Sentences with phrase «series of large mirror»

The sculpture, which activates the pedestrian plaza creating a dynamic and interactive atmosphere, has been created using a repeating series of large mirror bricks, enabling visitors to enter the enclosure and to see their own reflection multiplied to infinity.

Not exact matches

Nostalgists lament the demise of single plays like Ken Loach's Cathy Come Home or Mike Leigh's Abigail's Party, but drama series like The Jewel in the Crown, Edge of Darkness, Our Friends in the North, State of Play, the original Upstairs Downstairs or Tinker, Tailor, Soldier, Spy will surely loom larger in history's rear - view mirror, while perhaps Julian Fellowes» surprise hit, Downton Abbey, heralds a new wave of the classic British costume drama.

Ford Ranger PX and F series trucks with large blue oval in the center of the tailgate and twist off style mirror mount.

Related to the Spreads (1975 — 83), Scales is a large - scale sculptural series that incorporates solvent transfer onto wood structures usually comprised of fabric, mirrored Plexiglas, and found objects.»

But Quinlan's 2004 — 2007 «Smoke and Mirrors» series, for instance, which documents a large number of arrangements of the titular materials, alludes not only to the legacy of early modern abstraction but also to the Bush

Other drawings, such as two large - scale works executed on piano scroll, depict the characters in poses that mirror their movements and dancing in the films, while a series of new collages feature this imagery in more unexpected contexts.

It follows the 2012 exhibition of the same name that was held at the Belkin Art Gallery, which focused on a series of large - scale paintings with inserted mirrors that Morris made in 1969 — his last paintings until the early 1980s — brought together at the Belkin for the first time since then.

/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth

The Hole in the Middle of Time is a series of seven works manifesting clock face images, the three largest of which incorporate motorized spinning mirrors.

For the 10th Anniversary of TWO x TWO Hodges has donated a magnificent mirror mosaic, the last in a series of four large scale works.

Among its many highlights, Robert Rauschenberg presents the artist's widely celebrated Combines (1954 — 64) and silkscreen paintings (1962 — 64) in fresh ways, including two rarely lent works: Charlene (1954), the last and largest from the artist's series of Red Paintings, which incorporates mirrors, part of a man's undershirt, an umbrella, comic strips, and a light that flashes on and off; and Monogram (1955 — 59), Rauschenberg's famous Combine assembled from a taxidermied angora goat and a tire, positioned on a painted and collaged wooden platform.

The exhibitions feature 66 paintings from the artist's «My Eternal Soul» series, new large - scale flower sculptures and two «Infinity Mirrors Rooms» in the Chelsea locations and a selection of new paintings from her «Infinity Net» series uptown.