Sentences with phrase «sequence than the end»

Perhaps because of the placement of the word «out,» which seems to fit better in the middle of this word sequence than the end.

Not exact matches

Sequencing the genome of the Denisovans, a mysterious group of prehistoric hominins, suggests that interbreeding between Neanderthals, Denisovans and humans seems to have been common, rather than the rarity previously assumed — which further drives home the idea that we are the sole survivors of a precarious evolutionary process, rather than the end of a neat line of descent.

Scientists have previously attempted to sequence the genome of Schmidtea mediterranea, but ended up with a collection of more than 100,000 short pieces.

However, no unique sequences were found at t = 54 which matched the mature CDR3 for more than the initial 5,1, or 3 CDR3 residues for B9, A14 and B21 respectively (Fig. 7F, G, H) following the CAR / CNA residues found at the end of each V gene.

Although the 100,000 Genomes Project, delivered by the Department of Health and Social Care wholly owned company Genomics England, has taken longer than originally intended, the halfway mark of 50,000 whole genome sequences was passed earlier this year, and Chair Sir John Chisholm has said that the full 100,000 will be complete by the end of 2018.

Your edge at the beginning of a hip sequence, for example, may be different when you are entering your first hip opening postures than the postures that come at the end of the sequence.

It has some decent action sequences, including an extended multi-sequence that begins at a funeral and ends on a bullet train (part of which looks much better on the Blu - ray than in RealD in theaters).

When the long end credit sequence features family snaps of the real men who died, soundtracked to Peter Gabriel's version of «Heroes», it's clear that at some point Berg switched from filmmaking to hagiography, and that he's much better at making movies than he is at making saints.

Sure, Michael Biehn and Jeff Fahey definitely get more screen time than before, and the end credit sequence slaps on an extra six minutes, but other than that, it's mere seconds we're talking about here.

For Dell (Justin Long) and Kimberly (Emmy Rossum), a meeting in line for comet - watching at an LA cemetery (yes, really) might just turn out to be fate as we experience the relationship's less - than - auspicious beginning, middle and possible end — although you'll end up with a migraine if you try and piece any of this timeline together thanks to parallel universes, jarring time - travel sequences and a distinct lack of logical structure offered by Comet.

Q: The fantasy sequences were originally going to be much more elaborate than what ended up in the film.

Davis has everything that Lopez doesn't in Maid in Manhattan: modesty, natural beauty, charisma, a wry sense of humour — you could watch a whole movie about this persona, which is probably what Hughes had in mind, and her one sequence ends with a joke that also happens to be a far more accurate representation of the subtle fear that aristocracy puts in the minimum - wager than any of the Cinderella markers you'll find in Maid in Manhattan.

But even as the revelations pile up and the screws tighten and you start to sense that terror and violence are inevitable, the movie never loses grip on what it's about; this is a rare commercial film in which every scene, sequence, composition and line deepens the screenplay's themes — which means that when the bloody ending arrives, it seems less predictable than inevitable and right, as in myths, legends and Bible stories.

But while it's a clever approach that earns some laughs (none more so than during the end credits sequence), it doesn't change the fact that the film is still a complete retread from top to bottom.

And although Farhadi has peppered the proceedings with a handful of striking sequences - eg Emad confronts the man responsible for a transgression against his wife - The Salesman's pervasively erratic, meandering diminishes the potential impact of its third - act revelations and, in the end, confirms the movie's place as just another potentially intriguing premise squandered by Farhadi's less - than - focused modus operandi.

Yes, the story was muddled and inconsistent, but the visual style produced some memorable sequences that made the end result greater than a sum of its parts.

The explosion of violence at the end of the film recalls the iconic final sequence from Bonnie and Clyde: violence and death suddenly become much more than a plot point in the narrative of their lives.

Thankfully, «The Graduate» is saved by some great sequences (the initial seduction, Benjamin's first date with Elaine, the iconic ending) and, of course, an excellent soundtrack by Simon and Garfunkel that's more memorable than the movie itself.

This is a decent - ish action film that, while it starts more strongly than it ends, nonetheless works fairly well throughout, thanks to several fine performances and a handful of sequences — primarily, and paradoxically, non-action scenes — that achieve considerable atmospheric and / or tonal success.

The Hateful Eight has more preemptive opening sequences than Lord of the Rings had endings, of course this allows the viewer to soak up the original score and get in the right mind frame.

For all the scandalous associations that come with an orgy, there is nothing exploitative about the sequence; it is far more disturbing than it is the slightest bit arousing (which it isn't), and the sex is a means to a cinematic end and not the end itself.

Trend scoring means that final course grades reflect students» mastery of key knowledge and skills at the end of the learning sequence rather than an average of what they knew when learning began and when it ended.

The sequence ends with a surprisingly gruesome and disturbing scene that I won't spoil here — but suffice to say, it more than justifies the actions of Reznov, as well as Alex Mason throughout the game.

Players can rely more on stealth in a Thief's End than in previous Uncharted games which make it possible for skilled players to completely avoid some of the more difficult gunplay sequences, thereby removing any potential barriers.

After so long, it gets to be more frustrating than fun and actually gets to be a nuisance during the game's extremely drawn out ending sequence.

Newcomers to the fighting genre can jump in and learn the basics quickly enough, the flashy and fast combat creating a satisfying feedback loop, while the window for the infamous Fatalities is larger than ever, so almost everyone can end a fight with a grisly death sequence which are now portrayed in more beautiful graphical detail than ever.

And though I'd tempered expectations, knowing Destiny was more about the experience with other people than its single - player story, the game's «ending» — a generous term for a sequence that ended abruptly and explained nothing about what happened — nearly had me tossing the controller across the room.

Likewise, rather than just have the game end early if you make the wrong choices in certain dialogue sequences, why not have alternate ending sequences all together?

In all but the most modern machinery you need to brake earlier than you think, while the game's adjustable route notes allow you rhythmically predict the sequences of flowing bends and hairpins - something that'll make you feel heroic until your time pops up at the end of a race.

The game also seems to have no problem in wallowing in its own nostalgia, and the ending sequence resembles more a HD remake than sequel.

Rather than employing a camera to create an objective document, the artists in this exhibition are often involved in constructing narrative sequences that pose questions with open - ended outcomes.

You can think of it as a «fantastic coincidence» that the measurement ended up in the small interval of size 0.01 that it ended up in, but it's no more fantastic than flipping a coin 20 times and getting the head / tail sequence HTTHHTHTHTTTTHTHTHHT (or any other sequence), which happens with probability less than one 1 in a million.

These are usually published as genomic coordinates (chromosome, start and end positions), rather than the actual sequences, since this is generally more compact.

For policies where the outstanding policy term is less than 48 months, sequence of monthly income payouts will endure to be paid even after the end of the policy, till the 48th installment.