Sentences with phrase «series of photographic prints»

This exhibition focuses on two areas of work: her abstracts — paintings and constructions on canvas, paper and board; and an ongoing series of photographic prints that combine photography, video and drawing that she calls «video drawings.»
That particular genre is in many respects the polar opposite of uptight perfection, with its canvases rumpled and littered by everything from cigarette butts to charcoal to sand — all of which would be anathema to the clean lens and the pristine print — yet here Labatte slyly rearticulates the painterly gestures in an ecstatic series of photographic prints titled «Spotting,» 2014.
Clarke has produced a series of photographic prints exploring the placement of text within the rural and urban landscape.
This exhibition looks at two facets of Pindell's practice that have remained consistent through five decades of artmaking: abstract paintings and constructions on canvas, paper, and board; and a body of work Pindell calls «video drawings», an ongoing series of photographic prints that arise from her unique hybridization of photography, video, and drawing.
Accompanying Dollhouse Reliquary will be a series of photographic prints of found dead birds surrounded by vibrant flowers.
The series of photographic prints of the photo shoot capture the artificial and absurd aspects of Fujiwara's original proposition to recreate the missing picture.

Not exact matches

Lux geometrica is a series of celestially - inspired prints made using only sunlight, sand and expired photographic paper.
The accompanying series reflect / project (ion) is a group of collaborative photographic portraits printed on stretched canvas.
Esopus 23 presents specially - commissioned projects exclusive to this issue including a series of images printed on translucent and metallic stocks by Marilyn Minter, a portfolio of die - cut works by Mickalene Thomas, a collection of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition» series, a new series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges of living and working between Berlin and Lagos, and a series of abstract photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.
He uses unconventional materials in traditional photographic techniques to produce unique photographic prints with a conceptual twist; for example his «dust» series, which uses collected dust and adhesive in place of the usual photographic chemicals to print delicate, gossamer images; or his photographs of lakes and rivers that are developed in liquid collected from the bodies of water themselves.
A recent series of photographic inkjet prints in the exhibition contests ideas of how art mediums are understood to function.
The resulting series of 500 images of white monochromes have been presented in a number of different forms since he began making them in the 1990's, appearing as photographic prints, 35 mm slide projections, digital projections and also in book form.
The imagery in these prints derives from one of two little known and rarely seen photographic series that Booker produced in the mid-1990s.
In his first solo exhibition in Hong Kong at Axel Vervoordt Gallery, entitled «分合 PART: MEET,» Bae presents five new black - and - white photographic prints from his «Sonamu — Pine Trees» series (2015), returning to his favorite subject of the pine trees found in the forested mountains of Gyeongju.
It includes Albers's early drawings of country churches and cathedrals; «Rosa Mystica,» his stained glass window for St Michael's Church, and other glass works containing religious imagery; his abstractions of crosses and geometric abstractions with spiritually themed titles, from his Black Mountain years; his prints of Mexican gods; photographic interpretations of the theme of angels; and a selection from the Homage to the Square series.
During Deep Epoch, Dullaart shows a new series of oil paintings based on images generated by «neural networks»; works derived from his recent performative intervention The Possibility of an Army, as well as photographic prints from his Instragram project for Jeu de Paume and HMKV: High Retention, Slow Delivery.
(Polaroid Series # 9 is comparable in price to her single photographic prints of the same size.)
From the «Weather Painting» series, the 11 - foot tall Weather Paintings IB and Weather Paintings IIB are photographic prints of Schnabel's abstract paintings, their swirling shades of purple evoking aerial shots of stormy weather.
Hirose picks up things dissolved within our daily life and recomposes them like poems: such as in the «Sky» series in which he took photographs of sky on his actual travels; the «Night» series whereby he traveled in the image of photographic clippings from printed matters; and the «Beans Cosmos» series in which he encloses various materials such as pasta, maps, beans and gold in acrylic cubes.
An extensive archive of photographs produced in silver gelatin print, taken since 1999 (and still on going), this series focuses on marginalized rural communities in Western Rajasthan, portrayed through a range of local photographic methods including studio portraits, religious calendar art and Bollywood posters, at times collaborating with subjects, and sometimes not including them at all.
Produced photographic documentation of a series screen prints made by artist Michelle Grabner at Zygote Press.
Leaning against the far wall are a series of canvases screen printed in cyan, magenta, yellow and a range of grays to black, each with the same flattened photographic image of lichen on the surface of a rock.
Red Roses for a Blue Lady, Damon Zucconi's second exhibition at JTT, consists of photographic prints, a series of pre-existing books re-published by the artist, four web - accessible works, and a video.
On the occasion of The Kitchen's celebration of Robert Longo, the artist presents two special limited - edition prints featuring photographic source images for his legendary «Men in the Cities» series.
The small photograph Night Jam, 2013, is a study in color contrast, depicting gently creased strips of variously hued photographic paper arranged on top of a paper guillotine, bringing to mind series such as «Lighter,» 2005 — , for which Tillmans turns flat pictures into three - dimensional objects by bending, folding, or creasing photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for which he takes pictures of photographic paper gently furled into drop - like forms.
Sarah Anne Johnson's photographic motif often employs a panoply of techniques for experimenting with the photographic print — scratching, painting, applying glitter, collaging — whereby the emotional and psychological aspects of her series are brought to life.
Swedish artist Maria Hedlund's exhibition «Upplöst (Dissolved) included several series of striking gelatin silver photographic prints.
At the start of the show is a series of large, colorful photographic prints depicting crumpled paintings that Martin Kippenberger assigned an assistant to make and then trashed, deeming them «too good.»
The exhibition will include a site - specific photographic installation and series of complementary photographs by Potsic as well as prints, paintings, and mixed media works by all the featured artists.
To accompany the group exhibition Double Agent in 2008, Phil Collins has made the photographic print You'll Never Work In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the face.
Since the late 1990s, Simpson has extended these concerns into a series of film and video installations and large - scale photographic works printed on felt.
With his E.I. series, Cairns has taken the idea of photographic printing to new levels, creating works that present his dystopian city scenes petrified in e-reader screens.
The works are a ten - part photographic series of 30 by 50 - inch LightJet prints, entitled Simply Stunning.
This limited edition comprises of the publication The Rhubarb Triangle: Photographs by Martin Parr and the photographic print Tomlinson's, Pudsey, 2015, part of a series of photographs taken over the last 12 months in the area of countryside known as «The Rhubarb Triangle» in West Yorkshire.
The booth of New York dealer Rachel Uffner had a new series of work by New York - based Sara Greenberger Rafferty: photographic inkjet prints of human figures and objects that appear to have melted under sheets of plastic.
The slug who not only provides the title of the exhibition and this particular series of works but whose quite literal image is presented as a real photographic likeness inching across the monitor and as a hand - drawn image in print.
More touching was a photographic series depicting gifts the artist received over 40 years, from a Gonzalez - Torres print to meatballs to The Book of Repulsive Women (twice).
Over the next 20 years, she created a series of prints that translated her textile innovations and her Bauhaus sensibility into this medium, introducing Mexican colors into her palette and exploring new lithography techniques, offset printing, photographic processes and silkscreen.
Experimenting with her stash of gelatin silver print photographic paper, used thirty years ago to create a series evoking Cuban surrealist painter Wifredo Lam, she adds subtle gradations of color, from lavender and peach to silver.
Richard Prince's «New Portraits» series (2015), in which he appropriates Instagram posts, turning them into large - scale prints, is evidence of the influence viral, online imagery has already had on contemporary art photography; and, while we might cringe at the thought of «selfies» and «food porn» someday appearing in MoMA's photographic collection, it is almost imperative that they do.
In this series, I began to experiment with printing images of natural scenes, plants, and other items on to cotton and silk that I then sewed, staged, and re-photographed to create digital photographic collages or sewed the printed fabric into soft sculptures.
Bridging nineteenth and twenty - first century photographic technologies, Gerry Giliberti has created a series of landscapes and contemporary views using a photographic technique that was popular in the past - the gelatin silver chloride contact printing process.
No. 4 in a series of seven photographic portraits of Mark Twain, each inscribed by Twain, 1906, gelatin silver prints on card.
Elfman grew the plant from seed and photographed a group of marble statues and plaster casts, using the plant's juice as a photographic emulsion to produce a series of amaranth on paper prints.
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