The windowless library inspired a new
series of images generated using the library's black and white photocopier.
Not exact matches
NOAA, in cooperation with NASA, used satellite data from April 2012 to April 2013 to
generate a stunning
series of animations and
images depicting the annual cycle
of green vegetation on Earth.
Consider computer
generated images (CGI), the use
of cones and spheres in creating aliens in the popular TV
series, Doctor Who, or perhaps think about the computer games that wouldn't be possible without maths — you can sense the pupil engagement already!
Gander is an inventive polymath, a creator
of worlds and teller
of tales, whose making takes forms as varied as a lecture
series entirely based on «loose associations,» a nonlinear narrative
of wildly disparate ideas and
images found and collected by the artist; re-creations
of children's tent - forts sculpted in marble; the construction
of complex mechanisms to
generate a gentle breeze that wafts through a gallery; a conveyer belt carrying sculptures that can only be seen through one window; or detailed designs for an art school that may never be realized.
This substantial Ruff overview accompanies a major retrospective survey at the Whitechapel Gallery in London, and contains all
of his most renowned
series, including portraits, disasters, sky and cityscapes, internet nudes, photograms, manga
images, magnetically
generated images and found press photographs.
Eto Otitigbe's installation for the fall 2017 anniversary exhibition Call & Response, Aseje, an Urhrobo word meaning everywhere, is an outdoor Augmented Reality (AR) installation, a
series of composite views that result from superimposing computer -
generated images on a user's view
of the real world.
At Bell Labs, working with the first moving -
image programming language, he produced Poemfields (1966 - 1969), a
series of computer -
generated films.
During Deep Epoch, Dullaart shows a new
series of oil paintings based on
images generated by «neural networks»; works derived from his recent performative intervention The Possibility
of an Army, as well as photographic prints from his Instragram project for Jeu de Paume and HMKV: High Retention, Slow Delivery.
The artist's
series of computer -
generated films, Poemfields (1966 - 1969), exploring early computer graphics and
image - processing systems, are included as four multiple screen projections, along with Variations V (1966), VanDerBeek's multi-media collaboration with Merce Cunningham, John Cage, David Tudor, and Nam June Paik.
The visual work Mines du Jardin is a computer
generated image series of fictitious plant arrangements.
The Tubman lot
generated particular interest from bidders and included the following note in the catalog description: «This casting
of Harriet Tubman differs from
image of Tubman in the [Negro Giants in History]
series.»
Shapes Collective (Dana Dart - McLean and Amanda N. Simons) interviewed community members at SAHA (Satellite Affordable Housing Associate) to
generate text and gather
images for a
series of 5 collaboratively produced with those community members original art posters.
Other works in the exhibition include Mary Anne Kluth's vibrant and surreal photo - collages, Clement Valla's aerial views
of bizarre travel - ways
generated from Google Earth, Matthew Moore's photo
series based upon wheat fields, Tania Kitchell's white, monochrome futuristic floral sculptures and Brice Bischoff's in - situ haunting, light
images.
I am trying to figure out if there are ways to re-contextualize corporate -
generated images to tell different stories
of representation that aren't solely in the service
of selling a product like cigarettes in the Fair Warning
Series.
Realism strives to hide the hand by refining mark - making in order to approach a consensus
of resembling visual phenomenon -
generating a
series of marks, while constantly editing and shifting them until they collectively appear less like a
series of choices made by one person, but rather a consensus - an
image that may be called «objective».
In addition to the reading list, the publisher also posted a
series of satirical computer -
generated images depicting fake book jackets, including a fake children's work called Mr. Police and Me: A My First Read - a-Long Tragedy and a book simply titled How To Not Get Shot.
For her early
series of silk screens titled The Pleasure Is Back (1982), Bender reproduced on tin
images from the work
of successful male artists such as Sandro Chia, Roy Lichtenstein, and A. R. Penck, reducing them to their most iconic forms to
generate art «logos.»
First, it captures a
series of ten photographs at varying exposures — underexposed (dimly lit), overexposed (brightly lit), and levels in - between — and
generates a composite
image.