Then Schrader drains the color for a black and white
sequence in a strip club and you start to wonder if it's a noir.
Not exact matches
It leads to threats at gunpoint; the slowest outboard motorboat
in cinematic history; breaking and entering; the most peculiar chase
sequence I've seen
in a very long time, and a couple of key
sequences in and above a
strip club.
Refn explains to Liberation that one scene
in particular will mirror the
strip club sequence in «Drive» where Driver confronts an assailant with a hammer and a bullet as the dancers look on
in horror.