Not exact matches
Letters Can Kill features a
series of images showing some
of the most common text phrases, such as «LOL,» «Hi,» and «Luv U.» The
catch?
In the most eye -
catching series, he skimmed information from uncredited
images in the Economist, such as that
of copper production factory floor in «Untitled» (2014), and reprocessed it digitally and photographically, preserving and enlarging the raster pattern
of the half - tone «original,» incidentally activating visual references to Sigmar Polke (1941 - 2010) and Roy Lichtenstein (1923 - 1997).
This print, in which hyper - real quality and reflective vibrant colour characterise this
image of a crumpled digital print,
caught in the rain, is one
of a
series of three.
The new charcoal and graphite on paper drawings included in Material Handling are two separate
series based on
images of concrete sewer
catch basins and rubber dock bumpers.
The pair's show at Equity is their first solo exhibition together, and will feature a
series of images taken with prosumer film cameras
of tourists
caught in the act
of self - documentation.