Sentences with phrase «series of large sculptures»

The exhibition presents a series of large sculptures by Kapoor; five works are installed into the palace's world - famous gardens while «Shooting into the Corner» is on display into the «Jeu de Paume» gallery.

Not exact matches

For his first museum solo exhibition, Gavin Kenyon presents his largest sculpture to date and debuts a new series of textile - based works.
In the 1960s, David Smith produced a series of multi-colored painted steel sculpture, the powerful welded steel Voltri Series that were mostly black; and his Cubi Series, a large body of abstract, geometric, unpainted, stainless steel sculptures that were among his greatest masterpseries of multi-colored painted steel sculpture, the powerful welded steel Voltri Series that were mostly black; and his Cubi Series, a large body of abstract, geometric, unpainted, stainless steel sculptures that were among his greatest masterpSeries that were mostly black; and his Cubi Series, a large body of abstract, geometric, unpainted, stainless steel sculptures that were among his greatest masterpSeries, a large body of abstract, geometric, unpainted, stainless steel sculptures that were among his greatest masterpieces.
The second half of his solo exhibition includes a series of collaborative figurative sculptures — papier - mâché legs outfitted in Riepenhoff's pants and shoes holding large - scale paintings by artists from Milwaukee, Chicago, New York, and Atlanta, including:
Published to accompany Nari Ward's mid-career retrospective, the largest - ever survey of his work, «Nari Ward: Sun Splashed» documents the artist's work since the 1990s, an innovative series of sculptures, videos, works on paper, and installations.
By the end of the year I had two series paintings finished, several other large hard edge paintings, many smaller ones, works on paper, and a few sculptures.
In this series, Ros focuses on the Caribbean experience, creating large, freestanding sculptures based on a main staple and export of the islands, the platano (plantain banana).
The Swiss artist has executed two site - specific murals that create a singular environment for a series of large - scale pictures and bronze sculptures.
Also present are a number of crushed and manipulated metal sculptures including It Ain't Cheap (1965), and several larger works such as Rainier Falls (1977), Chickmeat (1979), and Gondola Walt Whitman (1981 - 82), one of a series of works dedicated to poets and writers.
Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.
On view here are a series of twisting glass brick sculptures and her largest painting to date, a breathtaking cloud - like triptych that measures more than 25 feet wide and conveys her interest in science, poetry, and metaphysical realities.
The gestural abstraction of Yayoi Kusama's ongoing series of Infinity Net paintings and her important large - scale accumulation sculpture Prisoner's Door provides a formal counterpoint to the geometric abstraction of Conrad Shawcross's Perimeter Studies sequence and Plosion sculpture, which take theories of cosmic expansion and contraction as their starting point.
A true highlight is the series of large - scale paintings by Henry Taylor that surrounds a collection of Sarah Lucas» droopy body sculptures.
Tin Ly will add to his large, painterly sculptures, his continuing series of drawings on bamboo sheaths.
Then, I returned to the Print Studio, cut a similar set of stencils to those used in the Blue Lagoon sculptures, and used them to make a series of large - scale woodblock prints editioned on a traditional press.
Spanning Parasol Unit's ground and first floor spaces, the works on view encompass large and smaller scale sculpture as well as a series of works on paper.
Works on view (until November 27 2016) include several of Walker's large - scale print series, cut - steel sculptures, a mural, and a video installation, displaying the range of approaches the artist has taken to exploring the legacy of slavery and its impact on contemporary American identity.
On view is a new series of photographs as well as three large sculptures made of architectural remnants taken from Ciudad Juárez.
This large - scale survey features work from across an array of mediums and includes sculptures, drawings, prints and a series of immersive full - room installations.
Mosset, in addition to a series of his infamous «circle paintings» from the 1960s, will present a large - scale installation of several dozen Toblerones, large cardboard sculptures based on anti-tank structures used by the Swiss army.
In the SLG's main space, back garden and Clore Studio, a series of «hard» sculptures «large, uniformly painted metal shapes» refer to the language of statistics or graphic representations of data.
CITY OF CITIES is a site - specific installation by Francesco Candeloro (Venice, 1974), articulated in a series of large works — sheets of plexiglass of two metres cut by laser and printed with UV rays -, in which the themes of architecture, the city and the environment are linked to photography, sculpture and signs, creating a route / labyrintOF CITIES is a site - specific installation by Francesco Candeloro (Venice, 1974), articulated in a series of large works — sheets of plexiglass of two metres cut by laser and printed with UV rays -, in which the themes of architecture, the city and the environment are linked to photography, sculpture and signs, creating a route / labyrintof large works — sheets of plexiglass of two metres cut by laser and printed with UV rays -, in which the themes of architecture, the city and the environment are linked to photography, sculpture and signs, creating a route / labyrintof plexiglass of two metres cut by laser and printed with UV rays -, in which the themes of architecture, the city and the environment are linked to photography, sculpture and signs, creating a route / labyrintof two metres cut by laser and printed with UV rays -, in which the themes of architecture, the city and the environment are linked to photography, sculpture and signs, creating a route / labyrintof architecture, the city and the environment are linked to photography, sculpture and signs, creating a route / labyrinth.
It's easy to lose oneself in the endless variety of work that the protean conceptual artist Liam Gillick looses upon the world, from his continually re-articulated text series to his colorful minimal sculptures (the largest of which to date was exhibited at Dublin's Kerlin Gallery last month).
The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.
Harmonic Distortion is comprised of an eponymous series of large - scale sculptures, a further series of wall - based works, and a performative piece inspired by Shibari, a ritualised form of erotic bondage that will incorporate drawing and original music.
In 1996 he received an honorary Doctorate from the University of Jena in Jena, Germany, where his large sculptures of the «Hudson River Valley Series» are on permanent display, becoming the second artist to receive this honorary degree after Auguste Rodin in 1906.
Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a series of glass sculptures and a sculpture consisting of 3D - printed parts, along with large - scale acrylic paintings created with custom - made tools and a new group of her coveted Weave paintings.
This [large grid sculpture to the right of us] is a series, maybe the last of that series, of what I called «Falling Grids,» where I set up a grid of string and poured paint over it with multiple layers and hung it on the wall.
Many of her sculptures are simply large cubes or cones, seemingly painted solid white, but a peek from another view reveals caverns of fluid shapes and hues that spiral downward in a series of geometric patterns.
The large sculptures United Enemies (2011) are based on a series of eponymous works on a considerably smaller scale that he began making in 1992.
Fiona Banner has produced two editions for The Multiple Store, TABLE STOPS (which is directly connected to her large size sculpture series of Full Stops) and Book: 1/1 (a print that is now nearly sold out) both available for sale on this website.
the spatially complex constructionist and large sculptures of the Moby Dick series.)
dalla Rosa is proud to present Lain fallow for too long, Hannah Brown's solo exhibition gathering a new series of paintings and a large - scale sculpture.
Several large installations, in some cases with elaborate video projections, are complemented by a series of drawings, an audio installation, sculptures and numerous videos.
The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.
Known for his innovative adaptions of traditional Haitian iconography, which he engages in order to address contemporary social and political conditions, Duval - Carrié is presenting a series of large - scale paintings and sculptures.
This Gallery allowed for an expanded exhibition schedule and provided facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, monumental sculpture by James Lee Byars, and, most importantly, a four - channel DVD installation by Barbara Kruger.
Alex Katz «Cut Outs» Paul Kasmin 515 West 27th Street CLOSES: April 12 The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.
Huma Bhabha «With a Trace» Salon 94 Upper East Side April 22 — June 1 For Salon 94, Huma Bhabha presents a series of pastels relating to her commission for The Met's Iris and B. Gerald Cantor Roof Garde,, in addition to new large photo - drawings and sculpture.
From the Sun to Zürich, 2016, anchors the installation: it is among the largest examples from the series of painted steel tube sculptures Bove refers to as «glyphs,» whose curving forms could alternately suggest a cosmological spiral, an ancient hieroglyphic language, or a wayward noodle.
The exhibition features a series of sculptures and a large - scale, immersive installation fashioned from intricately reconstituted street materials, such as yellow and red «caution» tape, construction tarps, garbage bags, discarded hub - caps and debris netting.
In the Bronx Museum's first large gallery, photographs from the Bronx Floors series and one surviving sculpture — a squat, L - shaped chunk of floor whose blue linoleum is still surprisingly vibrant — occupy the center of the room, surrounded by photographs of graffiti.
Andrea Zittel Linear Sequence (2016), a series of new sculptures that eschew the impact and pace of technological change and propose alternate modes of living and organizing one's life along with three large - scale billboards on the exterior of SITE's building that are drawn from Zittel's How to Live?
This exhibition of benches by Ian Hamilton Finlay coincides with the inauguration of a series of permanently placed sculptures — eight benches, a tree plaque and a large circular inscription...
On display are several new bodies of greatly varied work: a series of paintings based on Amish quilts; a series of silk - screened paintings of t - shirts; sculptures made out of stacks of flattened cardboard with enormous eyes; large - scale pattern paintings featuring panda bears; a wall with photos of cats that look like Hitler.
Along with the artist's large - format wood sculptures and reliefs, paintings from the later Remix series are also featured, as well as a new group of works, which is publicly displayed here for the first time.
There will be a large scale of works, such as a 4 - meter height huge sculpture, around 8 - meter height drawing, and his first attempt - a series of paintings.
The exhibition's title refers to a series of eight large - scale paintings that form the core of the exhibition, which the artist began in 1997 after an encounter with the early renaissance sculpture «The Annunciation Angel» at the San Gimignano Museum.
Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.
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