Sentences with phrase «series presents the changes»

The section of the series presents the changes in slavery in North America due to the beginning of British

Not exact matches

The series, now produced by Netflix, presents science - fiction short films about how tech could change the world in the near future.

VIBE Conference presents a series of Awards recognizing innovation, game changing programming and applauding industry leaders.

Cuomo has presented his tax changes as part of a series of options, without favoring any one single solution.

This week, as part of the launch of Next Wave in Germany, we are starting a series of articles on the present situation and ongoing changes of higher education system in Germany.

This change drives a series of chemical reactions, triggering the breakdown of the various «cellulose» based materials that are present in these complex wastes.

Schimel presented his work to forecast and understand land - ecosystem impacts on the carbon cycle at the global scale as part of the Frontiers in Global Change Seminar Series, June 21.

Bit.Trip Complete expertly presents the Bit.Trip games with a complement of changes that make it easier than ever to enjoy this remarkable series.

Presented in an extensive series of visual puzzles, requiring logic and imagination, each panel move changes the current narrative, leading to all kinds of comedic blunders, untimely deaths — and when solved correctly — stylish heists, fast getaways and nail - biting escapades.

If that is not obnoxious enough, may I present to you the time in 2015 when «Straight James Franco» interviewed «Gay James Franco» or the IndieWire series in which Franco reviewed films as himself and as his «reverse self» (who he calls «Semaj,» because again, not a damn thing has changed).

Simply put, the «time series» argument will hold only if nothing else has changed between 1970 and present day.

On May 1, 2014, the second in the Master Class series — «Looking to Change the World: The Humanities and the Activation of Vision» — was presented by Jennifer Roberts, the Elizabeth Cary Agassiz Professor of the Humanities.

The fact Ford sprung the new GT on the world without the series of concepts and multiyear promises of «real soon now» — as heralded the Camaro's return to market a while back — is all to the credit of the Blue Oval's upper management, whose silocentric methods were changed radically by former CEO Alan Mulally and carried on by present incumbents.

Also, this series seems to release super slow, too bad as it jars with the extreme fast pass of the story, its not a good thing, but the story and art and all that, pretty good, the concept alone is interesting, and the characters and concepts as presented are good, but, these volumes are edited to a degree, which is odd, this is a teen series, so, why cut the swearing, why change the names, why doctor the art when there's nothing mature to cover up in the first place... not good choices on the part of the American release staff, though this volume doesn't have those things to such a degree so, maybe those comments should be for a earlier volume.

Then a series of unexpected events changes everything, and Eleanor will have to confront the trauma of her past to overcome the difficulties of her present life.

Back to the Future: The Game Episode 5 — OUTATIME (Free) In «OUTATIME», the season finale of this 5 game series, lives are changed, mysteries are solved, and paradoxes are avoided as Young Emmett seals his fate, sending Marty and Doc on a climactic chase through Hill Valley's past, present, and future.

If the Lancer was retired there could be a fuss given the weapon's iconic nature in the series, but the exact same loadout used and presented in the same way on the same units versus the same opponents in a mode fans have been using for years with no change?

The new game, titled The Cartel, is a major change of location and time for the series as it moves from the Wild West setting to present day, but promises to bring the best elements of the Wild West to the modern day setting.

T.O.M. presents a theory to explain why the base has been changed, postulating that these are a series of Turing Tests designed so that only a human can pass through them.

While the nature of video games has wildly changed over the years, Dark Souls is a series that feels like the very best elements of the NES era have evolved to the present gaming landscape.

The solo show, «Alexis Portilla: Surface Tension,» which was extended through December, presents both a history and the current attentions of Portilla and the gradual changes that link series to series.

In keeping with the Greater Reston Arts Center's mission to enrich community life by promoting involvement and excellence in contemporary art, GRACE offers and series of changing exhibitions each year designed to present a diverse array of themes and media.

The series will be presented in four parts, changing every three weeks, with eight or nine videos featured in each installment.

Documenting Change: Our Climate, the Rockies is the first in a series of exhibitions and programs in 2018/19 presenting the historical scope of documentary strategies shared by artists and scientists in their study of climate.

Matthias Schaller's striking compositions in the three series presented in this exhibition explore changing boundaries, national definitions and consequent atmospheric tensions.

Featuring a series of projects from the 1990s to the present, the exhibition speculates what it means for artists to work in fashion in the ever - changing cultural landscape of consumer society.

In December, we changed the exhibition The World is Made of Stories — Works from the Astrup Fearnley Collection, with works that have not been on view for a long time, such as Tom Sachs» monumental Presidential Seal (2004), along with new works, such as Richard Prince's new series New Portraits, which present appropriated images from Instagram.

Author Genevieve Quick notes that this exhibition is remarkably similar to ones the artist has already presented: «I am unconvinced that Thater's minor changes constitute new works or the experimentation that the series seeks to support.»

The exhibition brings together a series of Umbrico's works from 1989 to the present, reflecting on photography's relationship to light and the complex changes that digital technology has brought to photographic image production.

Presented there are selections from her Sea Change series.

Five interconnected series of works fluidly presented form an environment in which material and content signify the inevitability of change.

In her series «The Woods Journal,» Barbra Riley presents a poem about this change in her surroundings accompanied by dream - like photographs.

In her new series, «Afrofuturist Womanism,» Bey gives us an inspiring sense of hope by disclosing how our present - day technologies can in fact impart change for women of color in the here and now.

«You are never done» is presented by the President's Speaker Series in association with Onsite Gallery's ONSITE / EXCITE / INSPIRE program which investigates stimulating change through public platforms outside the gallery.

Their latest exhibition, «Irreversible,» at New York's Sean Kelly Gallery, presents a series of new work rooted in the semiotics of public art, and scrutinizes how political and societal changes, community, and the role of the anonymous citizen intersect.

Now the Robert Rauschenberg Foundation, which he set up to provide support for causes that were important to him, is joining forces with two other like - minded organizations to present a series of exhibitions, panel discussions and performances that will explore climate change.

10 Jan 2018 IMMA presents War Changes Its Address: The Aleppo Paintings, a new series of work by Irish artist Brian Maguire Opening on 26 January 2017, IMMA presents War Changes Its Address: The Aleppo Paintings, a new series of work by Irish artist Brian Maguire.

In another series of photographs, When Dead Ships Travel (2015), Shumon Ahmed presents another side of landscape and change in Bangladesh through the subject of shipbreaking.

The artist is interested in the rapid pace of development and environmental change in Bangladesh, and the impressive series of photographs he presents chronicles these changes in complex and perceptible ways, mixing nostalgia with a fascination for a landscape in transformation.

Accompanying the exhibition's large - scale video works will be Richardson's latest series of chromogenic prints, Pillars of Dawn, which present images of an imaginary desert in which trees and terrain have been physically crystallised by changes in the environment.

Reyle brings to bear some art historical reference in each of his artworks, often presenting them in numerous series that evolve and change over time.

A perennial provocateur, the artist created a series of museum admission buttons for the 1993 Whitney Biennial that, when put together, read, «I Can't Imagine Ever Wanting to Be White» and in the 2008 Whitney Biennial he presented an installation with 125 panels painted with the names of organizations using violence to promote political change.

Shown in his London studio, Shonibare is working on his first series of drawings in twelve years, taking as his subject: climate change — political, economic, environmental — and dedicating a work to «the architects of the present economic disaster» including Henry Paulson, Ben Bernanke, and Milton Friedman.

The renowned MATRIX series, a changing exhibition of contemporary art, is a continuation of the Wadsworth's legacy of presenting the work of living artists, an artistic tradition that extends from Thomas Cole and Frederic Church to Salvador Dalí and into the present day.

This exhibition presents 29 works by emerging Pakistani artists and 20 works by students created during a series of workshops in Pakistan focusing on art and social change, using Jacob Lawrence's The Migration Series (1940 — 41) as a catseries of workshops in Pakistan focusing on art and social change, using Jacob Lawrence's The Migration Series (1940 — 41) as a catSeries (1940 — 41) as a catalyst.

The reason for this change was a series of new papers (particularly Otto et al, 2013 and Aldrin et al, 2012) which focused on sensitivity constraints from the historical period (roughly 1850 to the present).

The Royal Institute of British Architects (RIBA) is presenting a series of lectures about architecture and climate change.

This guidance document presents a series of promising practices in Sub-Saharan African cities that take into account the multiple dimensions of climate change.

In a series of surveys, each involving over 650 participants, the researchers tested out different ways of presenting the issue of climate change, trying, as best they could, to control for political affiliation.

Major holes in geographic, vertical, and temporal coverage present another challenge to the strength of scientific conclusions about global change based on global time series data sets, particularly when it comes to biological measurements.