Sentences with phrase «sequences of green screen»

While Condon reportedly fought to keep the visual effects to a minimum, even with Beasts face, there are many full sequences of green screen and no humans.

Not exact matches

Despite perilously under - lighting a few nighttime sequences, cinematographer Rachel Morrison shoots the country so full of life that it's genuinely hard to believe she didn't film a single frame of it in Africa (for a movie that's full of sloppy CG, the environmental green screen work is astonishing).

Too many of the wide shots and battle sequences are all too obviously green - screen, in that they consist of actors running around somewhat aimlessly, looking for their marks and trying to use their imagination.

The real - life Petit didn't have the safety net of a soundstage and green screen to complete his trick, but Zemeckis uses these tools to great effect, redefining the phrase «end on a high note» with a sequence that will leave you breathless and wanting more.

Two later sequences ensure that tears will be shed at every screening of «Stronger»: Bauman's reunion with the man who saved his life (Carlos Sanz, extremely moving), which Green finesses gracefully, without histrionics, and the scene of Bauman throwing out the first pitch at Fenway.

John Carter (PG - 13 for violence and intense action sequences) Screen adaptation of «A Princess of Mars,» Edgar Rice Burroughs» sci - fi novel about a Civil War Confederate veteran (Taylor Kitsch) who is magically transported to Mars where he rescues a desperate damsel in distress (Lynn Collins) while on the run from a horde of 12 - foot tall green creatures.

Unfortunately, it's also at times these layers looked a bit fake as it sort felt obvious the cast was filming in front of a green screen, but to be honest, a lot of the action sequences would have been too dangerous to perform in real life or to realistically recreate solely with practical effects.

Whatever can be said about Gods of Egypt, there are brief glimmers of visual splendor to be found among the often distracting green screen sequences, which are further marred by cardboard cutout - level 3D post-processing.

The animated main menu aspires to the sports broadcast look of much of the film's ice skating sequence, with a lengthy intro then giving way to a stadium in which a montage of highlights is backdrop for a variety of green - screen foreground antics featuring the characters.

The many long battle sequences are so dependent on computer augmentation that it's impossible not to imagine the actors numbly jousting in front of a green screen.