Sentences with phrase «series of abstract forms»

The paintings represent a series of abstract forms that are repeated throughout his work, like the «Grip» and the «Wave».

In addition to other works on canvas Thomas» recent series of abstract forms and marks on paper — created by hands - on manipulation of printing plates and unique prints — are on view.

Not exact matches

This transition is effected by the death of the abstract and alien God in the kenotic process of Incarnation and Crucifixion; but a religious form of faith can only grasp this process as a series of events that are autonomous and external to human consciousness.

The book is presented in standard medical form, with an abstract of the problem at the outset, and then a series of case histories of patients (Bolivia, Poland, Russia and so on) that he and his team have carved up with varying degrees of success.

Such an image, called a Gabor patch, consists of a series of contrasting lines that form an abstract — and visually arresting — shape.

The exhibition features a signature work from each major phase of Stamm's oeuvre including the «Dodger» and «Zephyr» series, a «Tag» drawing, and polaroids of Stamm's abstract graffitti «Designators» - black forms from his paintings that he spray painted onto buildings in New York.

Kate Hoffman's Dream Home series, photographs taken from performative collage collaborations, has a malleable quality that emphasizes the viewer's own socio - political leanings; Samira Yamin's intricate patterns of Islamic sacred geometries cut into TIME Magazine photos of war oscillate between greater ambiguity and flirting with the didactic depending on the density of the cuttings; Sandra de la Loza's photographs of Stoner Spots underscore the politics of leisure through the exploration of pot - safe spaces, with a subtext of the not - quite - yet absorbed by development; Scott Short's «abstract» paintings replicate multiple generations of photocopying through the prism of Walter Benjamin; and Suzanne Wright will exhibit a deftly humorous Étant donnés-esque collage alongside mandala targets — each salves, in their respective forms, for our tumultuous zeitgeist.

These material experiments eventually led to her breakthrough series Samurai (1981 — 83), first shown at Phyllis Kind (1983) and recently on view at JTT Gallery, New York (November 13, 2016 — January 15, 2017), one of three galleries that currently represent the artist.4 Haunted by the memory of a scene from Akira Kurosawa's epic film Kagemusha (1980), in particular the armor worn by samurai during a ceremonial gathering, Simpson abstracted the cascading arcs and linear folds of the warriors» skirts into free - form structures.

Included in the exhibition are a series of paintings, photographs and collages that use the crystalline abstract structures of rocks and minerals to create visual relationships between seemingly disparate forms.

He also began a series of abstract paintings whose surfaces he slashed, as if the cut embodied the body and soul of these paintings, their form and meaning.

While in her previous series, including Mom's Friends (2007) and The Stylist Project (2010), the artist used figures to construct narratives, here the female form is part of a broader abstracted landscape.

Also on view is a group of bronze sculptures from Nagle's Hands On series (1991), which use the cup as a formal vehicle rather than a utilitarian tool, employing slight variations in structure and texture to create abstract geometric and architectural forms.

The final wall is devoted to pieces from Ippolito's «Regatta Series» (1984 - 89) in which the watery color planes suggest abstract but recognizable elements like pennants, sails and boats, and black wave forms blend into blue ground in «Land's End» (1986), with the full blast of wind on sails being felt in the horizontal diptych «Windward» (1987).

The selected abstract paintings in the North Gallery are drawn from his Morphic series of biomorphic and organic forms, and his Del Mar series, featuring a more linear style, suggesting striations or waterways.

Isabelle Wenzel's fascination for sculptures has resulted in the Models of Surfaces series, in which the artist researches the form and appearance of abstract sculptures.

The Light and Sea series, inspired by the extraordinary light of sea, sky and water on the East End of Long Island, consists of abstract visual meditations on the interplay of air, light and water, the shifting of colors and shapes from form to formlessness.

Thomas» series of prints often relate to her signature works on canvas and are dynamic, masterful orchestrations of abstract forms and marks realized by hands - on manipulation of printing plates.

From a distance this piece is an abstract composition of grays and blacks against a white background, but closer inspection reveals multiple series of images (some depicting the same subjects as in the upstairs gallery) each printed in the form of a postage stamp from an undeclared country.

Number three in the series is currently hanging in Victoria Miro's Mayfair gallery, as part of a deep dive into the women artists in contemporary abstract painting who art history has ignored — in the form of an exhibition titled Surface Work.

Allowing the work to flow through her and onto the canvas, the series floats between figurative and abstract works but tend to be dominated by familiar dots that form eyes and portraits of women — some laughing, some weeping.

A series of sculptural assemblages, ethereal wall works, and a performance with attendant sculptures or props, present a diverse library of possible forms for the expression of images of an abstract physical and psychic body.

Resnick continued to work in an abstract style until the late 1980s, when he started creating a series of gouaches featuring simplified human forms suspended in a field of brushstrokes and color.

Kinsey will be exhibiting a series of new paintings in his noted abstract style alternating between form and loaded paint - filled strokes affirming his ability to create expressionistic forms of tonality, texture, and emotion.

Through the influence of pop - culture, books, art history, but most importantly nature, Smith's abstract paintings are often created by minimalistic tools, such as loose brushstrokes in his Rain Paintings, or form camouflage - style patterns, resembling Andy Warhol's production, in his Tigres series.

Thus, the sculptures of Chul - Hyun Ahn infinitely reflect highly streamlined forms, as in the series Visual Echo; explore architectural spaces, as in the series Tunnel and Well; and integrate abstract drawings, such as in the series Mirror Drawing.

It was through this exhibition that he first showed his «fake sculptures», a series of shaped - canvases that first appear to be solid sculptures but are actually paintings that present abstract forms suggesting animals, plants and landscapes.

In «Beyond the Black», exhibited last autumn at Victoria Miro in London, he showed a series of large canvases with snatches from Nietzsche hand - stamped in black paint, forming abstract shapes against their shimmering slate backgrounds.

Working in watercolor, the artist tries his hand at a series of abstract motifs whose sparse forms float to the surface like notes of visual Muzak.

She bedecked her series of Totems and Hoofers — both long, tall, abstract forms mounted on walls — with sparkles and glitter, basically Mardi Gras glitz.

A few years later, she enrolled at the Institute of Design and received her Master's degree in 1966 based on her series of abstract nudes entitled «Human Forms».

Entomological Specimen # 6 (1987 - 91) is from this series and shows the insect's form, at one time wholly precise and used for taxonomic purposes, abstracted by the deterioration of time and handling.

Petra Feriancova employs a different photographic tactic in her work, reproducing the small colour snapshots of distant birds taken by her aunt in 1970s east Africa, while her new series of sculptural works evoke the abstract forms of various habitats through their incorporation of nests and shells.

The result, a series of abstract compositions that look like clusters of oddly shaped cellular forms — «images of primal slime», one critic said, illumined by «a sunlit mescaline glow» — was completed in 2009.

Created for a series of murals, the nine painting studies form a concise example of Hofmann's strengths as an abstract painter and modernist visionary.

[19] In a series of insidious small abstract paintings from 1994 — 95, words forming threats are rendered as blank widths of contrasting color like Morse code.

In his final years, Wesselmann returned to the female form in the «Sunset Nudes» series, where the compositions, abstract imagery, and sanguine moods recall the odalisques of Henri Matisse.

Elsewhere, a perfectly circular «bomb pond», made by an American bomb in a Cambodian rice - field, forms part of the photographic series «Takeo» (2009) by the young Cambodian artist Vandy Rattana, while an antique exhibit from the National Museum in Beirut was transformed into a fusion of metal, ivory, glass and terracotta by the bombs that fell there during the Lebanese civil war (1975 — 90) and thus given a new abstract beauty.

There, Pascali showed his Fake sculptures, a series of shaped - canvases that first appear to be solid sculptures but are actually paintings that present abstract forms suggesting animals, plants and landscapes.

The Help examines the roles of the artist, the muse and the «help,» mixing found objects with abstract forms; Incidents of Travel in Yucatan is a mixed - media installation including a wall of pedestals, autonomous sculptures and video; and the Sunset Series comprises 31 photographs of a single source image, a photograph of a sunset.

Joshua Mittleman, for his first exhibition at castillo / corrales, will show a series of works based on the 8 - page inventory of the torture tapes, a new development in his work that looks at the politics of surveillance and government through abstract and minimal forms.

«A specially designed LED light suit abstracts the human form to shapes of light,» explains Belfast photographer Michael Taylor, on his new series LightPath.

The majority of her work on view were intimate series of abstract works that combine color, line and form to create surreal landscapes.

Mr. Motherwell's work ranged from a series of brooding abstract paintings known as «Elegies to the Spanish Republic» — whose obsessive theme roughly took the form of oval shapes confined by vertical bars — to elegantly playful collages contrived from scraps of music, stamps, tobacco labels and other ephemera.

The colourful photographs of abstracted forms and planes are reminiscent of Los Angeles - based artist Walead Beshty's Color Curl and Black Curl series of photograms, in which he exposes photographic paper to different coloured lights.

Around the same time, the artist made a group of drawings that abstracted a series of mechanical and human forms found in magazines.

Number three in the series is currently hanging in Victoria Miro's Wharf Road gallery, as part of a deep dive into the women artists in contemporary abstract painting who art history has ignored — in the form of an exhibition titled Surface Work.

Created between 1979 and 1980, this series consisted of arrangements of abstract geometric forms coated with loose powdered pigments that spilled beyond the object itself and onto the floor or wall.

Twenty years after appearing as one of the first of the National Gallery's Artist's Eye series of modern artists and their influences among the Gallery's pictures, this ever - evolving mistress of abstract form returns with a similar display of influences and new pictures, including two large works painted directly onto the Gallery's walls.

With Tree line two slopes Davos from below, the pine trees struggle to remain on the surface after having been covered by the white mantle of a violent avalanche, yields a series of abstract compositions charged with movement, where we see the pines on the hillside, and the channels the avalanches formed in between them.

He will make a series of polychromed objects, carved with a chainsaw and chisel, which will form enlarged abstracts with details referencing historic carving.