The exhibition presents
a series of large sculptures by Kapoor; five works are installed into the palace's world - famous gardens while «Shooting into the Corner» is on display into the «Jeu de Paume» gallery.
Not exact matches
For his first museum solo exhibition, Gavin Kenyon presents his
largest sculpture to date and debuts a new
series of textile - based works.
In the 1960s, David Smith produced a
series of multi-colored painted steel sculpture, the powerful welded steel Voltri Series that were mostly black; and his Cubi Series, a large body of abstract, geometric, unpainted, stainless steel sculptures that were among his greatest masterp
series of multi-colored painted steel
sculpture, the powerful welded steel Voltri
Series that were mostly black; and his Cubi Series, a large body of abstract, geometric, unpainted, stainless steel sculptures that were among his greatest masterp
Series that were mostly black; and his Cubi
Series, a large body of abstract, geometric, unpainted, stainless steel sculptures that were among his greatest masterp
Series, a
large body
of abstract, geometric, unpainted, stainless steel
sculptures that were among his greatest masterpieces.
The second half
of his solo exhibition includes a
series of collaborative figurative
sculptures — papier - mâché legs outfitted in Riepenhoff's pants and shoes holding
large - scale paintings by artists from Milwaukee, Chicago, New York, and Atlanta, including:
Published to accompany Nari Ward's mid-career retrospective, the
largest - ever survey
of his work, «Nari Ward: Sun Splashed» documents the artist's work since the 1990s, an innovative
series of sculptures, videos, works on paper, and installations.
By the end
of the year I had two
series paintings finished, several other
large hard edge paintings, many smaller ones, works on paper, and a few
sculptures.
In this
series, Ros focuses on the Caribbean experience, creating
large, freestanding
sculptures based on a main staple and export
of the islands, the platano (plantain banana).
The Swiss artist has executed two site - specific murals that create a singular environment for a
series of large - scale pictures and bronze
sculptures.
Also present are a number
of crushed and manipulated metal
sculptures including It Ain't Cheap (1965), and several
larger works such as Rainier Falls (1977), Chickmeat (1979), and Gondola Walt Whitman (1981 - 82), one
of a
series of works dedicated to poets and writers.
Other works featured in LIVESupport include «Church State,» a two - part
sculpture comprised
of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower
of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs)
of the spinal column; «Riot Gates,» a
series of large - scale X-Ray images
of the human skull mounted on security gates and surrounded by a border
of ink - covered shoe tips, objects often used by the artist as tenuous representation
of the body; «Role Play Drawings» a
series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House
of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.
The entire show consists
of six different chapters, each showing different relation between the body and the space, from a
large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings
of the skaters in a modern art museum breaking a
series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface
of the abstract paintings, a cast resin
sculpture and a drawing
of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.
On view here are a
series of twisting glass brick
sculptures and her
largest painting to date, a breathtaking cloud - like triptych that measures more than 25 feet wide and conveys her interest in science, poetry, and metaphysical realities.
The gestural abstraction
of Yayoi Kusama's ongoing
series of Infinity Net paintings and her important
large - scale accumulation
sculpture Prisoner's Door provides a formal counterpoint to the geometric abstraction
of Conrad Shawcross's Perimeter Studies sequence and Plosion
sculpture, which take theories
of cosmic expansion and contraction as their starting point.
A true highlight is the
series of large - scale paintings by Henry Taylor that surrounds a collection
of Sarah Lucas» droopy body
sculptures.
Tin Ly will add to his
large, painterly
sculptures, his continuing
series of drawings on bamboo sheaths.
Then, I returned to the Print Studio, cut a similar set
of stencils to those used in the Blue Lagoon
sculptures, and used them to make a
series of large - scale woodblock prints editioned on a traditional press.
Spanning Parasol Unit's ground and first floor spaces, the works on view encompass
large and smaller scale
sculpture as well as a
series of works on paper.
Works on view (until November 27 2016) include several
of Walker's
large - scale print
series, cut - steel
sculptures, a mural, and a video installation, displaying the range
of approaches the artist has taken to exploring the legacy
of slavery and its impact on contemporary American identity.
On view is a new
series of photographs as well as three
large sculptures made
of architectural remnants taken from Ciudad Juárez.
This
large - scale survey features work from across an array
of mediums and includes
sculptures, drawings, prints and a
series of immersive full - room installations.
Mosset, in addition to a
series of his infamous «circle paintings» from the 1960s, will present a
large - scale installation
of several dozen Toblerones,
large cardboard
sculptures based on anti-tank structures used by the Swiss army.
In the SLG's main space, back garden and Clore Studio, a
series of «hard»
sculptures «
large, uniformly painted metal shapes» refer to the language
of statistics or graphic representations
of data.
CITY
OF CITIES is a site - specific installation by Francesco Candeloro (Venice, 1974), articulated in a series of large works — sheets of plexiglass of two metres cut by laser and printed with UV rays -, in which the themes of architecture, the city and the environment are linked to photography, sculpture and signs, creating a route / labyrint
OF CITIES is a site - specific installation by Francesco Candeloro (Venice, 1974), articulated in a
series of large works — sheets of plexiglass of two metres cut by laser and printed with UV rays -, in which the themes of architecture, the city and the environment are linked to photography, sculpture and signs, creating a route / labyrint
of large works — sheets
of plexiglass of two metres cut by laser and printed with UV rays -, in which the themes of architecture, the city and the environment are linked to photography, sculpture and signs, creating a route / labyrint
of plexiglass
of two metres cut by laser and printed with UV rays -, in which the themes of architecture, the city and the environment are linked to photography, sculpture and signs, creating a route / labyrint
of two metres cut by laser and printed with UV rays -, in which the themes
of architecture, the city and the environment are linked to photography, sculpture and signs, creating a route / labyrint
of architecture, the city and the environment are linked to photography,
sculpture and signs, creating a route / labyrinth.
It's easy to lose oneself in the endless variety
of work that the protean conceptual artist Liam Gillick looses upon the world, from his continually re-articulated text
series to his colorful minimal
sculptures (the
largest of which to date was exhibited at Dublin's Kerlin Gallery last month).
The artwork
of Edgar Heap
of Birds includes multidisciplinary forms
of public art messages,
large - scale drawings, Neuf
Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor
sculpture.
Harmonic Distortion is comprised
of an eponymous
series of large - scale
sculptures, a further
series of wall - based works, and a performative piece inspired by Shibari, a ritualised form
of erotic bondage that will incorporate drawing and original music.
In 1996 he received an honorary Doctorate from the University
of Jena in Jena, Germany, where his
large sculptures of the «Hudson River Valley
Series» are on permanent display, becoming the second artist to receive this honorary degree after Auguste Rodin in 1906.
Taking direction from architect and theosophist Claude Bragdon's treatise on drawing four - dimensional patterns on a two - dimensional plane, Ms. Auerbach presents a
series of glass
sculptures and a
sculpture consisting
of 3D - printed parts, along with
large - scale acrylic paintings created with custom - made tools and a new group
of her coveted Weave paintings.
This [
large grid
sculpture to the right
of us] is a
series, maybe the last
of that
series,
of what I called «Falling Grids,» where I set up a grid
of string and poured paint over it with multiple layers and hung it on the wall.
Many
of her
sculptures are simply
large cubes or cones, seemingly painted solid white, but a peek from another view reveals caverns
of fluid shapes and hues that spiral downward in a
series of geometric patterns.
The
large sculptures United Enemies (2011) are based on a
series of eponymous works on a considerably smaller scale that he began making in 1992.
Fiona Banner has produced two editions for The Multiple Store, TABLE STOPS (which is directly connected to her
large size
sculpture series of Full Stops) and Book: 1/1 (a print that is now nearly sold out) both available for sale on this website.
the spatially complex constructionist and
large sculptures of the Moby Dick
series.)
dalla Rosa is proud to present Lain fallow for too long, Hannah Brown's solo exhibition gathering a new
series of paintings and a
large - scale
sculpture.
Several
large installations, in some cases with elaborate video projections, are complemented by a
series of drawings, an audio installation,
sculptures and numerous videos.
The artist best known for his flattened approach to the human figure takes his signature aesthetic into
sculpture with «Cut Outs,» a solo exhibition
of four works depicting Katz's wife Ada, the full set
of his nine - piece «Black Dress»
series, and one
larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.
Known for his innovative adaptions
of traditional Haitian iconography, which he engages in order to address contemporary social and political conditions, Duval - Carrié is presenting a
series of large - scale paintings and
sculptures.
This Gallery allowed for an expanded exhibition schedule and provided facilities for
large - scale works and dramatic installations, such as Peter Halley's explosive hanging
of paintings and wallpaper, Marc Quinn's complete
series of carved marble statues
of persons with missing limbs, monumental
sculpture by James Lee Byars, and, most importantly, a four - channel DVD installation by Barbara Kruger.
Alex Katz «Cut Outs» Paul Kasmin 515 West 27th Street CLOSES: April 12 The artist best known for his flattened approach to the human figure takes his signature aesthetic into
sculpture with «Cut Outs,» a solo exhibition
of four works depicting Katz's wife Ada, the full set
of his nine - piece «Black Dress»
series, and one
larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.
Huma Bhabha «With a Trace» Salon 94 Upper East Side April 22 — June 1 For Salon 94, Huma Bhabha presents a
series of pastels relating to her commission for The Met's Iris and B. Gerald Cantor Roof Garde,, in addition to new
large photo - drawings and
sculpture.
From the Sun to Zürich, 2016, anchors the installation: it is among the
largest examples from the
series of painted steel tube
sculptures Bove refers to as «glyphs,» whose curving forms could alternately suggest a cosmological spiral, an ancient hieroglyphic language, or a wayward noodle.
The exhibition features a
series of sculptures and a
large - scale, immersive installation fashioned from intricately reconstituted street materials, such as yellow and red «caution» tape, construction tarps, garbage bags, discarded hub - caps and debris netting.
In the Bronx Museum's first
large gallery, photographs from the Bronx Floors
series and one surviving
sculpture — a squat, L - shaped chunk
of floor whose blue linoleum is still surprisingly vibrant — occupy the center
of the room, surrounded by photographs
of graffiti.
Andrea Zittel Linear Sequence (2016), a
series of new
sculptures that eschew the impact and pace
of technological change and propose alternate modes
of living and organizing one's life along with three
large - scale billboards on the exterior
of SITE's building that are drawn from Zittel's How to Live?
This exhibition
of benches by Ian Hamilton Finlay coincides with the inauguration
of a
series of permanently placed
sculptures — eight benches, a tree plaque and a
large circular inscription...
On display are several new bodies
of greatly varied work: a
series of paintings based on Amish quilts; a
series of silk - screened paintings
of t - shirts;
sculptures made out
of stacks
of flattened cardboard with enormous eyes;
large - scale pattern paintings featuring panda bears; a wall with photos
of cats that look like Hitler.
Along with the artist's
large - format wood
sculptures and reliefs, paintings from the later Remix
series are also featured, as well as a new group
of works, which is publicly displayed here for the first time.
There will be a
large scale
of works, such as a 4 - meter height huge
sculpture, around 8 - meter height drawing, and his first attempt - a
series of paintings.
The exhibition's title refers to a
series of eight
large - scale paintings that form the core
of the exhibition, which the artist began in 1997 after an encounter with the early renaissance
sculpture «The Annunciation Angel» at the San Gimignano Museum.
Installed among a number
of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental
Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection
of his Black paintings, an imposing
series of large canvases layered with newspaper and dark paint
of varying finish and consistency.