Sentences with phrase «sequence of slow motion»

The perfect cherry on top of this cat and mouse sundae is the fact that, while sprinting, players can turn their heads and look behind them, with a short sequence of slow motion and motion blur, and briefly catch a glimpse of the disfigured monsters barreling down upon them, before they either narrowly escape or are devoured upon.

Not exact matches

Seeking to understand how the cone snail springs its slow - motion trap, the Utah researchers searched the gene sequences of all of the proteins expressed in the venom gland of Conus geographus.

In a slow - motion sequence - accompanied by the slowly - building tone of Strauss's Also Sprach Zarathustra - he picks up an animal bone and uses it to smash at and shatter the skeleton, first tentatively and then more vigorously.

Another notable strength of the film is the slick imagery, courtesy of DP Gianfilippo Corticelli, who uses slow - motion shots stylishly and appropriately (a sequence with Cruz dancing in a puddle as Hirsch photographs her is stunning.)

An unfazed tough guy walking away from an massive explosion in slow motion, it's a tipping point reached long ago — this sequence has become a well - worn cliché in the visual vocabulary of pop culture even beyond cinema.

It's as if I'm watching an over the top action movie and fast forwarding to all of the action packed sequences and replaying them in slow motion over and over.

Each action sequence looks like an expressionist painting and are strengthened by Jenkins's exceptional use of slow motion (a style I've resented in recent years).

His near - parody trademarks are still on display (excessive slow - motion, and you better believe just one image of a bullet - riddled American flag isn't enough) but these are well - staged, pulse - quickening sequences.

Though it has a lot of fun playing with slasher tropes and cinema in general (showing the way Max and her friends are affected by elements like musical cues, monochromatic flashback sequences and slow motion within the fictional movie), the film isn't funny or scary enough, ultimately becoming a victim of its own satire due to its insistence on preserving the genre's traditionally bad acting and writing.

Rosi uses the same montage style from the «baptism murder» sequence in Coppola's film, cutting from a lavish dinner held in Luciano's honour to scenes of bosses being shot to death in various locations, mostly in Peckinpah-esque slow - motion.

Kurzel manages to develop him outside of his prose alone in some stunning battle sequences that reinvigorate the artistry of slow motion.

Carla not only has some of the only entertaining solo scenes in the film, but she's also instrumental in some of its best comedic moments - including a slow - motion dodgeball fight between all the film's parental and kid characters that comes at the end of an already entertaining sequence set within a SkyZone trampoline park.

Whether that actually a good thing or more of a Trojan Horse to smuggle in more hyper macho battle scenes and slow motion sequences of giant mortar shell casings falling to the ground (because big guns are so awesome, guys, right?)

The main carryover from Woo's Hong Kong thrillers is the elegant sense of craft in his articulation of action sequences, though the degree of stylization is much less: Woo specialties, like slow motion, tend to be restricted to short individual shots rather than taking up whole sequences.

It's an incredibly stylish homage to the genre, with gorgeous high contrast black and white cinematography and plenty of slow motion moody dream sequences.

Part of the time, Ritchie, who shares screenplay credit with Harry Potter executive producer / Man from U.N.C.L.E scribe Lionel Wigram and lapsed filmmaker Joby Harold (the 2007 thriller Awake), applies the Sherlock Holmes treatment: the cloudy gray visuals, the slow - motion fight sequences, the irony - heavy anachronistic sense of humor.

But renowned Hong Kong action director Woo puts a striking new spin on the chaos, using lots of slow motion, freeze frames, and dissolves during the many well - staged action sequences.

Wong's violent interludes are most often brief riots of slurred or slow - motion action alternating unexpectedly with freeze - frames; these sequences, delivered so rapidly one can often barely perceive what's happening, are obviously abstract versions of the action scenes in conventional martial - arts films (The Eagle Shooting Heroes included).

We once again get some choice British Invasion tunes effectively married to slow - motion character strolls; The Kinks should be grateful for the potent exposure three of their songs are given, while the Rolling Stones» «Play with Fire» is employed for the film's most affecting sequence, adding to the list of instances where the director and band are in harmony.

Fantasy sequences involving Conrad's reconstruction of his mother's car accident play out in beautiful slow - motion sequences.

After the monologues trickle to an eventual stop, there come the sort of Matrix - inspired action sequences involving fast impact and slow - motion resolution, lots of guns in the John Woo tradition, and lots of water in the Adrian Lyne tradition.

The curiosity factor is certainly high on the streaming service's first aspiring blockbuster, a movie that looks every bit the big - screen effects extravaganza — right down to its sickly neon glow and cacophony of slow - motion fight sequences.

Doc may be better socially and sexually connected, but his quizzical expression and foggy consciousness, sometimes evoked in slow motion sequences, belie a void, a sense of loss at the heart of the film.

All the slow motion, tracking moves, and framing and wide and long shots are hauntingly descriptive: In that strangulation sequence, a shot in an apartment hallway with Bulger and his victim in the foreground slowly accommodates, in the background, one out - of - focus henchman, then another.

Whether this is meant as a critical genre analysis (See, music sequences in a musical are expendable contrivances, so to demonstrate, here are some slow - motion sequences of gunfire and swordplay to serve as a substitute) or a terribly misfired homage is beside the point.

Front - runner: «Split's» fragmented title sequence cleverly hints at the villain's multiple personalities, and «Baby Driver» has an impeccably choreographed coffee run set to «Harlem Shuffle»; «Wormwood» — the Netflix docu - series that also got a theatrical release as a movie — has a dreamy depiction of a man falling in slow motion from a hotel window.

The slow - motion that's become the Wong - Doyle trademark seems in a few sequences to almost resemble pixilation, and the close - up / wide - angle photography is clearly of a piece with their other mid-nineties output, including Chungking Express and Fallen Angels.

But while Creevy struggles with the basics of suspense — often indulging in the same hacky, buzz - killing slow motion shots as he did in Welcome To The Punch — his direction of the film's modestly conceived action sequences is serviceable: a relentless foot chase through the winding streets and picturesque houses of a medieval town; an escape from a Hagen - owned warehouse that's directed in part as a Children Of Men - style long take; and the centerpiece, a head - spinning, car - wrecking pursuit down the Autobahof suspense — often indulging in the same hacky, buzz - killing slow motion shots as he did in Welcome To The Punch — his direction of the film's modestly conceived action sequences is serviceable: a relentless foot chase through the winding streets and picturesque houses of a medieval town; an escape from a Hagen - owned warehouse that's directed in part as a Children Of Men - style long take; and the centerpiece, a head - spinning, car - wrecking pursuit down the Autobahof the film's modestly conceived action sequences is serviceable: a relentless foot chase through the winding streets and picturesque houses of a medieval town; an escape from a Hagen - owned warehouse that's directed in part as a Children Of Men - style long take; and the centerpiece, a head - spinning, car - wrecking pursuit down the Autobahof a medieval town; an escape from a Hagen - owned warehouse that's directed in part as a Children Of Men - style long take; and the centerpiece, a head - spinning, car - wrecking pursuit down the AutobahOf Men - style long take; and the centerpiece, a head - spinning, car - wrecking pursuit down the Autobahn.

strange very talky thriller... very good acting by all... a film of style over substance I think... good soundtrack and an excellent slow - motion action sequence when someone gets shot in a car but has a very ABRUBT ending that confuses!

Bay continues to use extraneous slow - motion shots of robots jogging, leaping, and flipping cars over, and the action sequences are lifted wholesale from the two previous movies, including a highway chase, fleeing a snake - like machine with a buzz - saw mouth, and that protracted final clash in a city (this time Chicago).

And on a technical level, Wright brilliantly mimics the structural characteristics of these films, with rapid - fire editing (Wright deploys Bay's fast - edited style to such a degree that there can be up to eight cuts per second in a few action sequences, a noticeable and hilarious gag) and swooping, circling and slow motion camerawork that would make John Woo proud.

It looks like a lot of terrible acting in between overly dramatic slow motion sequences and ridiculous dialogue.

The mother and son's inevitable escape makes for a harrowing sequence that exemplifies both the best of Larson's raw - nerve performance and the worst of Abrahamson's technique, fumbling between zooms and slow motion.

As in In the Mood for Love, Wong repeatedly finds the perfect visual and aural complements to his characters» romantic rapture, as in the stunning (goddamn stunning) slow - motion shot of Faye watching no. 663 drink a cup of coffee, or the screwball comedy of Faye's apartment - cleaning sequences, or the ways in which Wong uses the Mamas and the Papa's «California Dreaming» (over and over again) to express the lovers» tumultuous relationship.

The game, which bears all the filmic hallmarks of the developer's earlier work — including jump cuts, camera swirls and slow - motion action sequence — will even ship with its own tie - in TV show.

The resurgent Babette Mangolte's Water Motor (1978)(Broadway 1602 / Sikkema Jenkins) elegantly documents Trisha Brown's loose - limbed dancing, with a seductive repetition of the sequence in slow motion.

Projections of birds in slow motion flight overlap onto the nest - like structure, much like a dream sequence, intended to induce heightened levels of awareness and peace.

You have to keep the camera still, or it won't record it, and if your subject mistimes the movement even slightly, you can end up with the wrong part of the motion sequence slowed down.

Begin slow motion sequence, set to Chariots of Fire music: I would've shoved my purse into your arms and ran full - blast towards it... yelling full - on Braveheart - They - Will - Never - Take - Our - Freedom -(Or - Our - Vintage - Quilt)- style.