Sentences with phrase «series pigment print»

Lolo Veleko Thobeka I Beauty is in the Eye of the Beholder series Pigment print on cotton paper 20 x 30 cm

Sandro Miller Irving Penn / Pablo Picasso, Cannes France (1957), 2014 From the Malkovich, Malkovich, Malkovich — Homage to photographic masters series Pigment print 18 x 18 3/4 in.

Not exact matches

Consisting of about 50 color pigment print photographs produced in 2012 and 2013, the series charts several new developments — as well as some stunning departures — in her practice.

«Ghada from «Our House Is on Fire» series,» 2013, digital pigment print by Shirin Neshat, American / Iranian, born 1957.

In this show, we have juxtaposed images made in many different ways: handmade colour C - type prints and big pigment prints made on cotton paper, and a whole series of smaller, gelatin silver prints, in The Interior and the Exterior — Noah Purifoy (2014).

She is exhibiting a series of pigment prints on paper, taken from her Viscera textile sculptures together with an installation of the sculptures themselves in the context of an ambient soundscape.

Digital pigment print (1 from a series of 30 unique prints forming a single work), 11 x 11 in.

Shirin Neshat, Bridget from Dreamers series, 2016 Pigment Print Copyright Shirin Neshat Courtesy the artist and Gladstone Gallery, New York and Brussels

An Autobiography, Richard Avedon from the series Standing Open, 2011, 12 x 18 inches archival pigment print

Rylan Steele Alcott Avenue, Ave Maria, Florida, 2016 (from the Ave Maria series) Archival pigment print Edition: 2/7 The Do Good Fund Inc., 2018 - 001

RUDDY ROYE, «Black Today (When Living is a Protest Series), Union Square, New York, NY,» May 1, 2015, printed 2016 (archival pigment print on metallic paper).

Variable Shadow # 1 by John Houck: Acrylic silkscreen on archival pigment print on 100 % cotton rag; Unique (series of 25 parametric prints); signed and numbered on verso; 17» x 11».

Image: Past Present, 2007 Archival pigment print, 101.6 cm x 147.3 cm 6 April — 21 April 2011 Blain Southern is delighted to present a new series of photographs by the acclaimed American artist Malerie Marder, staged to mark the publication of Carnal Knowledge, the fruit of the artist's four - year collaboration with Violette Editions.

Boushra Almutawakel, «Mother, Daughter, Doll» series, 2010; Pigment prints, nine photographs, each 24 x 16 in.; Museum of Fine Arts, Boston, Museum purchase with funds donated by Richard and Lucille Spagnuolo, 2013.556 — 564; Photograph © 2015 MFA Boston

Simone Rosenbauer From the series Like Ice in the Sunshine, 2014 Available as 15 x 15» and 33 x 33» fine art pigment prints Signed, titled, dated, and editioned on label verso Each size in an edition of 8

Rania Matar, Mariam, Bourj al Shamali Palestinian Refugee Camp, Tyre, Lebanon, from the series «A Girl and Her Room,» 2009; Pigment print, 36 x 50 in.; Courtesy of the artist and Carroll and Sons, Boston; © Rania Matar

Rebecca Reeve, Untitled # 33, Sequence in twelve parts, 2018, (Through Looking series), Archival pigment print.

Daniel Beltra, Spanish, born 1964, Agua Boa, Mato Grosso (Brasil)(detail), from the New Amazon Landscape series, August 2008, Epson Ultrachrome K3 pigment print on Hahnemuhle William Turner paper.

Tanya Habjouqa, Untitled, from the series «Women of Gaza,» 2009, Pigment print, 20 x 30 in.; Museum of Fine Arts, Boston, Museum purchase with general funds and the Horace W. Goldsmith Fund for Photography, 2013.566; Photograph © 2015 MFA Boston

Tanya Habjouqa, Untitled, from the series «Women of Gaza,» 2009; Pigment print, 27 5/8 x 39 3/8 in.; Courtesy of the artist and East Wing Contemporary Gallery

Rana El Nemr, Metro (# 7), from the series «The Metro,» 2003; Pigment print, 39 3/8 x 39 3/8 in.; Museum of Fine Arts, Boston; Museum purchase with general funds and the Abbott Lawrence Fund, 2013.569; Photograph © 2015 MFA Boston

Rania Matar, Reem, Doha, Lebanon, from the series «A Girl and Her Room,» 2010; Pigment print, 36 x 50 in.; Courtesy of the artist and Carroll and Sons, Boston; © Rania Matar

A series of pigment prints was also produced.

The first exhibition realized in the new space is the project D E R G R O ß E G E W I N N by artists Daniel Poller with a series of 11 erased pigment prints dedicated to the so called reconstruction of the Brunswick Palace in Germany.

Untitled # 1 from the series New Forms, digital collage, 2014 - 15 archival pigment print on fiber - based paper mounted on dibond, 45 x 35 inches (detail)

[Sharon Core · 1782, from the series Flowers, 2011, Archival pigment print · 44.5 × 38.1 cm (17 1/2 × 15 in.)

Untitled # 9 from the series Above & Below, 2014 (pinhole photograph) archival pigment print on fiber - based paper, 40 x 60 inches

In 1971 Vito Acconci made an edition of prints while in residence at the Nova Scotia College of Art and Design titled Kiss Off, which index a series of actions: after applying lipstick and kissing his own body, Acconci would rub his pigmented flesh on a lithography stone, using his body as a stamp.

In Iruka (pigment and acrylic on birch panels with liquid polymer, 2013), for example, the artist manipulates the digital elements so that they take on a configuration and sense of organic power that is strikingly similar to the effect of the ocean waves in Hokusai's seminal print The Great Wave off Kanegawa from the series 36 Views of Mount Fuji.

Since 2012, Magnolia Editions has published an ongoing series of archival watercolor prints by Close which use the artist's grid format and the precision afforded by contemporary digital printers to layer water - based pigment on Hahnemuhle rag paper [31] such that the native behavior of watercolor is manifested in each print: «The edges of each pixel bleed with cyan, magenta, and yellow, creating a kind of three - dimensional fog effect behind the intended color swatches.»

Vik Muniz (Brazilian, b. 1961) Mahana No Atua (Day of the Gods), after Gauguin, from the series Pictures of Pigment, 2005 Chromogenic print, exhibition © Vik Muniz

Susan Worsham «Marine, Hotel Near Airport, Richmond, VA» from the series By The Grace Of God 32» x 40» Archival Pigment Print

Courtney Johnson «Seaview Fishing Pier,» from the series Light Lure, 2012 32» x 40» Carbon Pigment Print from Underwater Pinhole Camera

Jeremy Bolen, from Site A / Plot M series, «site a burial # 2 (September 2012)(buried at site a, with the first nuclear reactor) # 7», «site a burial # 1 (April 2012)(film buried at site a, with the first nuclear reactor) #», «site a burial # 1 (April 2012)(film buried at site a, with the first nuclear reactor) # 2», all 2012, archival pigment prints, dirt from site, 20 x25 inches.

Receive a limited edition (15) portfolio of 5 panoramic 8x20 «archival pigment prints from the Abandoned in Place series printed on archival Hahnemühle Fine Art Baryta paper, plus a signed copy of the book.

WHITE ROOM TECHNICIAN - Pledge $ 25 or more and receive a signed 4X5» archival pigment print from the Abandoned in Place series printed on archival Hahnemühle Fine Art Baryta paper.

Receive a signed copy of the book and a signed 8.5 x11 «archival pigment print of «Horizontal Gantry from Base, Launch Complex 19, (Gemini Titan), CCAFS», from the Abandoned in Place series printed on archival Hahnemühle Fine Art Baryta paper.

Receive a limited edition (15) portfolio of 5 panoramic 8x20 «archival pigment prints from the Abandoned in Place series printed on archival Hahnemühle Fine Art Baryta paper, the limited edition (100) Cape Canaveral Abstract Portfolio of 8 vintage 11X14» prints, plus a signed copy of the book.

Receive a signed copy of the book and a signed 8.5 x11 «archival pigment print of «Pressure Gauge Panel, Apollo Saturn V F1 Engine Test Stand, Boeing Facility, Santa Susana, California», from the Abandoned in Place series printed on archival Hahnemühle Fine Art Baryta paper.

David Bayus, Macrocolloidal Approach to Psychophotonic Matrix Production using a Series 9 Fabrication Table, 2017, Archival pigment print mounted to sintra, 1/1, 34.5 x 29.2 in

Receive a signed copy of the book and a signed 8.5 x11 «archival pigment print of «Lunar Module, NASA Kennedy Space Center», from the Abandoned in Place series printed on archival Hahnemühle Fine Art Baryta paper.

Shanna Merola, 12th & Clairmount, from the Black Day in July series, 2012; archival pigment print; 20 × 30.

Gauri Gill (Indian), Sunita, Nirmala and Sita, from the series Balika Mela Portraits, 2003, archival pigment print, 76 x 102 cm.

Receive a signed 8.5 X11» archival pigment print of «Detail, NASA Logo, Mercury Mission Control, CCAFS» from the Abandoned in Place series printed on archival Hahnemühle Fine Art Baryta paper.

Angela Strassheim, Untitled (Self - Portrait in Bus) 2006, archival pigment print, 30» x 40», (from the Pause series)

Angela Strassheim, Untitled (Isabel at the Window), 2005, C - print, 40» x 50 ``, archival pigment print, from Left Behind series

Title: «Pond Series: Vernal Equinox» Artist: Katherine Liepe - Levinson (Riverhead, NY) archival pigment print photograph, 18» x 22» framed

Untitled (detail) from the «Passage on the Underground Railroad Series,» 2003, by Stephen Marc, archival pigment inkjet print, courtesy of the artist.

Sequoia - Shadow - Light - Reflection series, 2013 pigment print on archival paper, 120 x 90 cm, 2 parts Perspective of Disappearance, 2008 cibachrome print in lightbox, 190 x 235 x 60 cm Girl Making a Model of a Landscape - Sceneries series, 2005 - 2007 pigment print on archival paper, 100 x 100 cm

Image credits (L to R): Untitled (detail) from the «Passage on the Underground Railroad Series,» 2005, by Stephen Marc, archival pigment inkjet print, courtesy of the artist.