Sentences with phrase «series of retrospective exhibitions»

Celebrating the 50th anniversary of its founding, the UC San Diego Visual Arts Department is presenting a series of retrospective exhibitions at the University Art Gallery (UAG), located in the Mandeville Complex on the UCSD campus.

Not exact matches

This exhibition, Manister's first retrospective, traces the development of his painting through a series of distinct and seemingly contrasting phases.

The exhibition is the second in a series of distinctive retrospectives taking place in art galleries across the UK and US throughout 2013.

Marlborough inaugurated a series of ground breaking exhibitions in 1959 with Art in Revolt, Germany 1905 - 1925 (an exhibition organized in aid of World Refugee Year), and in the ensuing years presented Kandinsky, the Road to Abstraction, The Painters of the Bauhaus, artists of Die Brücke, and a major Kurt Schwitters retrospective.

The series, «Scenes & Take,» is part of Ms. Weems's first solo exhibition in New York City since her 2014 retrospective at the Guggenheim.

This touring exhibition will be a kind of «survey» of my work, but it will be structured around a series of new works that each rebound off some of my work to date, thus attempting to critique the usual static nature of institutionalized surveys or retrospectives, while at the same time allowing some rethinking to take place about conditions and the sound of my own making.

This will be the first public exhibition of this series of paintings — the artist's earliest mature body of work — since a retrospective exhibition was organized by the Ringling Museum of Art in 1968.

Bray's curatorial leadership at Dulwich has coincided with a dramatic increase in visitor numbers and a string of highly regarded temporary exhibitions — not least the acclaimed Ravilious retrospective last summer, part of the museum's ongoing «Modern British» series that has given Tate Britain a run for its money.

Artists Lorser Feitelson (Lorser Feitelson and the Invention of Hard Edge Painting, The Late Paintings, and The Kinetic Series: Works from 1916 - 1923), Karl Benjamin (Karl Benjamin: Paintings from 1950 — 1965, Drawings from 1950 — 1965, Dance the Line: Paintings by Karl Benjamin, and Karl Benjamin and the Evolution of Abstraction) and Helen Lundeberg (Helen Lundeberg and the Illusory Landscape, Infinite Distance — Architectural Compositions by Helen Lundeberg) have each been featured in extensive retrospective exhibitions.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera, (June 6 — August 30, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he selected small books from flea markets, manipulating and altering the found objects; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes - overlooked artist in the first museum survey of her work since 2001.

Nicholas Krushenick: Electric Soup is the latest in a series of exhibitions at the Tang that present in - depth surveys of underappreciated modern and contemporary artists, including Someday is Now: The Art of Corita Kent (2013); Nancy Grossman: Tough Life Diary (2012); Tim Rollins and K.O.S.: A History (2009); Joachim Schmid Photoworks 1982 — 2007 (2007); Richard Pettibone: A Retrospective (2005); and America Starts Here: Kate Ericson and Mel Ziegler (2005); among others.

Exhibitions during the anniversary celebration include Opener 29: Arturo Herrera (through August 23, 2015), featuring new works from the Berlin - based artist's recent body of abstract paintings for which he manipulated small books found at flea markets; Machine Project — The Platinum Collection (Live by Special Request), (September 19, 2015 — January 3, 2016), which will feature a series of interventions, performances, and happenings created for the Tang by Skidmore alumnus Mark Allen in collaboration with his Los Angeles - based collective Machine Project; Affinity Atlas (September 5, 2015 — January 3, 2016), inspired by the work of pioneering cultural theorist and art historian Aby Warburg, charts an exploratory path built upon idiosyncratic treasures and contemporary art culled from the Tang's and Skidmore's collections; and Alma Thomas: A Retrospective (February 6 — June 5, 2016), which will explore the work of this influential but sometimes overlooked artist in the first museum survey of her work since 2001.

2017 Secrets and Stories, Casa das Histórias, Cascais Depression Pictures, Marlborough Fine Art, London 2016 Old Meets New, Casa das Histórias, Cascais Dancing Ostriches, Marlborough Fine Art, London Paintings and Etchings from the 1980s, Frieze Masters, London 2015 Cousin Bazilio and Other Stories, Marlborough Galería, Madrid The Poacher, Casa das Histórias, Cascais 2014 The Last King of Portugal, Marlborough Fine Art, London 2013 Dame with the goat's foot and other stories, Marlborough Fine Art, London 2012 Retrospective, The Gulbenkian Museum, Paris Balzac and other Stories, Marlborough Fine Art, London 2010 - 11 Retrospective exhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNexhibition, Museum of Contemporary Art, Monterrey, Mexico; Pinacoteca de Sao Paulo 2010 Oratorio, Marlborough Fine Art, London 2008 Human Cargo, Marlborough Chelsea, New York Retrospective Exhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNExhibition, Museo Nacional Centro de Arte Reina Sofia, Madrid; National Museum of Women in the Arts, Washington O Vinho, a series of eight lithographs, Marlborough Fine Art, London; Galeria Marlborough, Madrid 2006 Marlborough Fine Art, London Paula Rego in Focus, Tate Britain, London 2003 - 04 Corner 2004, Charlottenborg, Copenhagen Jane Eyre and Other Stories, Marlborough Fine Art, London 2002 Celestina's House & Paula Rego — Jane Eyre, Yale Center for British Art, New Haven 2001 Nursery Rymes e Outras Gravuras, Parque das Nacoes, Lisbon So desenhos Paula Rego, Fundacao Arpad Szenes - Vieira da Silva, Lisbon 1999 The Children's Crusade — a suite of 12 etchings, Marlborough Graphics, London Recent Work, Marlborough Galeria SA, Madrid O Crime do Padre Amaro, Fundação Calouste Gulbenkian, Lisbon Open Secrets — Drawings and Etchings, Centre Culturel Calouste Gulbenkian, Paris Children's Crusade, Edinburgh Printmakers Workshop 1988 The Sins of Father Amaro, Dulwich Picture Gallery, London Pra Lá et Pra Cá, Galerie III, Lisbon Pendle Witches, Marlborough Galeria Madrid 1997 Retrospective exhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNexhibition, Tate Gallery Liverpool; Fundação das Descobertas, Centro Cultural de Belém, Lisbon 1995 Nursery Rhymes and Peter Pan, Annandale Galleries, Sydney 1994 Dog Women, Marlborough Fine Art, London 1992 - 93 Peter Pan & Other Stories, Marlborough Fine Art, London 1991 - 92 Tales from the National Gallery, Travelling Exhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNExhibition: Plymouth City Museum and Art Gallery; Middlesborough Art Gallery; Whitworth Art Gallery, Manchester; Cooper Art Gallery, Barnsley; the National Gallery, London; the Laing Art Gallery, Newcastle; The Calouste Gulbenkian Foundation, Lisbon 1991 - 96 Nursery Rhymes, South Bank Centre, British Council and Marlborough Graphics 1990 Nursery Rhymes, Galerie III, Lisbon 1989 Nursery Rhymes, Marlborough Graphics Gallery, London Galeria III, ARCO, Madrid Galeria III, Lisbon 1988 Retrospective Exhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNExhibition, Fundação Calouste Gulbenkian, Lisbon Casa de Serralves, Oporto; the Serpentine Gallery, London 1987 Selected work 1981 - 86, Aberystwyth Arts Centre and UK tour Edward Totah Gallery, London 1985 The Art Palace, New York Edward Totah Gallery, London 1984 Edward Totah Gallery, London 1983 Galerie Espace, Amsterdam 1982 Galeria III, Lisbon, Edward Total Gallery, London 1981 AIR Gallery, London 1978 Galeria III, Lisbon 1977 Módulo Centro Difusor da Arte, Oporto 1975 Módulo Centro Difusor da Arte, Lisbon 1974 Galeria da Emenda, Lisbon 1972 Galeria Alvarez, Oporto 1971 Galeria São Mamede, Lisbon 1965 SNBA, Lisbon

A decade later, Hirst was invited to show his first retrospective exhibition of drawings «From the Cradle to the Grave» (2003) by the twenty - fifth Ljubljana International Biennale of Graphic Art after winning the Biennale Grand Prize for his print series «The Last Supper».

Philippe Parreno: May at Kunsthalle Zürich is the first episode from a planned series of «retrospective» exhibitions that will be shown at Kunsthalle Zürich, the Centre Pompidou, the Irish Museum of Modern Art in Dublin, and the CCS, Bard College, New York.

ANNANDALE - ON - HUDSON, N.Y. — This summer, the Center for Curatorial Studies at Bard College (CCS Bard) presents Philippe Parreno, the fourth exhibition in a series of retrospectives of the French artist's work that have taken place at the Kunsthalle Zürich, the Centre Pompidou in Paris, and the Irish Museum of Modern Art in Dublin.

He has recently garnered new attention and recognition in the contemporary film and art worlds marked by his retrospective exhibition at MoMA PS1, «George Kuchar: Pagan Rhapsodies,» as the subject of a recent article in the February Artforum, and his inclusion in the forthcoming 2012 Whitney Biennial (at the Whitney Museum of American Art, March 1 - May 27, 2012), which will be showing a selection of his Weather Diaries, a series of video works produced between 1986 and 2011.

But of equal measure is her presence in galleries with edgy and respected programs; she shows with Foxy Production and Cooper Cole, and in September, her seductive images of presidential busts (a series of Avon cologne bottles, scored on eBay) brought New Yorkers upstate for her solo exhibition at the popular Hudson outpost of Zach Feuer and Joel Mesler, Retrospective Gallery.

His «Mandala» series was featured in a two - person exhibition at the Philadelphia Museum of Art in 2008, and he had a mid-career retrospective at the Southeast Museum of Photography in Daytona Beach in 2010.

With Kelley, he curated the experimental music festival A Fantastic World Superimposed on Reality (2009) and at MoMA PS1 organized a series of performances in conjunction with the retrospective exhibition of his work in 2013.

Mary Frank has been the subject of numerous museum exhibitions, including a retrospective organized by the Neuberger Museum in Purchase, New York in 1978; an in - depth look at her Persephone Series at the Brooklyn Museum in 1988; and Natural Histories, organized by the DeCordova Museum in 1988 which traveled to the Pennsylvania Academy of the Fine Arts and the Everson Museum of Art.

The group of sculptural works was re-exhibited in the Liverpool retrospective, along with Krasiński's strict installation instructions stipulating that the series of long blue collapsible sculptures are meant to pour into the exhibition space; in Liverpool, they were contained to their pedestal.

Over half of the works in Robert Ryman: Drawings will make their public premiere in this exhibition, and many others have not been on view publicly in decades, such as The Watermark Series (1968)-- last presented in the artist's mid-career retrospective at The Solomon R. Guggenheim Museum in 1972.

Early Color was followed by a series of monographs and international exhibitions highlighting the depth and scope of his work in photography and painting, beginning with «In Living Color» (2006), his first major retrospective at the Milwaukee Museum of Art.

In 2013 she curated the first retrospective of Babette Mangolte at VOX, Centre d'image contemporaine, and in 2014, the exhibition and performance series STAGE SET STAGE: On Identity and Institutionalism at SBC Gallery for contemporary art.

OPENING JUNE 26, WITH A DAY OF SPECIAL PROGRAMMING ON JUNE 27, NOON to 6 P.M. ANNANDALE - ON - HUDSON, N.Y. — This summer, the Center for Curatorial Studies at Bard College (CCS Bard) presents Philippe Parreno, the fourth exhibition in a series of retrospectives... read moreOF SPECIAL PROGRAMMING ON JUNE 27, NOON to 6 P.M. ANNANDALE - ON - HUDSON, N.Y. — This summer, the Center for Curatorial Studies at Bard College (CCS Bard) presents Philippe Parreno, the fourth exhibition in a series of retrospectives... read moreof retrospectives... read more →

This exhibition is another important retrospective exhibition held after his solo exhibition at the Long Museum (West Bund) in 2016, which features all his representative and contemporary works from different periods and different series throughout his 50 - year course of creation, demonstrating his creative context through the examination of sociality and aesthetics in his works and the milestones of his career.

Since then she has enjoyed virtually countless exhibitions in this country and around the globe, and she has been honored by a series of retrospectives at some of America's most distinguished institutions: the Jewish Museum, New York, in 1960; the Whitney Museum of American Art, New York, 1969; the Sterling and Francine Clark Art Institute, Williamstown, Massachusetts, 1980 (prints); the Solomon R. Guggenheim Museum, New York, 1985 (works on paper); and the Museum of Modern Art, New York, 1989.

Rather than demand a carefully laid out series of walls, for instance, he simply used those from the exhibition before his (the Mike Kelley retrospective), cutting holes through some and moving others.

The last major exhibition of the group in New York was in 1996, as part of the Museum of Modern Art's «Projects» series, and a retrospective that began last year at the Museo Jumex in Mexico City never traveled to America.

Finally, Lawler will get the showcase she deserves with this overdue retrospective, which will include her famed photographs of art in collectors» homes and works from her «adjusted to fit» series, in which install shots of exhibitions are warped until they begin to appear abstract.

Viso's tenure at the museum saw the completion of a $ 75 - million capital campaign, an enlarged budget, and a series of acclaimed exhibitions, among them a 2017 Merce Cunningham survey (in collaboration with the Museum of Contemporary Art Chicago), a 2015 survey of international Pop art, and a version of a traveling Jack Whitten retrospective.

The exhibition is the first one in a new series, which focuses on comprehensive retrospectives devoted to selected artists of the MMK's collection.

This exhibition is a 3 year retrospective of Elsewhere Museum's Southern Constellations residency series.

Invented in secret in the privacy of Oiticica's New York loft in the early 1970s, they were not shown as works of art until 1992, twelve years after Oiticica's death, when the first and third in the series — CC1 Trashiscapes and CC3 Maileryn — were exhibited as part of the first traveling retrospective of the artist's work.3 Prior to that exhibition, Oiticica's New York sojourn was little analyzed due to the perceived paucity of his artistic production between the years 1970 and 1978.4 The 1992 presentation of the Cosmococas was revelatory in this regard: not only did these quasi-cinemas demonstrate the continuity and conceptual elaboration of key aesthetic concerns within Oiticica's work (the vertiginous passage from painterly to narcotic «pigment» in service of the sensorial is surely the most striking of these animating threads), they indicated the artist's pointed engagement with the avant - garde artistic culture of New York.

Motherwell speaks of his relationship with his parents; attending prep school; studying philosophy at Stanford University and Harvard University; his theory of automatism; European and American painters in post-war New York; teaching at Black Mountain College; teaching at Hunter College; his retrospective at the Museum of Modern Art and other exhibitions; his collages with Gauloise cigarette packages; the photograph The Irascibles; his membership in American Abstract Artists; his marriage to Helen Frankenthaler; his use of color and light in his paintings; spending summers in Provincetown, MA; beginning printmaking; playing poker; working with the art dealers Kootz, Janis, and Frank Lloyd of Marlborough; his series Elegy for the Spanish Civil War, Je t «aime, Beside the Sea, Open, and Lyric Suite.

Also, the 21st Century Museum of Art, Kanazawa, Japan has posted this press release (in Japanese) for their retrospective exhibition of Barney's Drawing Restraint series.

The Tate has announced a series of major retrospectives for the coming year, including exhibitions on Matisse, Turner and Mondrian.

This personal renaissance led to a series of shows, culminating in 2007 with a retrospective at the Pomona College Museum of Art as well as a significant presence in the Orange County Museum of Art's Birth of the Cool, a seminal exhibition about the arts in California in the mid-20th century.

As they explored the possibility of a show, they were deeply influenced by a series of outstanding exhibitions around the country focusing on African - American artists, including the «Freestyle» and «Frequency» shows at the Studio Museum of Harlem; «Black Is, Black Ain't» at the Renaissance Society; the Barkley Hendricks show at the Nasher Art Museum at Duke University; the David Hammons show at P.S. 1; and the museum retrospectives of Glenn Ligon, Kerry James Marshall, Lorna Simpson and Kara Walker.

David McGee: Black Comedies and Night Music Robert Rauschenberg: A Retrospective [catalogue unavailable] Field of Vision: Five Gulf Coast Photographers DeWitt Godfrey: A Sculpture and Two Drawings James Turrell: Spirit and Light Projected Allegories: A Video Series Face of the Gods: Art and Altars of Africa and the African Americas [catalogue unavailable] Liz Ward: The Present of Past Things Abstract Painting, Once Removed: A Fiftieth Anniversary Exhibition Andreas Gursky México Ahora: Punto de Partida / Mexico Now: Point of Departure [catalogue unavailable]

In 1980, Cornell was subject to his fourth major museum retrospective at MoMA as part of a series of exhibitions celebrating its 50th Anniversary.

From October 2013 to January 2014, a retrospective exhibition of Boomoon's major landscape series was held at the Daegu Art Museum in South Korea.

His work has since been the subject of exhibitions at prestigious institutions throughout North America, Mexico and Europe, including Kenneth Noland at the Jewish Museum, New York (1965); Kenneth Noland: A Retrospective at the Solomon R. Guggenheim, New York, which travelled to the Hirshhorn Museum and Sculpture Garden, the Corcoran Gallery of Art, Washington, D.C., the Toledo Museum of Art, and the Denver Art Museum (1977 - 1978); Kenneth Noland at the Aldrich Museum of Contemporary Art, Ridgefield, Connecticut (1980); Kenneth Noland: Winds, Painted Monotypes at Museum de Arte Moderno, Mexico City (1983); Kenneth Noland: Pinturas, Monotipos at Museo de Bellas Artes de Bilbao, Spain (1985); Kenneth Noland: The Circle Paintings 1956 - 1963 (1993) and Kenneth Noland: The Nature of Color (2004) at the Museum of Fine Arts, Houston; and Tate08 Series: Kenneth Noland: The Stripe Paintings at Tate Liverpool, UK (2006).

Center support has made possible a number of significant exhibitions and projects at the museum, including retrospectives on the work of Barnett Newman and Arshile Gorky; a mid-career survey of Philadelphia - based artist and Pew Fellow Zoe Strauss; a commissioned composition by saxophonist / composer Wayne Shorter for the museum's well - known Art After 5 series; an exhibition examining the influence of Duchamp on John Cage, Merce Cunningham, Jasper Johns, and Robert Rauschenberg; a reinstallation of the museum's South Asian Galleries; and an interactive performance and installation project with Dutch artist Jeanne van Heeswijk.

The Los Angeles County Museum of Art is showcasing Ahn's «Water Series» in its first solo exhibition of works by a Korean American artist, and on Friday, the Long Beach Museum of Art will open a 35 - year retrospective of his paintings.

The undisputed importance of Kelly to postwar abstract art led to a series of prestigious exhibitions, from the retrospective organised by Diane Waldman at the Guggenheim Museum, New York, in 1996, to an intimate show six years later at the Pompidou Centre, Paris, which juxtaposed Kelly's refined, even austere plant drawings with more fluid examples by Henri Matisse.

As Chief Curator of the department, Biesenbach led a range of pioneering initiatives, including the launch of a new performance art exhibition series; an ongoing series of workshops for artists and curators; acquisitions of media and performance art; and the Museum's presentation in 2010 of a major retrospective of the work of Marina Abramović — with whom he was formerly romantically involved.

This series also focused on the much ignored but very interesting part of Hong Kong culture, the popular culture, exhibitions such as The Art of Kwan Wai Lung, Yau Leung Retrospective and Hong Kong Sixties: Designing Identity were organised respectively.

Mike Kelly Filling the entire rotating exhibition space of the newly renovated Stedelijk Museum, this large - scale Mike Kelley retrospective brought together over 200 works from across the artist's career, from the «Birdhouse» series dating from his student days at theView More >