Sentences with phrase «series of works depict»

This remarkable series of works depict pieces of gum which have been chewed by the artist to produce an assortment of abject sculptural forms.

Childe Hassam's series of work depicting flags in New York during the First World War are among the most poignant and celebrated works of American Impressionism.

The following year, the American Contemporary Art (ACA) Gallery in New York mounted his first solo exhibition, a series of works depicting the strength and beauty of real and archetypal African American women.

A major 1972 exhibition that signaled Warhol's renewed focus on painting featured a series of works depicting Chairman Mao.

Here, focusing on Turner's process, they talk about the artist's use of sketchbooks and observation, his dramatic series of works depicting the burning of the Houses of Parliament, and his modernist aesthetic.

He paints the Tourist series [CR: 368 - 370] based on photographs from magazine Der Stern of a tourist attacked by a lion in a Spanish safari park, and a series of works depicting the artists Gilbert & George [CR: 379 - 384].

Figure (Part 3) is from a series of works depicting constructed objects which possess a profound ambiguity: they seem to suggest a «use», which is then denied by depicting a type of plank used in construction work, but quite useless as a plank.

Not exact matches

Dalí's most famous work is the Persistance of Memory painting, depicting a series of melting clocks, with a background inspired by the coastline near Figueres.

Baird's most recent series of works — not just paintings, but also a collection of historical documents — depict the daily struggle in Cuba, a country anchored in the past yet on the verge of dramatic change.

The books exames all of Amer Kobaslija's different bodies of work, including: his paintings of the aftermath of the 2011 earthquake and tsunami in Japan, for which he won a 2013 Guggenheim Fellowship; his ongoing series depicting artist studios; and his recent paintings of Florida's everglades.

Ken Lum is a prolific writer as well as a conceptual artist, deeply attuned to semiotics across media, whose past work includes a series of «language paintings» that depict nonsensical words in colorful designs.

Employing grand religious subjects as familiar narratives for his works, Furnas has developed a suite of six large - scale paintings presented in the downstairs gallery which depict the Creation myth, while upstairs, a series of contemplative near - abstractions evoke the vast desolation of the final flood.

«Jennifer Bartlett: History of the Universe» includes works from all of Barlett's major series including the «House Paintings», «In the Garden» series, the «Air: 24 Hours» series, the autobiographical «Earth Paintings», the «Word Paintings» and recent works that depict houses, trees and plants surrounding her homes in Amagansett and Brooklyn, NY.

In the Creation series, Furnas» technique integrates wholly with concept, as his method of pouring paint along a grooved surface on the canvas introduces gravity into the work in a physical and literal sense, as the imagery depicts the sequence of events leading to the Fall of Man.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

Kate Gilmore's performance - based videos depict the artist working through a series of self - imposed challenges.

Fuelled by Milton Keynes» very own myth, the legend of Linford Wood, pupils worked with The Parks Trust to create a series of Land Art - inspired objects depicting ancient mythical creatures.

Works from her Jerked Beef Ruin series, for instance, are like contemporary ruins, paintings that depict fragments of wall and rubble made of flesh and tiles.

An adjacent canvas, one of a series of new figurative works in the exhibition, depicts a painting Murillo encountered in a collector's home in Bogotá — showing a young boy selling fish — against Regency - style wallpaper and antique furniture.

Works will include photographs from the Red House series by Adam Broomberg and Oliver Chanarin, depicting the marks left behind by prisoners of Saddam Hussein in Iraq; wire and sculptural elements by Walter Oltmann and William Kentridge; installations by Jeremy Wafer, Jonah Sack and Justin Brett, as well as more traditional pencil, oil and charcoal drawings by Sue Williamson, Lisa Brice and Sam Nhlengethwa.

This work is the first in Vicuña's series of paintings from the early 1970s, Heroes of the Revolution, in which she depicted important political figures of international and Latin American socialism: Karl Marx, Lenin, Fidel Castro, Salvador Allende, and Violeta Parra.

The exhibition also features a series of new works depicting scenes from a fictive documentary following Plumita Lunes Nuñes, an orphan undertaking an ancient Christian pilgrimage in an existential pursuit to find her long - lost parents.

Co-curated by Sally Radic, of The Guston Foundation and Musa Mayer, the artist's daughter, the show features over 180 works depicting Nixon and his cronies, including Guston's infamous Poor Richard series and over 100 additional drawings.

More recently, he has also created works that address the obsolescence of film, as in a series of photographs depicting boxes of expired film from the 1950s, the decade in which Fisher began taking photographs.

Works such as her 2011 Shadow Weave series, which depict Op Art - inspired patterns, seemingly generated by a computer, using only inter-woven black and white strips of canvas, playing at the boundaries between the digital and the material as well as high aesthetic formalism and functionalism.

Working in series, the artist produced canvases depicting flat, monochromatic forms, their blocks of vibrant colour cut with fine lines and sharp edges.

In this institution born of and dedicated to luxury style, works like Romare Bearden's collage «Patchwork Quilt» (1970)-- MoMA's first non-white nude to enter the collection — and LaToya Ruby Frazier's ongoing photo series, The Notion of Family (2001 - present), depicting her black working class family, stand out.

This can be seen in the sinister skeletons of Jackson Pollock's series Untitled Panels A — D (1934 — 38), the architecture depicted by Mark Rothko in Interior (1936), and the Philip Guston work The Porch (1946 — 47), where the human figure seems to be threatened and takes on a macabre tone clearly influenced by the Holocaust.

Bee, a painter, editor, and book artist, has recently worked on a series of oil paintings depicting colorized black - and - white film stills from noir films, such as Pickpocket (1959), Criss Cross (1949) and Trouble Ahead (1935).

Created in the late 1990s, a series of paintings — including works such as Country - Rock (Wing Mirror)(1999)-- depict a tunnel, a familiar landmark for Toronto residents since an anonymous artist painted a rainbow over it, at the northbound Don Valley Parkway, in 1972.

The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.

Alex Katz «Cut Outs» Paul Kasmin 515 West 27th Street CLOSES: April 12 The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.

Tensions between the scale of the work and the apparent intimacy of the scene depicted heighten already complex narratives about connection, perception and representation that, implicit in the relationship between artist and subject, are extended to the viewer as a series of propositions and provocations.

Mauri's forthcoming London show, opening in December, focuses on the series «Picnic o Il buon soldato» (Picnic or The good soldier), a sobering, poetically reflective body of work depicting the repercussions of conflict on collective cultural memory — a theme that proliferates his work.

A series of 46 drawings that explore the democratic uprisings in 2010 - 2011 that spread across the region, the work depicts the revolutionary hope and fervor, followed by the horror and despair that ensued after years of violence and repression.

In the first two rooms there is a series of works known as Shadow Weaves, and in the last room, Weaving Drafts, works that depict the graphic representations of the weaving programs for the Shadow Weaves themselves.

Her most recent body of work is a series of images that depict Caucasian female hands interacting with specific objects against a beige background.

She was chosen as a finalist for the Outwin Boochever Portrait Competition 2013, her work was included in the competition exhibition at the Smithsonian's National Portrait Gallery from March 2013 through February 2014, and she was the recipient of the 2012 Women in Photography — LTI / Lightside Individual Project Grant and a 2014 CCNY Work Space Residency for her documentary portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis in 2work was included in the competition exhibition at the Smithsonian's National Portrait Gallery from March 2013 through February 2014, and she was the recipient of the 2012 Women in Photography — LTI / Lightside Individual Project Grant and a 2014 CCNY Work Space Residency for her documentary portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis in 2Work Space Residency for her documentary portrait series, Paterson, depicting residents of Paterson, New Jersey during the years following the economic crisis in 2008.

Sandgrube III, one in series of sandpits which depict different yet related views of the same subject, highlights Albers's early interest in a serial approach to his art which he later develops in 1949 when he begins work on his Homage to the Square experiments.

Hockney responded by creating The Hollywood Collection, a series of lithographs recreating the art collection of a Hollywood star, each piece depicting an imagined work of art within a frame.

[9] His «Heritage paintings», inspired by a mood which he perceived in the US after the Oklahoma City bombing, depict normal, almost stereotypical American imagery, for example: two baseball caps; Mount Rushmore; the image of a man working; a portrait; a birthday cake; the series also included a portrait of wealthy Ku Klux Klansman Joseph Milteer.

Henry Hudson will be exhibiting a series of works that depict Van Gogh?s flat in Brixton, a reminder of London?s ongoing historic internationalism, whilst Nick Hornby will be exhibiting an edition of his version of Michelanelo?s David, shortlisted for the Victoria and Albert Cast Courts, further highlighting London as a city committed to history as it faces its future.

The exhibition brings together two large works on leaded panels of glass — two naked female figures seated in profile, impassive, emitting shooting stars — a series of delicate aquatint etchings, large bronze wall reliefs and a suspended sculpture, the shadows of which transform the gallery into a barely perceptible dabbled glade, along with a stunning jacquard tapestry depicting two eagles in descent against a chalky sky.

Her first major body of work was a series of paintings depicting men's and women's figures engaging in sexual intercourse.

Through her work, she plays with the idea of memory and the psychological self, whether it is in «Tired Men,» a series of photographs of iconic sculptures of Cuban historical figures depicted from the back to portrait «prints» created on an inkless dot matrix printer, their images only seen in the vague embossing created by the printer.

In Cindy Sherman's famed Untitled Film Stills series, most of the 69 photographs depict the artist as a archetypal character known from the movies: a housewife, a femme fatale, a working girl, and everything in between — all evoking the ways the cinema has the tendency to objectify women.

At 21 he began a number of extraordinary works that used enigmatic, deep - blue oils to depict the wartime dead — Blue Chauffeur (1948), Mother with Dead Child (1949), the «Execution» series (1949)-- but socialist realism crept over Poland and within two years he had stopped.

While his first shaped canvases were determined by the silhouette of a single depicted object, as in the Smoker series, later works such as Nude with Lamp are shaped according to their own logic, rather than that of the painted image, utilizing the blank space of the bare wall behind.

Also of note are Yutaka Okada's works depicting birds (mostly owls) made from materials such as acrylic, pearl powder, and snow powder clay among other things, Harano's illustrations of a young girl shown in different contexts, and Naritaka Satoh's depictions of young girls and women with innocent doll - like faces and bodies with his series of charcoal and acrylic on paper / panel drawings.

His work is also strongly influenced by the Hollywood film industry: the mountain in his Mountain Series is a play on the Paramount Pictures logo; Large Trademark with Eight Spotlights (1962) depicts the 20th Century Fox logo, while the dimensions of this work are reminiscent of a movie screen; in his painting The End (1991) these two words, which comprised the final shot in all black - and - white films, are surrounded by scratches and streaks reminiscent of damaged celluloid.