Sentences with phrase «sequence near the end of the film»

Ashby captures this tension in a brilliant sequence near the end of the film, when Copee, who is threatening Elgar with an axe after learning that his wife is carrying Elgar's child, stops and slowly lowers his weapon.

Not exact matches

And seriously, what kind of a film has tons of repetitive driving / chase / race sequences only to end with another one that's not anywhere near as ambitious as some of the ones before it?

References to older films of the genre, witty dialogue (including a monologue delivered by Carradine near the end that is probably the best thing Tarantino has ever written), extreme violence, a soundtrack filled with all kinds of extraordinary pop songs; even an entire backstory sequence completely done in Anime.

Marginalized in the initial sequences was Reeves, the lone actor well - known in the U.S. Universal opted to reshoot a major fight scene near the end of the film, as well as a few other scenes to sharpen the focus on Reeves» character Kai.

Save for one sequence near the end, all of the violence in the film remains off - screen.

The cinematography was amazing, especially near the end of the film during a mirror sequence very reminiscent to Bruce Lee's Game of Death.

Because almost every scene or sequence tells an individual story and the one overriding constant is something understandable to damn near anyone (really wanting something for Christmas), the film becomes a kind of endless Moebius strip, an eternal December that can begin and end at any point but always returns to Ralphie peering in that store window and always concludes with the boy lying in bed, cradling his gun.