Sentences with phrase «series of fine lines»

The difference between a good game and a great game is often a series of fine lines, while the difference between a bad game and a great game can be oceans apart.

Not exact matches

Terry Notary as Rocket is a sad but noble figure, the tough grunt that has borne the losses of these battles but still serves the cause loyally, while series newcomer Steve Zahn as Bad Ape, a talking chimpanzee outside of Caesar's fold, walks a fine line between comic relief and innocent outsider suddenly brought into the fray.

Like a manager fine - tuning his squad for the World Series, Secretary of Education William J. Bennett is shuffling his top aides and filling two front - line vacancies.

The aerodynamic influence continues to work its way throughout General Motors» car lines, and the Oldsmobile Cutlass Supreme International Series is a fine example of this trend.

The fine balance between the greenhouse and the body lends the new BMW 3 Series Sports Wagon a sporty, elegant and nimble look, while the rear lights extend well into the sides of the body and combine with its flowing lines to create a harmonious transition between the flanks and rear section.

The aerodynamic influence continues to work its way throughout General Motors» car lines, and the Oldsmobile Cutlass Supreme International Series is a fine example of this trend.Sleek, stylish, with high - tech touches inside and out, it shows boldness and imagination.

Arkham Knight is all about that fine line, making it one of the best entries in the series and a must - play title.

In the end, Kirby: Triple Deluxe is another fine addition to the long line of stellar handheld games in the series.

It's a fine line which developers walk when they release one more game in any series since it runs the risk of falling into one of two extremes: either a completely different game or a carbon copy which costs another full price purchase.

Working in series, the artist produced canvases depicting flat, monochromatic forms, their blocks of vibrant colour cut with fine lines and sharp edges.

Sometime in November or December, while working at night at Dartington Hall and listening to the horses breathe in the field outside his window, he painted a series of three paintings,» Broadway», `' Welcome Hero», and `' Broadway Norm», in the style that would become known as «white writing» (an interlacing of fine white lines).

I feel that my own practice continually negotiates the fine line between emancipation and restriction, and in doing so reveals how creativity often stems from a reaction to a series of constraints.

Alongside their Ceramics Fellowship at Camden Arts Centre in 2015 — 16, The Grantchester Pottery staged a series of events and open studios, focusing on the idea of collaborative working and blurring the lines between fine art and design.

Born 1982, Auckland, New Zealand Education 2009 Meisterschule, Städelschule HFBK, Frankfurt am Main 2005 BFA, Elam School of Fine Arts, University of Auckland Solo exhibitions 2018 «Games of Decentralized Life» Galerie Buchholz, Cologne 2018 «The Founder's Paradox», MOCA Museum of Contemporary Art, Cleveland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «The Founder's Paradox», Michael Lett, Auckland 2017 «Shenzhen Entrepreneurial Form», Fine Arts, Sydney 2017 «FaaS — Feedback as a Service: Reflecting on messaging, debate and criticality inside a parliamentary discussion on internet governance», Bozar, Brussels 2017 «Simon Denny: Real Mass Entrepreneurship», C2 Space, OCT - LOFT, OCAT Shenzhen 2017 «Hammer Projects: Simon Denny», Hammer Museum, Los Angeles 2016 «Secret Power», Museum of New Zealand Te Papa Tongarewa, Wellington 2016 «Blockchain Future States», Petzel Gallery, New York 2016 «Business Insider», WIELS, Brussels 2015 «Products for Organising», Serpentine Sackler Gallery, London 2015 «Secret Power», New Zealand Pavilion, 56th Venice Biennale 2015 «The Innovator's Dilemma», MoMA PS1, New York 2014 «The Personal Effects of Kim Dotcom», Adam Art Gallery, Victoria University, Wellington 2014 «New Management», Portikus, Frankfurt am Main 2014 «The Personal Effects of Kim Dotcom», Firstsite, Colchester 2014 «TEDxVaduz redux», T293, Rome 2014 «Disruptive Berlin», Galerie Buchholz, Berlin 2013 «The Personal Effects of Kim Dotcom», mumok, Wien 2013 «All You Need is Data — The DLD 2012 Conference REDUX rerun», Petzel Gallery, New York 2013 «All You Need is Data — The DLD 2012 Conference REDUX», Kunstverein München 2012 «Full Participation», Aspen Art Museum, Aspen 2012 «Envisaging Vocational Rehabilitation» (with Joanna Fadyl), Westfälischer Kunstverein, Münster 2011 «Corporate Video Decisions», Friedrich Petzel Gallery 2011 «Corporate Video Decisions», Michael Lett, Auckland 2011 «Cruise Line», NAK Neuer Aachener Kunstverein, Aachen 2011 «Chronic Expectation: CFS / ME Documentary Restoration», T293, Rome 2011 «7 Unreachable Elevators», IMO, Copenhagen 2010 «Negative Headroom: the broadcast signal intrusion incident», Contemporary Art Museum, St. Louis 2010 «Negative Headroom: the broadcast signal intrusion incident», Halle Für Kunst, Lüneburg 2010 «Remote Tutorial: hate poems for travelers», Landings Project Space, Vestfossen 2010 «Introductory logic tutorial video», Artspace, Sydney 2009 «Celebrities» houses at night: a projection», Standard Oslo, Oslo 2009 «Starting from behind», Michael Lett, Auckland 2009 «Deep Sea Vaudeo», Galerie Daniel Buchholz, Cologne 2009 «Watching Videos Dry», T293, Naples 2009 «7 Drunken Videos `, Luettgenmeijer, Berlin 2008 «Aquarium Paintings (with Nick Austin)», Center, Berlin 2008 «Ruined by Sheer Confidence», Caribic Residency, Frankfurt am Main 2008 «Alexandra Bircken / Simon Denny», Ursula Blickle Stiftung, Kraichtal 2008 «Recent Haircuts», Uplands Gallery, Melbourne 2008 «Recent Haircuts», Gambia Castle, Auckland 2007 «Compression Club», Michael Lett, Auckland 2007 «Monthly Cowards», Gambia Castle, Auckland 2007 «Paltry Motion», Dunedin Pubic Art Gallery, Dunedin 2006 «Old Entertainment System», Window, Auckland 2006 «Scape», Art & Industry Biennial, Christchurch 2006 «Old Things», Michael Lett, Auckland 2005» Arranging Sympathies», Volume Series, The Physics Room, Christchurch

In the late 1970s, he began his «excavations» — a series of drawings using gesso, graphite, brushed paint, and a tjanting tool, which allowed him to apply hot wax to his works in a fine, controlled line.

Honor's «X» series of phones has always toed a fine line in terms of hardware, feature set and price point.