This exhibition focuses on two areas of work: her abstracts — paintings and constructions on canvas, paper and board; and an ongoing
series of photographic prints that combine photography, video and drawing that she calls «video drawings.»
That particular genre is in many respects the polar opposite of uptight perfection, with its canvases rumpled and littered by everything from cigarette butts to charcoal to sand — all of which would be anathema to the clean lens and the pristine print — yet here Labatte slyly rearticulates the painterly gestures in an ecstatic
series of photographic prints titled «Spotting,» 2014.
Clarke has produced
a series of photographic prints exploring the placement of text within the rural and urban landscape.
This exhibition looks at two facets of Pindell's practice that have remained consistent through five decades of artmaking: abstract paintings and constructions on canvas, paper, and board; and a body of work Pindell calls «video drawings», an ongoing
series of photographic prints that arise from her unique hybridization of photography, video, and drawing.
Accompanying Dollhouse Reliquary will be
a series of photographic prints of found dead birds surrounded by vibrant flowers.
The series of photographic prints of the photo shoot capture the artificial and absurd aspects of Fujiwara's original proposition to recreate the missing picture.
Not exact matches
Lux geometrica is a
series of celestially - inspired
prints made using only sunlight, sand and expired
photographic paper.
The accompanying
series reflect / project (ion) is a group
of collaborative
photographic portraits
printed on stretched canvas.
Esopus 23 presents specially - commissioned projects exclusive to this issue including a
series of images
printed on translucent and metallic stocks by Marilyn Minter, a portfolio
of die - cut works by Mickalene Thomas, a collection
of images and documentation by Jody Wood relating to her ongoing «Beauty in Transition»
series, a new
series of paintings by Stefan Kürten; drawings by Karo Akpokiere dealing with the challenges
of living and working between Berlin and Lagos, and a
series of abstract
photographic «landscapes» created in the darkroom by master black - and - white printer Chuck Kelton.
He uses unconventional materials in traditional
photographic techniques to produce unique
photographic prints with a conceptual twist; for example his «dust»
series, which uses collected dust and adhesive in place
of the usual
photographic chemicals to
print delicate, gossamer images; or his photographs
of lakes and rivers that are developed in liquid collected from the bodies
of water themselves.
A recent
series of photographic inkjet
prints in the exhibition contests ideas
of how art mediums are understood to function.
The resulting
series of 500 images
of white monochromes have been presented in a number
of different forms since he began making them in the 1990's, appearing as
photographic prints, 35 mm slide projections, digital projections and also in book form.
The imagery in these
prints derives from one
of two little known and rarely seen
photographic series that Booker produced in the mid-1990s.
In his first solo exhibition in Hong Kong at Axel Vervoordt Gallery, entitled «分合 PART: MEET,» Bae presents five new black - and - white
photographic prints from his «Sonamu — Pine Trees»
series (2015), returning to his favorite subject
of the pine trees found in the forested mountains
of Gyeongju.
It includes Albers's early drawings
of country churches and cathedrals; «Rosa Mystica,» his stained glass window for St Michael's Church, and other glass works containing religious imagery; his abstractions
of crosses and geometric abstractions with spiritually themed titles, from his Black Mountain years; his
prints of Mexican gods;
photographic interpretations
of the theme
of angels; and a selection from the Homage to the Square
series.
During Deep Epoch, Dullaart shows a new
series of oil paintings based on images generated by «neural networks»; works derived from his recent performative intervention The Possibility
of an Army, as well as
photographic prints from his Instragram project for Jeu de Paume and HMKV: High Retention, Slow Delivery.
(Polaroid
Series # 9 is comparable in price to her single
photographic prints of the same size.)
From the «Weather Painting»
series, the 11 - foot tall Weather Paintings IB and Weather Paintings IIB are
photographic prints of Schnabel's abstract paintings, their swirling shades
of purple evoking aerial shots
of stormy weather.
Hirose picks up things dissolved within our daily life and recomposes them like poems: such as in the «Sky»
series in which he took photographs
of sky on his actual travels; the «Night»
series whereby he traveled in the image
of photographic clippings from
printed matters; and the «Beans Cosmos»
series in which he encloses various materials such as pasta, maps, beans and gold in acrylic cubes.
An extensive archive
of photographs produced in silver gelatin
print, taken since 1999 (and still on going), this
series focuses on marginalized rural communities in Western Rajasthan, portrayed through a range
of local
photographic methods including studio portraits, religious calendar art and Bollywood posters, at times collaborating with subjects, and sometimes not including them at all.
Produced
photographic documentation
of a
series screen
prints made by artist Michelle Grabner at Zygote Press.
Leaning against the far wall are a
series of canvases screen
printed in cyan, magenta, yellow and a range
of grays to black, each with the same flattened
photographic image
of lichen on the surface
of a rock.
Red Roses for a Blue Lady, Damon Zucconi's second exhibition at JTT, consists
of photographic prints, a
series of pre-existing books re-published by the artist, four web - accessible works, and a video.
On the occasion
of The Kitchen's celebration
of Robert Longo, the artist presents two special limited - edition
prints featuring
photographic source images for his legendary «Men in the Cities»
series.
The small photograph Night Jam, 2013, is a study in color contrast, depicting gently creased strips
of variously hued
photographic paper arranged on top
of a paper guillotine, bringing to mind
series such as «Lighter,» 2005 — , for which Tillmans turns flat pictures into three - dimensional objects by bending, folding, or creasing
photographic prints and exhibiting them in Plexiglas boxes; or the famous «paper drops,» 2001 — , for which he takes pictures
of photographic paper gently furled into drop - like forms.
Sarah Anne Johnson's
photographic motif often employs a panoply
of techniques for experimenting with the
photographic print — scratching, painting, applying glitter, collaging — whereby the emotional and psychological aspects
of her
series are brought to life.
Swedish artist Maria Hedlund's exhibition «Upplöst (Dissolved) included several
series of striking gelatin silver
photographic prints.
At the start
of the show is a
series of large, colorful
photographic prints depicting crumpled paintings that Martin Kippenberger assigned an assistant to make and then trashed, deeming them «too good.»
The exhibition will include a site - specific
photographic installation and
series of complementary photographs by Potsic as well as
prints, paintings, and mixed media works by all the featured artists.
To accompany the group exhibition Double Agent in 2008, Phil Collins has made the
photographic print You'll Never Work In This Town Again (2009) for the ICA, featuring two
of the images from his
series you'll never work in this town again (2004 — on - going), which is a
series of photographic portraits
of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the face.
Since the late 1990s, Simpson has extended these concerns into a
series of film and video installations and large - scale
photographic works
printed on felt.
With his E.I.
series, Cairns has taken the idea
of photographic printing to new levels, creating works that present his dystopian city scenes petrified in e-reader screens.
The works are a ten - part
photographic series of 30 by 50 - inch LightJet
prints, entitled Simply Stunning.
This limited edition comprises
of the publication The Rhubarb Triangle: Photographs by Martin Parr and the
photographic print Tomlinson's, Pudsey, 2015, part
of a
series of photographs taken over the last 12 months in the area
of countryside known as «The Rhubarb Triangle» in West Yorkshire.
The booth
of New York dealer Rachel Uffner had a new
series of work by New York - based Sara Greenberger Rafferty:
photographic inkjet
prints of human figures and objects that appear to have melted under sheets
of plastic.
The slug who not only provides the title
of the exhibition and this particular
series of works but whose quite literal image is presented as a real
photographic likeness inching across the monitor and as a hand - drawn image in
print.
More touching was a
photographic series depicting gifts the artist received over 40 years, from a Gonzalez - Torres
print to meatballs to The Book
of Repulsive Women (twice).
Over the next 20 years, she created a
series of prints that translated her textile innovations and her Bauhaus sensibility into this medium, introducing Mexican colors into her palette and exploring new lithography techniques, offset
printing,
photographic processes and silkscreen.
Experimenting with her stash
of gelatin silver
print photographic paper, used thirty years ago to create a
series evoking Cuban surrealist painter Wifredo Lam, she adds subtle gradations
of color, from lavender and peach to silver.
Richard Prince's «New Portraits»
series (2015), in which he appropriates Instagram posts, turning them into large - scale
prints, is evidence
of the influence viral, online imagery has already had on contemporary art photography; and, while we might cringe at the thought
of «selfies» and «food porn» someday appearing in MoMA's
photographic collection, it is almost imperative that they do.
In this
series, I began to experiment with
printing images
of natural scenes, plants, and other items on to cotton and silk that I then sewed, staged, and re-photographed to create digital
photographic collages or sewed the
printed fabric into soft sculptures.
Bridging nineteenth and twenty - first century
photographic technologies, Gerry Giliberti has created a
series of landscapes and contemporary views using a
photographic technique that was popular in the past - the gelatin silver chloride contact
printing process.
No. 4 in a
series of seven
photographic portraits
of Mark Twain, each inscribed by Twain, 1906, gelatin silver
prints on card.
Elfman grew the plant from seed and photographed a group
of marble statues and plaster casts, using the plant's juice as a
photographic emulsion to produce a
series of amaranth on paper
prints.