Sentences with phrase «sequences from the films»

Ryan Coogler narrates a sequence from his film featuring Chadwick Boseman as T'Challa, a.k.a. Black Panther.

The director Ben Falcone narrates a sequence from his film featuring Melissa McCarthy, his wife.

The first fifteen minutes of the sequel was shown, in addition to two other sequences from the film: an early Times Square fight between Spider - Man...

A five - minute featurette called «Greetings From Bull Mountain» is the standard five - minute B - roll / soft - sell interview errata that features a few additional male buttock shots; «King of the Mountain» is a two - minute music video that splices action sequences from the film together with bloopers and sets it to music (something resurrected in feature - length form by this year's ESPN's X-movie); and nine chapter - encoded deleted scenes (blissfully sans commentary and running between fifteen seconds and a minute, each) are essentially long «comedy» shticks that prove for as bad as Out Cold was, it could have been even worse.

The scholarly coverage and detailed analysis of select sequences from films, television and new media art, plus extensive commentary on scholarly film criticism and theory, together packed into its 216 primary pages is quite remarkable.

There is a complete deleted sequence from the film, which runs just over five minutes.

With X-MEN: APOCALYPSE recently hitting digital HD, deleted and extended sequences from the film are starting to make their way

Opening with the trailer which appeared last month and closing with a montage of previously seen images, five separate sequences from the film were screened in between (a total of approx. 10 - 12 minutes).

Director and Sacramento State graduate Ryan Coogler narrates a sequence from his film «Black Panther,» featuring Chadwick Boseman in the title role.

The disc presents scene - specific commentary by film professor and Melville expert Ginette Vincendeau, who talks over three extended sequences from film in what is more audio essay than commentary, offering an overview of the film in the context of Melville's career and discussing the major themes and stylistic qualities of the film as a whole.

The scholarly coverage and detailed analysis of select sequences from films, television and new media art, plus extensive commentary on scholarly film criticism and...

Based on the trailer and getting to see five sequences from the film at a recent WB press event, Legend of the Guardians looks like Lord of the Rings with owls.

There are hints of the action sequences from that film in this trailer and a definite SHERLOCK HOLMES feel to proceedings.

The team also discuss some of your favorite sequences from the film: the Fathiers chase, the mirror cave, the Force connection between Rey and Kylo Ren, and of course the famous «silent» jump to hyperspace through the First Order star destroyer.

A short unit of work looking at analysing a sequence from the film Monster House and developing reading analysis skills and then creative writing skills.

Reimagined with TT Games» signature LEGO humour, the thrilling adventure recreates unforgettable scenes and action sequences from the films, allowing fans to experience for themselves the franchise's most memorable moments and the opportunity to fully explore the expansive grounds of Isla Nublar and Isla Sorna.

The story missions are all based on sequences from the films with only a little narrative exposition to introduce them and not much else to connect them.

Reimagined in LEGO form and told in TT Games» signature classic LEGO humor, the thrilling adventure recreates unforgettable scenes and action sequences from the films, allowing fans to play through key moments and giving them the opportunity to fully explore the expansive grounds of Isla Nublar and Isla Sorna.

Based on the podracing sequence from the film Star Wars Episode 1: The Phantom Menace, the game features 25 tracks set across the galaxy, as well as a large cast of playable characters.

The game's graphics do a swell job of mimicking the trademark Pixar look and the levels are all based on the more memorable action sequences from the film.

The thrilling adventure recreates unforgettable scenes and action sequences from the films, allowing fans to play through key moments and giving them the opportunity to fully explore the expansive grounds of Isla Nublar and Isla Sorna.

Not exact matches

Speaking about the film recently in Los Angeles, Cera — who in this film, takes some refreshingly bold steps away from his usual one - note nerd persona — and co - writer / director Edgar Wright (who also did the zany cult classics Shaun of the Dead and Hot Fuzz) discussed the meaning of the film, the stretching Cera had to go through for the role, and the way in which the film's hyperkinetic action sequences are really just the same as the dance scenes in Grease or a Gene Kelly movie.

You can get a sneak peek at sequences from Josh Fox's new film, hear live music and listen to Fox and erstwhile gubernatorial candidate Zephyr Teachout drum up enthusiasm for renewable energy alternatives at SUNY - New Paltz on Tuesday, March 10.

You can get a sneak peek at sequences from that new film; hear music from Fox, chanteuse Vanessa Bley (of Beast Patrol and Twin Danger), Bethany (Yarrow) and Rufus (Cappadocia) and possibly Bethany's Dad, Peter Yarrow (of Peter, Paul and Mary); and listen to Fox and erstwhile gubernatorial candidate Zephyr Teachout drum up enthusiasm for renewable energy alternatives at SUNY - New Paltz on Tuesday, March 10.

There's an audio commentary by Charlie Chaplin experts Dan Kamin and Hooman Mehran; the documentary The Tramp and the Dictator, which parallels the lives between Chaplin and Hitler; two visual essays; color production footage; the barbershop sequence from Sydney Chaplin's 1921 film King, Queen, Joker; the deleted barbershop sequence from Chaplin's 1919 film Sunnyside; the re-release trailer; and finally, a 30 page - booklet featuring an essay by film critic Michael Wood, Chaplin's 1940 New York Times defense of the film, a reprint from critic Jean Narboni on the film's final speech, and Al Hirschfeld's original press book illustrations.

The Interpreter tries to cast itself in the Hitchcockian tradition of Secret Agent and The Man Who Knew Too Much, but apart from the film's climactic bus sequence and another nicely crafted sequence toward the movie's end, this thriller never visually builds much tension or suspense.

The chief problem with any post-apocalyptic film is that last act - mostly because all the interesting parts tend to stem from the events leading up to the destruction of civilization, humanity's efforts to cope with the few vestiges of once plentiful technology, and the small dramas and action sequences which reduce a group of irritable survivors to a select and more compelling few.

Both of these sequences profit from the fact that «Deathly Hallows — Part 2» is the only Potter film to be available entirely in 3 - D.

Long stretches of Under The Skin resemble a hybrid of Stanley Kubrick films, shifting from the head - trip sensation of 2001's stargate sequence to The Shining's ominous tracking shots to A Clockwork Orange's depictions of a crumbling United Kingdom fraught with peril.

It's adapted by Tracy Letts from his 1993 play (Friedkin also turned Letts's play Bug into a film in 2006), and its theatrical origins do become obvious in the way certain characters are left disconcertingly off screen; the movie is concluded with a long, slow and single - location sequence, which makes it looks oddly like a filmed stage play.

There's consequently little doubt that the film, while always watchable, suffers from an opening half hour that's simply not all that engrossing, with Eyes Wide Shut's transformation from decent to electrifying triggered by a fantastic sequence detailing William and Alice's stoned confessions to one another.

LEGO The Incredibles, a new video game where players take control of their favourite Incredibles characters in unforgettable scenes and action sequences from both Disney Pixar films, The Incredibles and the upcoming The Incredibles 2.

In contrast to the tragic denouement of the film, Shop on Main Street closes on a idyllic, dreamlike sequence, showing the smiling shopkeeper and clerk walking together through the countryside, free from all danger and fear.

Apart from its racialist theme, the film is nothing more than a conventional Hollywood «blockbuster,» chock full of action sequences, explosions and the rest.

This sequence is one of the most beautiful things ever put on film, a ballet of high tech to a song from another century, and it works perfectly.

Though Con Air was a disappointment from a critical perspective, it was the top box - office action film of the year and audiences thrilled to the kinetic action sequences that also cemented Nicolas Cage's abilities as a viable action star (following on the heels of Bay's previous mega-hit The Rock [1996]-RRB-.

This sequence underlines what's missing from the film at large: a sense that director Raoul Peck has made the story of Karl Marx (August Diehl) his own.

Despite an overlong and somewhat overly juvenile opening sequence, the film settles down into a beautifully animated, thoughtful meditation on various aspects of life and where they derive their origins from.

The inclusion of several extraordinarily melodramatic sequences within the film's second act only cements this feeling, to the extent that one can't help but wish that such moments had been excised from the final product.

Bay is at his best, paradoxically, when he's at his worst, if for no other reason than the fact that the most enjoyable and the most offensive parts of his films (which are often the same scenes and sequences) extend from the mind of a man with a very particular visual sense.

All the voice talent from the first film — including Jack Black and Angelina Jolie — are back to lend persona to the lovable heroes, but in the sequel they serve more as background to the repetitive chase and fight sequences.

Special kudos must be given to film editor Michael Kahn, whose facility with these completely unhinged battle sequences should shame anybody who's ever worked on a Michael Bay movie; to cinematographer Janusz Kaminski, who has given these scenes a dull grey cast evocative of nightmares torn from America's sleeping subconscious brain; and to sound designer Gary Rydstrom, who has crafted a World War II soundscape that rattles and unnerves you even when your eyes are closed.

In a time when most movies are little more than filmed deals that can spend millions of dollars on elaborate special effects sequences that fade from the mind almost as soon as they play out, he has created some of the most bizarre, hilarious, haunting and memorable imagery that I have ever seen in a film — who could forget the sight of beer baroness Isabella Rossellini standing upon artificial legs filled with her own product in «The Saddest Music in the World,» or the horses stuck in the middle of a frozen river in «My Winnipeg»?

The action sequences and fight scenes in the first two acts of the movie are equally impressive in their staging, taking visual cues from sources that include Coogler's own grounded boxing scenes in Creed, as well as many a James Bond film during a nightclub sequence right out of something like Skyfall.

Director Jennifer Yuh Nelson, who oversaw the elegant title sequences from the first film, likewise gives Kung Fu Panda 2's series of flashbacks a different look, harking back to Chinese shadow puppetry and delicate watercolors.

This Walt Disney Signature Collection release on Blu - ray includes a new rendition of «When You Wish Upon a Star,» rare artwork from the Pleasure Island sequence, archival recordings of Walt Disney during the film's production and a restored 1927 animated short of Oswald the Lucky Rabbit.

I really miss John Barry, after his departure from Bond we had to make do with some adequate scores over several years even from David Arnold, then along came a new Bond in the form of Mr Craig and wow DA really found the formula for Bond and composed two truly magnificent scores if only he could have done Skyfall, that said lets give Thomas Newman a chance see the film with the score then listen to the score as stand alone then we can judge, one thing, I really wish just once they could use John Barry's brilliant 007 theme in a sequence just for old times sake and as a tribute to the man that gave Bond so much.

This sequence is far different in tone from the rest of the film.

I came into the film with a certain «checklist» of things that I expected from a popcorn blockbuster like Transformers... explosions, great set - pieces, great battle sequences, amazing cgi and 3D, and of course beautiful women, and was hugely satisfied with the film.

There's so much pleasure in the ambitious production design too, from the exquisite puppets and sequences influenced by traditional shadow play to animation inspired by Japanese woodblocks and Alexandre Desplat's striking, non-orchestral score, which is fully in tune with the film's setting.