Tucker served as the visionary director of the New Museum from 1977 to 1999, during which time she organized major exhibitions like The Time of Our Lives (1999), A Labor of Love (1996), and Bad Girls (1994), and edited
the series Documentary Sources in Contemporary Art.
Not exact matches
«I'm conceiving a limited
series based on events that really occurred in the early»70s in L.A. based on the «The
Source Family»
documentary.»
, a feature - length
documentary on the entire
series (from the memorable Second Sight Films release of the film); In Search of the Hotel Broslin, a 2001 featurette with Henenlotter and rapper R.A. «The Rugged Man» Thornburn; a six - minute outtakes reel in HD from a 2K scan of a 16 mm print; The Frisson of Fission: Basket Case, Conjoined Twins, and «Freaks» in Cinema, a new video essay by Travis Crawford discussing the history of films featuring «freaks of nature»; a set of image galleries (promotional stills, behind the scenes, ephemera, advertisements, home video releases); a promo gallery featuring 3 theatrical trailers (all in HD from 4K
sources), a TV spot (also in HD from a 4K
source), and 2 radio spots; The Slash of the Knife, a rarely seen short film made by Henenlotter prior to Basket Case; an audio commentary on The Slash of the Knife by Henenlotter and Mike Bencivenga; outtakes and an image gallery from The Slash of the Knife; Belial's Dream, an animated short story by filmmaker Robert Morgan; and last but not least, a 28 - page insert booklet featuring the essay «Case History» by Michael Gingold, «Cham - pain in the Park!»
The
series draws on contemporary
documentary practices to reflect the bewildering atmosphere of the region, using pictures of foreboding landscapes and festivities, alongside images of locals uncovering crime scenes, and found material selected from different
sources.
The New Museum launches the publications
series «
Documentary Sources in Contemporary Art,» funded by the Henry Luce Fund for Scholarship in American Art.
The recorded material was combined with archived recordings gathered from numerous, global
sources to produce a
series of audio
documentaries, later exhibited at The Showroom in spring 2012.