In 1955, living in Berkeley, CA, Diebenkorn began working figuratively, drawing from the model, painting still lifes, landscapes and interiors, much to the surprise of those who were familiar with his earlier Berkeley
series of abstract expressionist paintings leading up to that point.
Not exact matches
Mixed media
abstract expressionist painting using brush work, montoype, gouache, acrylic
paints to blend an expressive work from her «Plains
Series» based on her visions
of the weste...
Pollock's energetic «action
paintings», with their «busy» feel, are different, both technically and aesthetically, from the violent and grotesque Women
series of Willem de Kooning's figurative
paintings and the rectangles
of color in Mark Rothko's Color Field
paintings (which are not what would usually be called
expressionist, and which Rothko denied were
abstract).
Louis began his first
series of Veil
paintings in 1954 before moving into a somewhat less successful period
of increasingly gestural
abstract expressionist paintings over the next few years.
Bound by their 50 x 50 cm paper and defined by their pencil planometrics, the evocative title
of the
series pays a debt to Frank Stella, but they also make nods to other
abstract expressionists, notably Barnett Newman, to the earlier suprematist
paintings of Kazimir Malevich, to Sol LeWitt and Agnes Martin, to ancient Chinese cities as squares, to Islamic caravanserai and Italian cloisters, to the houses within houses
of Oswald Mathias Ungers, and even to the composition
of Greek chorus and 1970s CBGB punk — that is to say, to all the good things in life.
It was the third in a
series of six
paintings by de Kooning, an
abstract expressionist, done between 1951 and 1953.
The latest body
of Mina Cheon aka Kim Il Soon
paintings are her Dream Sequence
painting series where she is
painting hot pink drip, Western style
abstract expressionist,
paintings in her dreams.
Even though Burri was never explicitly tied to any movement, to most viewers his
abstract «unpainted
paintings» should appear comfortable in his cultural moment, absorbing the monochromatic interests
of Abstract Expressionists, while also setting the ground for Arte Povera and assemblage art.The co-curators work extensively to expand these associations through the exhibition's wall labels, which relate Burri to various artists, works, and moments far beyond the scope
of midcentury abstraction, including Piero della Francesca's Madonna
of Partition (1455 — 6)(for the subject
of incised fabric), Joseph Beuys (as an artist formed by war), Italian Neorealist cinema (for its use
of artifice and rupture to reappropriate the realism
of Facist war propaganda), and even Rodin's Gates
of Hell (1880 --- 1917)(for the «Combustione Plastica»
series» hellish melting
of form).
Motherwell (1915 — 1991) was an
abstract expressionist painter best known for his decade - long
series of paintings titled Elegy to the Spanish Republic.
Oehlen followed his rude, provocative Neo-
Expressionist attacks
of the 1980s with a cooler brand
of computer - based images in the 1990s, followed by a subsequent
series of painted - over advertising and his more recent,
abstract expressionist works, all while striving to maintain a balance
of painterly passion and critical distance.
The artist even created a
series of fake
abstract expressionist paintings out
of decorating fabric to contribute to the ironic humor
of the piece.
Note:
Abstract Expressionism refers in general to those artists who were working in New York in the 1950s, even if their work was not especially
expressionist or
abstract: so it encompassed Mark Rothko, and his Colour Field
Painting, as well as the gesturalism
of Willem de Kooning (1904 - 97) and his Woman
series.
Charged by the energy
of the exploding art scene and discovering the works
of his American contemporaries while in New York, including
Abstract Expressionists Mark Rothko, Hans Hoffman and Ad Reinhardt, Douaihy moved away from his earlier academic style and began his much sought - after
series of minimalist
abstract paintings.
These early
paintings were again
abstract, however in a different way to the later «Ocean Park»
series, in that they were more rooted in the biomorphic forms
of the
Abstract Expressionists, more specifically in the work
of fellow Americans, the painters Arshile Gorky and Robert Motherwell.