Sentences with phrase «separate gallery spaces»

Utilizing our three separate gallery spaces, the project presents: new silkscreen and letterpress prints, paintings, sculptures, and a series of collaborative artworks with the designer and artist, Carlo Brandelli.

Despite the clear division of medium between the two separate gallery spaces, there is a continued sense of theatricality between the two.

Tiger Strikes Asteroid is physically connected to Transmitter, but they operate as separate gallery spaces.

Art writer Joyce Beckenstein writes: «At first glance these two wildly different exhibitions, which are in fact consigned to separate gallery spaces, have absolutely nothing to do with one another.

Each year, AAC accepts proposals from artists for solo exhibitions to take place in one of AAC's seven separate gallery spaces or outside on the grounds.

There are also supplementary materials as part of the exhibition, pulled from the gallery's almost 50 year history and extensive archive, set on shelves and in a vitrine in a separate gallery space, taking the exhibition offscreen to the physical page.

Not exact matches

Since the master bedroom is part of a suite, it was designed to feel like a separate retreat from the rest of the home with design details like the gallery wall that help the space feel curated and special.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Taking over the entire gallery and transforming the space into a Natural History Museum meets island tourist bar, IF IT FLOATS... breaks the gallery into 4 separate rooms, each fit with its own unique art viewing experience.

As gallery - goers wandered to the back of the downstair's galleries, they discovered a separate space that the center's insiders still call...

In fact, the gallery had moved a wall to separate the street entrance from the exhibition, making the viewing space narrower than it normally was.

CB1 also includes a separate exhibition space across the building's common hall, CB1 - G, which is offered as a temporary lease (30 - or 60 - day only) «pop up» gallery for vetted and professional art dealers (public and private) and independent curators from across the world, covering a multitude of both contemporary and historical art disciplines.

Archival materials are spread through two geographically separated spaces, the A + D Gallery and the Glass Curtain Gallery, and the program also includes workshops and student exhibitions as part of a yearlong fellowship from the Ellen Stone Belic Institute for the Study of Women and Gender in the Arts and Media.

New this year is an experimental group show called «Art Supernova»: Instead of each gallery having its own separate booth, the exhibitors have interconnected exhibition spaces.

Gallerysmith Project Space is a separate gallery from Gallerysmith.

An inspiring and highly important part of the Gallery's exhibition program, Gallery 2 was formerly located adjacent to the main gallery at the 525 West 24th Street location, prior to the recent opening of separate Gallery 2 space at 544 West 24th Gallery's exhibition program, Gallery 2 was formerly located adjacent to the main gallery at the 525 West 24th Street location, prior to the recent opening of separate Gallery 2 space at 544 West 24th Gallery 2 was formerly located adjacent to the main gallery at the 525 West 24th Street location, prior to the recent opening of separate Gallery 2 space at 544 West 24th gallery at the 525 West 24th Street location, prior to the recent opening of separate Gallery 2 space at 544 West 24th Gallery 2 space at 544 West 24th Street.

Host galleries that give up portions of their own space to visiting galleries while mounting their own separate exhibitions mostly miss the mark: either one show eclipses the other or both co-exist awkwardly, in a kind of flat - footed dance that only increases the overall sense of market competition.

The new gallery incorporates a sliding plywood wall, which separates a large exhibition space from a smaller one.

The gallery space too becomes part of the work, as the architecture containing each group of paintings he installs by colour in three separate rooms.

For the inaugural exhibition of its satellite location in Williamsburg, Brooklyn, the artist Emily Katrenik is eating the wall that separates the gallery's exhibition space from the bedroom of its director -LSB-...] Video of her ingestion is included in the exhibition; she also removes some of the plaster and bakes it into loaves of bread, which are available for gallery visitors to sample.

Hauser & Wirth will open their first American gallery in a newly designed space at 32 East 69th Street and will announce their New York opening in a separate press release.

Walking around the fair has a more relaxed atmosphere: it feels like you're walking in one space, the galleries don't feel like separate islands, and, as it is more spacious, you can view and appreciate the art better.

A video installation shown in a separate space in the gallery complements the performance.

«Invisible» is spread across three separate, nearby locations: Schoeni's main gallery on Old Bailey Street, the Hollywood Road branch and the gallery's newest exhibition space, at 8 Chancery Lane — formerly used as the gallery's storage space.

This presents a way of re-thinking the «curated» exhibition - which usually relies on formal similarities - as a text or newspaper wherein each «article» or artwork is a separate entity to be read singularly, only held together by the group show format and gallery space itself.

The Flatiron Prow Art Space, Cheddar, smART stART and the salon today are all important aspects of the original vision of being a separate entity to the traditional gallery system and «to make art accessible to all.»

In placing his works within a gallery space, Versteeg separates technology from its everyday contexts and allows viewers to approach mass - media imagery in a more reflective environment.

Moishe Mana, founder of the moving company, and his right - hand man Eugene Lemay have converted 150,000 square feet of the 1.5 million industrial space they own in Jersey City into the impressive Mana Contemporary, a center that houses over 250 artists» studios, numerous art galleries, Richard Meier's Model Museum, Gary Lichtenstein's Editions printing studio and shop, in addition to dance studios, an art book shop, a bistro, designer studios, a recently completed spectacular column - free 50,000 - square - foot separate glass gallery, and who knows what else?

Group exhibitions include; «Soft Power, Arte Brasil», Kunsthal KAdE, Amersfoort, The Netherlands (2016); «All Heritage is Poetry», Fundação Eugénio de Almeida, Evora, Portugal (2016); «What Separates Us», HS Projects, The Embassy of Brazil, London, England (2016); «Drawing Biennial», Drawing Room, London, England (2015), «Warp and woof», The Hole, New York, USA (2014), «A Sense of Things», Zabludowicz Collection, London, England (2014); «Threaded Stories», Stephen Friedman Gallery, London, England (2013); «3 am: Wonder, Paranoia and the «Restless Night», The Bluecoat, Liverpool, UK; travelling to Chapter, Cardiff, Wales, UK; The Exchange, Penzance, Cornwall, UK; Ferens Art Gallery, Hull, UK; «Site: Place of Memories, Spaces with Potential,» Hiroshima City Museum of Contemporary Art, Hiroshima, Japan (2013); «Labour and Wait,» Santa Barbara Museum of Art, California, USA (2013); «Além da Vanguarda,» Bienal Naifs do Brasil, SESC Piracicaba, São Paulo, Brazil (2012); «Mythologies, Cité Internationale des Arts,» Paris (2011); «Undone: Making and Unmaking in Contemporary Sculpture,» Henry Moore Institute, Leeds (2010); «Epílogo,» Museo de Arte Zapopan, Guadalajara, Mexico (2010; «Going International,» The Flag Art Foundation, New York, USA (2010); «Textiles Art and the Social Fabric», MUHKA, Museum of Contemporary Art, Antwerp, Belgium (2009); «Blooming: Brazil - Japan Where you are,» Toyota Municipal Art Museum, Japan (2008); «The British Art Show 06,» Hayward Gallery touring exhibition, UK (2006).

It has since expanded into a 5,000 - square - foot, street - level gallery containing three separate exhibition spaces on West 21st Street in Chelsea.

Abbas transforms the Long Gallery into a single work, The Last Vehicle, dividing the space into two separate but interrelated segments: part alien landscape, part domestic living quarters.

The largest of the gallery spaces displays a number of engaging and thought - provoking sculptures, juxtaposed to examine how the very physical makeup that separates humanity from other species has been reimagined throughout history.

Taking over the entire gallery and transforming the space into a Natural History Museum meets island tourist bar, If It Floats... breaks the gallery into 4 separate rooms, each fit with its own unique art viewing experience.

Working directly in the space at Stephen Friedman Gallery, the artist will create two separate islands inhabited by mannequins and their cardboard surrogates.

For the exhibition the gallery spaces will be separated into single exhibition spaces.

Separate areas within the Pavilion contained spaces for a café and an auditorium, where the Park Nights events programme was presented, including performances, talks, film screenings and the Serpentine Gallery Poetry Marathon.

The exhibitions are sited not only within the main Gallery and adjoining Resource Room, but also incorporate a separate exhibiting strand in the Gallery's Window Space as well as touring activity to other gallery and non-traditional art Gallery and adjoining Resource Room, but also incorporate a separate exhibiting strand in the Gallery's Window Space as well as touring activity to other gallery and non-traditional art Gallery's Window Space as well as touring activity to other gallery and non-traditional art gallery and non-traditional art spaces.

In addition to the show in the main gallery, Sverre Bjertnæs will have paintings and sculptures on display in a separate space, marking the launch of Kristin Hjellegjerde Projects.

Rotating art will be on view in a separate space in the gallery.

Homeless when he accepted that first gallery job at Hansa (he'd just separated from his first wife), Bellamy would crash each night on the space's floor, then rise in bewilderment: «I never knew what it was to run a gallery, or how to sell the work,» he recalled.

The installation is in the big picture window that acts as a transparent wall separating the offices from the gallery space.

Rather than simply repositioning vestigial studio junk in the context of a clean gallery space, Center immerses and transports the viewer to a separate reality of the artist's studio.

At first sight, one has the impression that in each of the gallery spaces is exhibited a single work, however if one takes a closer look, it becomes apparent that they are two homogenous wholes as well as composites of many separate works.

Larger bookings will be separated into two or more groups and the guided tours staggered to avoid congestion in the gallery spaces.

Marking its first appearance in the U.S. in nearly two decades, a separate gallery presents an immersive six - channel video installation titled It's late... (1998), displaying slow - motion loops of people doing various isolated mundane tasks, resulting in a thought provoking and introspective space.

The New Positions offers space for exhibitors in the sector GALLERIES to present additional one - artist presentations of young emerging artists in separate rooms attached to their booths.

For this screening, an adjacent, separate windowless space next door to ATHICA's gallery space showcased this video projection.

Clearing owner Olivier Babin moved into the massive compound in 2017 — the gallery operated for five years out of a small townhouse, but the support for his program from local collectors prompted him to bet on more ambitious digs in Brussels, and he purchased a 5,400 - square - foot former shutter factory and turned it into a stunning space with high ceilings that run together like the roof of a church, buttressed by separate exhibition spaces, a bar, a café, and office space.

What's on view: The gallery, which is separated into two exhibition spaces, contains a series of Fraga's amorphous, figurative paintings on crinkly found paper in one space, while in the other, his collection of altered found objects and materials forms the basis of a spacious, room - sized installation.

[5] In the 1970s he began to remove elements from spaces, for example sandblasting away layers of paint (at Galleria Toselli, Milan, in 1973) or removing the partition walls separating an exhibition space from the gallery office.