Sentences with phrase «serve as a curator»

In addition to sending you opportunity alerts, I will serve as a curator and filter for linking related industry news, sending you links to posts you need to be aware of.

To help the National Corvette Museum remain enticing to younger visitors, it has just hired Derek E. Moore of Garrettsville, Ohio to serve as curator of the museum.

Understand how to maintain your core competency and value as a financial expert, but evolve to serve as a curator of a yet largely uncharted life phase of 8,000 days

Kris is a professor of biological sciences at the University of Adelaide and has served as curator of mammals at the Smithsonian Institution's National Museum of Natural History.

She served as curator - in - residence at Gallery CA in Baltimore, before being hired to run The Contemporary, a nomadic, non-collecting art museum.

She and the director of Participant, Inc., had also served as curators at Thread Waxing, the former Soho nonprofit.

[27] Alongside art historian Robert Kudielka, Riley also served as curator of the 2002 exhibition «Paul Klee: The Nature of Creation», an exhibition at the Hayward Gallery in London.

Previously, since 2013, he served as curator of African art at the Hood Museum of Art at Dartmouth University.

Respini previously served as Curator at The Museum of Modern Art, where she organized the critically acclaimed retrospectives Cindy Sherman, Robert Heinecken: Object Matter, and Walid Raad, as well as exhibitions with artists Klara Liden, Anne Collier, Leslie Hewitt, and Akram Zaatari.

Prior to MoMA PS1, he was Visual Arts Curator at the Walker Art Center in Minneapolis, and served as a curator and producer at Creative Time, the pioneering presenter of public art in New York.

Previously serving as Curator of Public Programs at Nottingham Contemporary, the UK's newest public contemporary art center, Blackson worked with numerous universities, artists, and writers to develop an eclectic and discursive program of lectures, screenings, performances, and live events.

With more than 15 years» experience at some of the world's top arts institutions including the Art Institute of Chicago, the Morgan Library & Museum, New York, and the Courtauld Gallery, London, Ireson joins the Barnes from Tate Modern, London, where she has served as Curator of International Art since 2015.

«I was honored to be asked to serve as the Curator for the second time!»

She currently serves as curator and manager of the Deborah Remington Charitable Trust for the Visual Arts, which is dedicated to advancing the career and supporting the legacy of Ms. Remington.

He previously served as Curator of the Art Museum at the John and Mable Ringling Museum of Art and Curator of European Art at the...

Museum of Modern Art painting and sculpture curator Laura Hoptman, who since the late 1980s has served as a curator at the Bronx Museum of the Arts, the Carnegie Museum of Art, and the New Museum before settling into her current position at MoMA, experienced this shift firsthand.

She served as the curator of «Now Dig This!

Jay has served as the curator of prints, drawings, and photographs at the Sterling and Francine Clark Institute since 2009.

She was curator of the eighth edition of the Göteborg International Biennial for Contemporary Art, GIBCA 2015, and served as Curator International Art at Tate Modern (2011 — 2014).

He previously served as Curator of the Art Museum at the John and Mable Ringling Museum of Art and Curator of European Art at the Montreal Museum of Fine Arts.

She has also served as the Curator of Collections and Public Programs at the Price Tower Arts Center (PTAC), Bartlesville, Oklahoma.

I eagerly emailed with the exhibition's organizer, Gwen Chanzit, who serves as curator of modern and contemporary art and of the Herbert Bayer Collection & Archive at DAM, to ask her a few questions in anticipation.

She served as curator at MOCA from 1996 — 2006 where she organized the internationally acclaimed exhibition WACK!

Hobbs served as curator for the Venice Biennale's American National Pavilion (Smithson, 1981) and the Bahamian National Pavilion (Tavares Strachan, 2013), as well as the American Representation at the São Paulo Biennial (Kara Walker, 2002).

She served as curator at MOCA from 1996 — 2006 where she organized the internationally acclaimed exhibition

Prior to joining the High Museum, Schleuning served as Curator at the Wolfsonian - Florida International University, having previously held positions as a Fellowship Coordinator and Assistant Curator at the institution, where she produced exhibitions, publications, and programs with a focus on highlighting the power and impact of art and design in daily life.

Germano Celant, a renowned art historian, critic, and theoretician, has served as the curator of hundreds of exhibitions worldwide and published more than one hundred books and catalogs.

From 2015 to 2017, Cecilia led the University of Maryland's Stamp Gallery, an experimental exhibition space for contemporary art, and served as curator and advisor of its innovative Contemporary Art Purchasing Program.

Exhibitions include a / wake in the water: Meditations on Disaster (2014) at the Museum of Contemporary African Diasporan Arts, Memoirs of A Watermelon Woman (2016) and A Subtle Likeness (2016) at the ONE National Gay and Lesbian Archives, S / Election: Democracy, Citizenship, Freedom (2016) at the Los Angeles Municipal Art Gallery, where she previously served as Curator, and baby boy (2017) at Transmission gallery, Glasgow.

Eleey previously served as a curator at the Walker Art Center and Creative Time.

Previously, she was the director of the Dan Flavin Catalogue Raisonné project, which resulted in the publication of Dan Flavin: The Complete Lights, 1961 — 1996 (2004), and served as curator for several museum and gallery exhibitions of Flavin's lights, including Dan Flavin: Series and Progressions held at David Zwirner in 2009.

She also served as Curator of the Peter Norton Family collection.

She served as Curator of The Mark Rothko Foundation in New York and concurrently was Curator of the Leonard and Evelyn Lauder Collection also in New York.

He spent ten years at the Fine Arts Museums of San Francisco, where he served as Curator of the Achenbach Foundation for Graphic Arts.

Seydl, a specialist in Italian Renaissance art, served as curator of European painting and sculpture at the Cleveland Museum of Art from 2007 to 2013, before joining the Worcester Art Museum as director of curatorial affairs the following year.

He has served as a curator for Performa, working with artists including Florian Hecker, Ed Atkins, Tori Wranes, Frances Stark and Mark Leckey, Robert Ashley, Arto Lindsay and Mike Kelley.

Key projects include curating the exhibitions «Romancing the Fragment,» featuring the work of Avery Singer and Cayetano Ferrer, and «Classical Derision,» featuring Ida Applebroog, Hans - Peter Feldmann, Gabriel Orozco, and Ned Smyth; co-founding the transdisciplinary curatorial journal aCCeSsions at CCS Bard; and serving as curator for the Bard M.F.A.'s graduate thesis exhibition in 2014.

Andrea Grover has served as Curator of Special Projects at the Parrish Art Museum since 2011.

Prior to joining Artpace, Kanjo served as the Curator of Contemporary Art at the Portland Art Museum (1996 - 1999) where she managed a lively contemporary art program within the city's general museum, and secured selected acquisitions by such artists as Robert Irwin, Michael Lazarus, Claes Oldenburg, Diana Thater, among others.

She had succeeded Stroud as inspectress in 1985, and served as curator until 2005, with Helen Dorey as inspectress).

Neff has served as curator at the Museum of Fine Arts, Houston, since 1997.

He has written about the work of Andrea Bowers, Mark Bradford, Glenn Ligon, Sharon Hayes, and Wangechi Mutu, among others, and has organized exhibitions including: «Quadruple - Consciousness» at Vox Populi, Philadelphia, «Fade: African American Artists in Los Angeles,» for the city of Los Angeles, numerous exhibitions and programs for LAXART, Los Angeles, where he served as Curator, and «Made in L.A., 2012,» the first Los Angeles biennial, co-organized by a curatorial team from the Hammer Museum and LAXART.

Dan Cameron (b. 1956, New York) most recently served as Curator and has just returned from opening the 13th International Cuenca Biennial in Ecuador.

Pfohl previously served as a curator at the Louisiana State University Museum of Art, and she has a wide range of academic and curatorial experience.

This pavilion is being overseen by Jochen Volz, the transcontinental tastemaker who served as curator for the 2016 Bienal de São Paulo.

Brielmaier is an assistant professor of critical studies in the Department of Photography, Imaging, and Emerging Media at Tisch School of the Arts at New York University, and also serves as curator and director of arts and cultural programming at Westfield World Trade Center.

Trained as a painter, he served as Curator and then Senior Curator in the Department of Painting and Sculpture at The Museum of Modern Art for more than a decade.

Based in New York, she is continuing her role at Performa, where she serves as curator and head of programming at the Performa Institute.

Mr. Comer, who has served as Curator of Film at Tate Modern, London, since 2004, will oversee the department's program of special exhibitions, installations from the collection, and acquisitions.

From 1996 — 2006 she served as curator at MOCA where she organized the internationally acclaimed exhibition WACK!