Sentences with phrase «series of changing exhibitions»

The videos were commissioned from artists Andrea Fraser, Christian Jankowski, and Catherine Sullivan for their MATRIX projects, a series of changing exhibitions of contemporary art.

After several years in which the plinth stood empty, the new Greater London Authority assumed responsibility for the fourth plinth and started its own series of changing exhibitions: Marc Quinn (2005), Thomas Schütte (2007), and now Antony Gormley (July 6 — October 14, 2009).

In keeping with the Greater Reston Arts Center's mission to enrich community life by promoting involvement and excellence in contemporary art, GRACE offers and series of changing exhibitions each year designed to present a diverse array of themes and media.

The centerpiece of Building 6 is a series of changing exhibitions and long - term installations and collaborations with artists Laurie Anderson, Jenny Holzer, James Turrell, the Louise Bourgeois Trust, the Robert Rauschenberg Foundation, and the estate of Gunnar Schonbeck.

Not exact matches

The series Through The Ice, Darkly currently on show at the Peggy Notebaert Museum as part of the Weather To Climate exhibition is specifically about the subjective change in the landscape, the shift of mood apparent to an artist's eyes, a lost ice world.

Screenshots posted at the 30th Anniversary Exhibition of the «Final Fantasy» series revealed that Cloud will look different in the «Final Fantasy VII Remake» after Square Enix made design changes.

MATRIX, a changing series of contemporary art exhibitions, was initially funded in 1974 as an experimental pilot project with a grant from the National Endowment for the Arts.

The lecture - performance is a part of a series of talks Merve does at exhibitions or sites of collaborationsin which she tries to reconsider her position as an image - maker in the ever - changing world of representation and presentation.

They are both invested in art's revolutionary possibilities for social change as evinced in Rainer's anti-war protest dances in the 1970s and the feminist dimensions of her radical choreographic style and films, as well as in Pendleton's Black Lives Matter flag for the Belgian Pavilion in the 2015 Venice Biennial and his latest series of paintings entitled Untitled (A Victim of American Democracy), which debuted this past summer as part of Edwards» Blackness in Abstraction exhibition at Pace Gallery and are now on display in Pendleton's first show with Galerie Eva Presenhuber, Zurich named Midnight in America.

The exhibition will be a rare opportunity to see these groups hung together in a single location, demonstrating how each work has a relationship with the others in the series, as well as the unpredictable changes of direction throughout Riley's career.

As part of Posenenske's first institutional one person exhibition in the US, every second weekend a different New York based artist will be invited to change the structure of Charlotte Posenenske's Square Tubes Series D, 1967.

Four floors of galleries highlight objects from the Museum's permanent collection as well as a series of special, changing exhibitions.

Installation view June 23 — August 15, 2010 As part of Posenenske's first institutional one person exhibition in the US, every second weekend a different New York based artist will be invited to change the structure of Charlotte Posenenske's Square Tubes Series D, 1967.

Documenting Change: Our Climate, the Rockies is the first in a series of exhibitions and programs in 2018/19 presenting the historical scope of documentary strategies shared by artists and scientists in their study of climate.

In this exhibition, a series of related works explore and navigate a multitude of topologies, her vocabulary taking on a new significance in the context of heightened attention to the effects and immediacy of climate change.

The lecture - performance is a part of a series of talks Merve does at exhibitions or sites of collaborations in which she tries to reconsider her position as an image - maker in the ever - changing world of representation and presentation.

The exhibition and series of films highlight in relative terms how opinions can change in short time spans, while also suggesting more can still be done.

Part of an ongoing series of exhibitions looking at the the state of «Portraiture Now», this installations features the work of artists of a Latino background and looks specifically at how their identities are constructed and change.

Featuring a series of projects from the 1990s to the present, the exhibition speculates what it means for artists to work in fashion in the ever - changing cultural landscape of consumer society.

In December, we changed the exhibition The World is Made of Stories — Works from the Astrup Fearnley Collection, with works that have not been on view for a long time, such as Tom Sachs» monumental Presidential Seal (2004), along with new works, such as Richard Prince's new series New Portraits, which present appropriated images from Instagram.

Notably, 1953 was also a pivotal year for de Kooning, who finally found staunch critical support and solid financial success following the exhibition of paintings and drawings from his Woman series at the Janis Gallery that spring.22 By then, Rauschenberg had known de Kooning for a year or more and had seen him on occasion, often through their mutual friend Jack Tworkov (1900 — 1982), who sublet studio space from de Kooning.23 Even as other details of the Erased de Kooning Drawing story changed, Rauschenberg always insisted that he chose de Kooning out of deep respect for his work and because there was no question that a drawing of his would be considered art — and this was more true than ever in 1953.24 Critic Leo Steinberg later reported asking Rauschenberg whether he would have erased a drawing by Rembrandt, to which he replied no.

This multi-voiced exhibition and series of events explores interpretations of «cultural diversity», reflecting the times we live in and changes to the social and cultural landscape since Iniva was founded 15 years ago.

The exhibition brings together a series of Umbrico's works from 1989 to the present, reflecting on photography's relationship to light and the complex changes that digital technology has brought to photographic image production.

Through a series of works by 10 international artists, the exhibition articulates the profound impact of the acceleration of technological, social and structural change upon contemporary life.

As RISD's primary venue for exhibiting graduate student work, this inviting space downtown hosts a series of ever - changing exhibitions throughout the academic year.

As part of a series of innovative, youth - led programmes around the theme of «Art Inspiring Change» and our Summer exhibition «Every Day is a New Day» we would like to work to develop the skills of local artists and experiment with different ways of including artists, our communities and families in the co-creation of our learning programme.

For the Sleepwalkers series, Murphy continues this engagement with the history of The Hugh Lane, now focusing on its collection, its acquisitions and its exhibitions, and the changing role of the museum.

Now, during a time of dramatic demographic and cultural shifts, PGAAMCC's Chocolate Cities Exhibition Series will explore the legacy of and track the continual changes within the nation's capital and Prince George's County.

Their latest exhibition, «Irreversible,» at New York's Sean Kelly Gallery, presents a series of new work rooted in the semiotics of public art, and scrutinizes how political and societal changes, community, and the role of the anonymous citizen intersect.

Now the Robert Rauschenberg Foundation, which he set up to provide support for causes that were important to him, is joining forces with two other like - minded organizations to present a series of exhibitions, panel discussions and performances that will explore climate change.

The first exhibition in Portugal of Liam Gillick, «Campaign», has been conceived as a series of four changing sculptural interventions in the galleries of the Serralves Museum.

This final exhibition in the series illustrates the forgotten history of Conceptual art in Britain, bringing to the forefront works by two undervalued and under - recognised artists, who irrevocably changed our concept of the traditions of modern art.

The two artists are prominently featured by Puerta Roja in the group exhibition Movement; Cruz - Diez's Physichromie series (1959), and Chromointerference Spatiale Décembre (1964), use contrast and harmonization to generate virtual colours that change depending upon the viewers point of perception.

Organised in partnership with Afterall, this series of talks is inspired by the Exhibition Histories books, which focus on exhibitions of contemporary art from the past fifty years that have changed the way art is seen and made.

The centerpiece of his solo show is a mixed - media installation of his Moving Art Museum Series, which is basically a moveable miniature art museum that can be equipped by the artist with changing miniature exhibitions, depending on the location.

WP Galiczynski's Urban Artist is the first exhibition in our Changing Philadelphia series, comprised of three solo exhibitions featuring artwork about Philadelphia neighborhoods.

Accompanying the exhibition's large - scale video works will be Richardson's latest series of chromogenic prints, Pillars of Dawn, which present images of an imaginary desert in which trees and terrain have been physically crystallised by changes in the environment.

Jennifer Baker's Northern Liberties is the second exhibition in our Changing Philadelphia series, comprised of three solo exhibitions featuring artwork about Philadelphia... See Full Exhibitiexhibition in our Changing Philadelphia series, comprised of three solo exhibitions featuring artwork about Philadelphia... See Full ExhibitionExhibition Details

Rojas» color fields are a dramatic change from her previous exhibition, a series of flattened folk paintings with scrambled gender roles and fairy tale antics.

This summer, Harris» War on the Benighted series is a part of Changing Course: Reflections on New Orleans Histories, a group exhibition at the New Orleans Museum of Art.

We continue our series of art history lectures about major exhibitions in London with Graham Greenfield, who started by studying Architecture before changing to Fine Art.

I was commissioned by the Asian Arts Initiative for an installation piece as part of their 25th Anniversary exhibition series, (ex) CHANGE: History Place Presence.

Jennifer Baker's Northern Liberties is the second exhibition in our Changing Philadelphia series, comprised of three solo exhibitions featuring artwork about Philadelphia... See Full Post

Join us for the opening reception of Jennifer Baker's Northern Liberties, the second exhibition in our Changing Philadelphia series, comprised of three solo exhibitions... See Full Post

Join us for the opening reception of Jennifer Baker's Northern Liberties, the second exhibition in our Changing Philadelphia series, comprised of three solo exhibitions...

The renowned MATRIX series, a changing exhibition of contemporary art, is a continuation of the Wadsworth's legacy of presenting the work of living artists, an artistic tradition that extends from Thomas Cole and Frederic Church to Salvador Dalí and into the present day.

WP Galiczynski's Urban Artist is the first exhibition in our Changing Philadelphia series, comprised of three solo exhibitions featuring artwork... See Full Post

From singular events, to six - week durational pieces, the exhibition site will be an ever - changing series of moments, drawing on the precarity of liveness and the difficulty of capturing the moment.

Join us for the opening reception of Jennifer Baker's Northern Liberties, the second exhibition in our Changing Philadelphia series, comprised of three solo exhibitions featuring artwork about Philadelphia neighborhoods.

Traveled to Museu d'Art Contemporani, Barcelona; Kunstmuseum Bonn, Germany; and Castello di Rivoli Museo d'Arte Contemporanea, Turin (catalogue) Innovation: American Art of Today from the Misumi Art Collection, Kawamura Memorial Museum of Art, Chiba, Japan (catalogue) The Changing Image, Claudia Gian Ferrari Arte Contemporanea, Milan (catalogue) Vehicle, Paolo Baldacci Gallery, New York 1995 Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Richard Artschwager, Peter Cain, Vija Celmins, Chuck Close, Joseph Cornell, Robert Gober, George Stoll, Steve Wolf, Daniel Weinberg Gallery, San Francisco Summer Group Exhibition: Richmond Burton, Peter Cain, John Chamberlain, Andreas Gursky, Roni Horn, Gary Hume, Andy Warhol, Matthew Marks Gallery, New York 25 Americans: Painting in the 90s, Milwaukee Art Museum (catalogue) 1994 Desire (Visionaire / DIFFA Benefit Exhibition), Charles Cowles Gallery, New York The Institute of Cultural Anxiety, Works from the Collection, Institute of Contemporary Arts, London (catalogue) 1993 Pittsburgh Collects, Carnegie Museum of Art, Pittsburgh Whitney Biennial, Whitney Museum of American Art, New York (catalogue) Drawing the Line Against AIDS, Peggy Guggenheim Collection, Venice (under the aegis of the Venice Biennale)(catalogue) 1993 Biennial Exhibition, National Museum of Contemporary Art, Seoul A Series of Anniversary Exhibitions: Part III, Daniel Weinberg Gallery, Santa Monica, CA Art, Money & Myth, Palm Beach Community College Museum of Art, Lake Worth, FL Everyday Life, Kim Light Gallery, Los Angeles Slittamenti, Venice Biennale The Return of the Cadavre Exquis, The Drawing Center, New York.