I don't look to
my serious film choices for sexual arousal; I look to porn for that.
Not exact matches
It take a
serious pair of stones to release a production this major without warning, and their bold
choice to make the
film available directly after the game caught more eyeballs than a usual press cycle of screenings and reviews might have.
Scott Waugh («Act of Valor») helms the $ 75 million
film which seems to be taking a very
serious approach to its story, an interesting
choice considering the racing game source material.
For years, Woollen has established his agency as the premier artisanal
choice in arthouse
film marketing, assembling some of the last decade's most innovative and memorable trailers: that Social Network spot with the choral «Creep» cover; the Little Children teaser scored to the approaching of a train; the
Serious Man ad built around the repeated sound and image of Michael Stuhlbarg being slammed into a chalkboard.
There's a definite aesthetic and thematic link running through these
choices, and it's exciting to have a new player on the scene who seem so
serious about getting these
films in front of audiences.
Musically, the challenge for composer John Debney was (being
serious now) following in the footsteps of Alan Silvestri's genuinely beloved music for John McTiernen's revered 1987
film; he has (and I'm not sure whether this is a compliment or not, really) proved on numerous occasions that he is able to do very good impressions of other
film composers, so he was an ideal
choice here — and there are times when it's hard to believe this music wasn't written by Silvestri himself, even when not directly quoting the original themes.
There is a
serious reconsideration, though, of the
choice the characters made at the end of the first
film, and the sincerity of their performances is at times quite moving.
However, he isn't so funny as to make the character come off as goofy and buffoonish, and Peoples» eventual turn to more
serious villainy is seamless and believable (which probably would not have been the case had he been played by original casting
choice John Leguizamo, who bowed out before
filming).
But I really shouldn't bury the lede: if you are going to catch The Infiltrator (and here, your Cranston fandom and / or your interest in drug war
films not starring Emily Blunt will surely factor in), you should know that you get to see Diane Kruger rock some
serious fashion while nailing the tricky role of a smart and rookie undercover agent playing Bob's arm candy fiancée, you get to witness Olympia Dukakis chew scenery as Mazur's Aunt Vicki, who's not as clean - cut as her nephew, and you get to watch Amy Ryan... well, sadly not all the women could get
choice roles here, now could they?