So the anti-monumental memorial now entails a documentary program that, among other things,
serves as a crutch in the absence of effective symbolism.
Not exact matches
Stanley Kubrick shuns common narrative
crutches such
as voice - over narration or back - glancing exposition in favor of a strict antiseptic license that necessarily utilizes classical music from the likes of Johann Strauss to
serve as an inner - connecting emotional aural fabric upon which the filmmaker balances mesmerizing outer - space sequences that have been copied ad nauseam ever since.
The scaffold is not meant to
serve as a permanent
crutch; therefore, guidance and opportunity to reflect and self - identify these connections should be encouraged during learning experiences.
What I find odd is how the skeptics use entropy and randomness
as a convenience
crutch, whereby they will invoke it when it
serves their agenda, but dismiss it and gravitate toward some esoteric path when it doesn't.