Sentences with phrase «series of moving image»

In a series of moving image works and ceramic sculptures, Melanie Jackson continues her ongoing investigation into mutability and transformation, which takes its lead from Goethe's concept of an imaginary primal plant, the Urpflanze, that contained coiled up within it the potential to unfurl all possible future forms.
Coinciding with Frieze 2014, Neil Beloufa will take over the Lower Gallery and Theatre spaces to show a selection of installations in combination with a series of moving image works, which explore the blurring of narrative, make - believe and truth that underpin the representation of real - world events.
This is the first in a five - part series of Moving Image Source video essays on Michael Mann, whose new film, Public Enemies, opens July 1.

Not exact matches

A trained person can look at a series of radar images and see how the storm is moving and evolving, which areas are increasing or decreasing in intensity, and where the rain is headed.
Or to adopt another image one might say that the «psychic tint» of the earth, studied at a great distance by some celestial observer, would be seen, in the course of eons of geological time, to become gradually heightened in intensity until it reaches the peculiarly moving moment of climax when, in a spread of more active radiation covering Africa and southern Asia, a series of sparks begins to glow, foreshadowing the incandescence which is «hominization».
When a series of images or vignettes is used, they always move from the most familiar to the least familiar, from the least threatening to the most threatening.
This series of images shows a sunspot cluster the size of Jupiter moving across the face of the sun between October 24 and November 4, 2003.
The Museum of the Moving Image marked the journal's 10 - year anniversary recently with the series «The Life of Film: Celebrating a Decade of Reverse Shot.»
The moving image actually helped bring the band to a wider audience, via the distinctive use of its music throughout the beloved 2004 Texas football film Friday Night Lights and the subsequent TV series of the same name.
The Museum of the Moving Image's See It Big series, curated in collaboration with Reverse Shot editors Michael Koresky and Jeff Reichert (Remote Area Medical), presented Thursday night, a 35 mm print of Academy Award - winning auteur Martin Scorsese's 1993 masterpiece, The Age of Innocence, starring Daniel Day Lewis, Michelle Pfeiffer and Winona Ryder.
In honor of See It Big: Gordon Willis, the Museum of the Moving Image screening series co-curated by Reverse Shot, Michael Koresky and Jeff Reichert here pay homage to the great cinematographer by focusing specifically on his work in Woody Allen's 1978 drama Interiors.
Bonus round: If you're in New York, the Museum Of The Moving Image is presenting the series «Paramount In The 1970s» from June 2nd to July 1st, and among the many great titles will be Bogdanovich's oustanding «Paper Moon» which you should drop everything and see on the big screen.
-- Beth Janson, Tribeca Film Institute Part 1 of the Education in Film series Last year, the Museum of the Moving Image in Astoria, New York saw 50,000 students and 5,000 teachers from 13 different states and 12 different countries walk through its doors — an increase of nearly three times in school group attendance...
The Image Comics series, by Robert Kirkman, Charlie Adlard and Cliff Rathburn, moved last month to simultaneous print and digital release, with downloads priced the same as physical copies — part of an effort to get the award - winning comic in front of as many people as possible.
Steve Lieber and Jeff Parker explain how a posting of their Image series «Underground» on the infamous 4chan led to a massive sales boost thanks to Lieber's participation and how they plan on moving forward.
Artist Benjamin Dewey talks about moving from the world of webcomics to Image Comics with his and Kurt Busiek's new anthropomorphic series.
An algorithm computes every subtle facial response to a rapid series of evocative moving images of destinations and experiences, and uses that data to calculate the «perfect holiday».
The system recognized live and deceased sharks, but it «does not record the raw signal, but as [sic] a series of individual images, which can be reviewed as moving images,» making the instant removal of «backscatter» impossible and impractical.
The reveal consisted only of a cinematic, but contained a number of images that could hint at the direction the third installment in the series is taking, including a procession of decrepit, hooded figures moving slowly...
Besides new abstract installation work, Holland's «Visual Orgasms» series, a collection of looped moving images that «reflect popular media's pressured attempt to make sex visually consumable,» according to a release, will also be included.
Currently he is working with Circuit Artist Film and Video Aotearoa New Zealand developing a new series of artists moving image commissions for 2016.
- Helen Cammock's work has recently been screened as part of the Serpentine Cinema Series and Tate Artists Moving Image Screening Programme.
With Tori, the photographer departs on yet another artistic journey, with a new series of quietly moving animal images (tori means «bird» in Japanese).
The work is from Colbert's series of anthropomorphic video sculptures which explore contemporary approaches to portraiture through moving image:
In this series, Cheng constructs his own narratives about the history of three cities — New York, Hong Kong and Jerusalem — through re-edited video collages of moving images extracted from the news, as well as natural and urban landscapes.
The mural features a new image from her series, Nebraska Paintings, a body of work that moves closer to the representational imagery only implied in earlier pieces, but which captures the wide open spaces and big sky of the artist's native state.
Ten Thousand Waves (on display 30 March — 28 August 2018) is the most recent in a series of major moving image acquisitions by the Whitworth, and was supported through...
Haynes» influential and understated masterpiece is the starting point for a series of new commissions in moving image, sculpture, print, writing and performance from Claire Makhlouf Carter, Chris Paul Daniels, Yoshua Okon, 2014 Turner Prize nominee James Richards and Camilla Wills, which you find here alongside existing work by Michael Dean, Sunil Gupta, Laura Morrison and Jala Wahid.
This screening series, which forms part of a larger research process, focuses on artists who engage with the infrastructural through the moving image, while also often working with other media.
Only two in the series of roughly 30 black - and - white images are from actual «rooftop» negatives; the rest were shot after he moved the project indoors.
In addition to a lecture by Berlin - based art historian Jörn Schaffaf, who wrote his Ph.D. on Parreno's work, a series of screenings with Parreno's earlier moving image work will be organized.
Tramway's third edition of the Artists» Moving Image Festival (AMIF) includes recent work by international artists working in the field of moving image, in a series of profile and thematic group screenings, live events and discusMoving Image Festival (AMIF) includes recent work by international artists working in the field of moving image, in a series of profile and thematic group screenings, live events and discussImage Festival (AMIF) includes recent work by international artists working in the field of moving image, in a series of profile and thematic group screenings, live events and discusmoving image, in a series of profile and thematic group screenings, live events and discussimage, in a series of profile and thematic group screenings, live events and discussions.
As the viewer moved from gallery to gallery, they were presented with a series of paintings and sculptures that aggressively challenge the very idea of portraiture, from Marsden Hartley's One Portrait of One Woman (the woman being Gertrude Stein, whose work was referenced multiple times in the show) to Glenn Ligon's moving and disturbing Runaway series from 1993 that juxtaposes images of runaway slaves with descriptions of Ligon written by his friends and colleagues.
Another series mocks reality with jarring, and also ethically questionable, results: «Fire Works» (1978 — 1980) is a moving - image tromp l'oeil of buildings aflame.
At Bell Labs, working with the first moving - image programming language, he produced Poemfields (1966 - 1969), a series of computer - generated films.
Among the moving portraits of Monk's family is a slideshow that magnifies one image of them 80 times over, through which the artist is reflected in his child's gaze — as titled, Monk is literally Searching for My Father in My Sister's Eyes (2002)-- while a series of childhood or holiday snaps, Same Time In A Different Place, are each juxtaposed with a vintage invitation card, for shows by the likes of Dan Graham, Sol LeWitt or On Kawara, sourced from the same date.
Loosely inspired by early twentieth - century stage designs and a desire to create a moving image, a series of cutouts suggests the soaring movement.
With 24 solo presentations and 300 artworks spread throughout 15,000 square feet of raw space, as well as an immersive series of off - site special projects with artists such as Jeremy Deller and Michael Rakowitz, these images are only a snapshot of what The Moving Museum produced in Dubai.
Through a series of lyrical and interwoven moving images, Beatriz Santiago Muñoz examines the layers of real and imagined community histories in her exhibition at the New Museum, «Song, Strategy, Sign.»
In Projections, a series of moving - image and film are cast on a five - metre - wide wall.
In the video work A is to D what E is to H, Phillipson's voice - over carries us through a series of puns and linguistic slippages, set to a video sequence of cut - up moving image excerpts, which include shots of her own body, architectural surroundings and found footage.
Installed as a series of hyperlinked solo exhibitions, The «TRANSFER Download» invites artists to present custom three - channel solo presentations of moving image.
In other images Woodman appears almost like a shadow, blurred and out of focus as from the works from Space2 series in which she appears in an empty room with nothing else except for her moving body.
2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.
Imagine becoming allergic to everything you enjoy... Our major new group exhibition Safe takes Todd Haynes» influential understated masterpiece of the same name as a starting point for a series of new commissions in moving image, sculpture, print, writing and performance.
Olivier's series of stop - motion animations will brighten New York's winter landscape with moving images exemplary of the artist's characteristically rich color palette and lavishly textured style.
18/4 - 12/5/2018 BL CK B X: GENTLEMEN: OLIVER PAYNE AND NICK RELPH LUX presents Oliver Payne and Nick Relph's video work Gentlemen (2003) as part of the BL CK B X series of free monthly exhibitions of artists» moving image.
The film is presented as part of an immersive installation on MoMA's 3rd floor Elaine Dannheiser Project space, an expansive gallery painted to match Syms» signature [The Color] purple (see martinesyms.com), and equipped with a series of movie poster - sized photographs that transform into moving image works with the addition of a site - specific augmented reality app called WYDRN (ie.
Photographer Janet Delaney moved to the SoMa district in 1978 as a student of the San Francisco Art Institute, and began documenting her surroundings in a series of images.
ISAAC JULIEN: TEN THOUSAND WAVES Mar 30 - Aug 28, 2018 Ten Thousand Waves is the most recent in a series of major moving image acquisitions by the Whitworth, and was supported through Art Fund's Moving Imagemoving image acquisitions by the Whitworth, and was supported through Art Fund's Moving Image image acquisitions by the Whitworth, and was supported through Art Fund's Moving ImageMoving Image Image Fund.
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