New York, including his participation in Frieze New Y

The exhibition focuses on the most extraordinary painting of a stone ever created in China: Wu Bin's Ten Views of a Lingbi Stone (1610), a Ming dynasty handscroll comprising 10 separate views of a single stone from the famous site of Lingbi, Anhui Province.

Beginning in the period prior to his signature «Black» paintings, massive canvases covered in black house paint in thinly separated stripes, the exhibition will showcase the breadth of Stella's creative output as he transitioned from abstraction to minimalism and sculpture.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

Part of Knockdown Center's Ruin Series, the exhibition is held within the remains of a century - old stone building, which encompasses three separate rooms, one of which has no roof and is exposed to the elements.

This past fall, Manhattan's various art districts offered five separate exhibitions devoted to aspects of Katz's work.

Archival materials are spread through two geographically separated spaces, the A + D Gallery and the Glass Curtain Gallery, and the program also includes workshops and student exhibitions as part of a yearlong fellowship from the Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media.

Each has a full floor, in three separate but parallel exhibitions, but with Michael Heizer spilling out of the basement.

New this year is an experimental group show called «Art Supernova»: Instead of each gallery having its own separate booth, the exhibitors have interconnected exhibition spaces.

More than an exhibition of separate and self - contained works, the scale and simultaneity of the works installed over 4 floors of TRAFO will create a single installation where the works echo physical and topographical layers, addressing issues of modernity and the human condition in front of changing political and technological realities.

An inspiring and highly important part of the Gallery's exhibition program, Gallery 2 was formerly located adjacent to the main gallery at the 525 West 24th Street location, prior to the recent opening of separate Gallery 2 space at 544 West 24th Street.

Host galleries that give up portions of their own space to visiting galleries while mounting their own separate exhibitions mostly miss the mark: either one show eclipses the other or both co-exist awkwardly, in a kind of flat - footed dance that only increases the overall sense of market competition.

A separate sculpture by Ledelle Moe (part of section two of the exhibition) will also be on display outside of the museum.

These two remarkable figures are celebrated in separate exhibitions this summer (at the Metropolitan Museum of Art in New York and the Van Gogh Museum in Amsterdam).

Although 14 years separated The Avant - Garde in Exhibition (1994) and Salon to Biennial — Exhibitions That Made Art History: 1863 - 1959 (2008), Altshuler's concise and unambiguous style saw the former elevated to the status of a classic (a staple of emerging curatorial studies syllabi worldwide) and the later garlanded with rave reviews.

This exhibition brought together seven paintings, representing parts of two separate altarpieces for Borgo San Sepolcro.

This exhibition comprises two separate bodies of work created over the past three years.

Although conceived independently and presented as separate solo exhibitions, when taken together two shows at Kai Lin Art through January 30 reveal much about the intellectual and emotional trajectory of global civilization — East, West, and points between.

The wood appears inside in the form of a sliding wall that can separate the open plan into a larger and smaller exhibition space.

For the inaugural exhibition of its satellite location in Williamsburg, Brooklyn, the artist Emily Katrenik is eating the wall that separates the gallery's exhibition space from the bedroom of its director -LSB-...] Video of her ingestion is included in the exhibition; she also removes some of the plaster and bakes it into loaves of bread, which are available for gallery visitors to sample.

«L8S ANG3LES: 11 L.A. Photographers» was organized as the inaugural exhibition, the «8» standing for the eight artists whose work was shown on the walls of the new gallery, and the «3» representing three Los Angeles Times staff photographers whose work was digitally projected in a separate screening room.

Celebrating the experience of not - knowing and unlearning, the artists in this exhibition understand the world in speculative terms, eager to keep art separate from explanation.