Sentences with phrase «set decorator christelle»

It's not just us at home searching the site, the film's set decorator Rena DeAngelo reportedly sourced items from eBay to create the film's authentic 70s look.

The hit legal drama's set decorator talks design, style and inspiration.

Rubino, who was also the set decorator on Nancy Meyers» It's Complicated and Something's Got ta Give, outfitted the interior with vintage accents and cozy textures to foster a sense of nostalgia.

I'm a set decorator for film and television in «Hollywood» and I'm just starting up a blog.

As the videographer, director, cast, and set decorator, she... picked up valuable lessons about sculpture, objects, and their interaction with video.»

Her most recent production role in 2014 was as Set Decorator for the television series Indian Summers, a Channel 4 (UK) production.

She attended Mills College in Oakland, graduated then returned to home to work as a set decorator in videos and commercials.

While there, she approached the show's set decorator and asked whether the production might be interested in buying a piece of her art for use on the show.

Other Nominees: Birdman — Kevin Thompson / Production Designer, George DeTitta Jr. / Set Decorator Inherent Vice — David Crank / Production Designer, Amy Wells / Set Decorator Interstellar — Nathan Crowley / Production Designer, Gary Fettis / Set Decorator Into the Woods — Dennis Gassner / Production Designer, Anna Pinnock / Set Decorator Snowpiercer — Ondrej Nekvasil / Production Designer, Beatrice Brentnerova / Set Decorator

Camera (color, Super 16), Ed Lachman; editor, Affonso Goncalves; music, Carter Burwell; music supervisor, Randall Poster; production designer, Judy Becker; art director, Jesse Rosenthal; set decorator, Heather Loeffler; costume designer, Sandy Powell; sound, Geoff Maxwell; sound designer, Leslie Shatz; special effects coordinator, Kenneth Coulman Jr.; visual effects producer, Chris Haney; visual effects, Goldcrest, the Mill; assistant director, Jesse Nye; casting, Laura Rosenthal.

Throughout awards season, the teal silk pocket square has been a signature look for the film's director Guillermo del Toro, set decorator Shane Vieau and costume designer Luis Sequeira.

Camera (color, HD), Ian Kerr; editor, Charlie Renfrew; music, Schaun Tozer; art director, Miller; production design, Chad Krowchuck; set decorator, Candise Paul; sound, Simon Doucet; associate producers, Paulie DiPinto, Chang Lae Kim.

BEST ART DIRECTION Birdman — Kevin Thompson / Production Designer, George DeTitta Jr. / Set Decorator

Newcomers include actors Orlando Bloom, Treva Etienne, Geoffrey Rush, and Jonathan Pryce, executive producer Bruce Hendricks, a huge special effects team from Industrial Light and Magic, set decorator Larry Dias, art director Derek R. Hill, sword master Bob Anderson (who also worked on the original Star Wars Trilogy and The Lord of the Rings), and costume designer Penny Rose, among many other crew members.

Designers Branch: Five years experience and four screen credits as production designer, art director or set decorator.

Camera (Deluxe color, HD, widescreen), Alexander Gruszynski; editor, Maysie Hoy; music, Aaron Zigman; music supervisor, Joel C. High; production designer, Eloise C. Stammerjohn; art director, Gentry L. Akens, II; set decorator, Dane Moore; costume designer, Johnetta Boone; sound (Dolby Digital / Datasat), Chris Durfy; re-recording mixers, Joe Barnett, Marshall Garlington; assistant director, Chip Signore; second unit director, Paul Hall; casting, Kim Taylor - Coleman.

Who we think will win: There Will Be Blood production designer Jack Fisk and set decorator Jim Erickson are responsible for the stark, Western landscape showcased so stunningly in Paul Thomas Anderson's film.

Camera (color, HD, widescreen), Bridger Nielson; music, Jonathan Snipes; production designers, Ben Spiegelman, Evan Ross Murphy; art director, Alexandra Branger; set decorator, Ben Plunkett; costume designer, Courtney Arthur; sound, Snipes; visual effects, Lit Post; stunt coordinator, T.J. White; line producer, Joel Henry; associate producer, Andrew Schwarz; assistant director, Ryan Miningham; casting, Jeff Olan.

Camera (color, HD), Yaron Orbach; editor, Andrew Marcus; music, Gregg Alexander; music supervisor, Andrea Von Foerster; music consultant, Joel Sill; production designer, Chad Keith; set decorator, Kris Moran; costume designer, Arjun Bhasin; sound, Tod Maitland; supervising sound editor / re-recording mixer, Lew Goldstein; special effects coordinator, Drew Jiritano; visual effects supervisor, Yuval Levy; visual effects producer, Joyce Boll; visual effects, Gravity; stunt coordinator, Brian Smyj; assistant director, Mariela Cornitini; casting, Jeanne McCarthy.

Who we want to win: Art director Dante Ferretti and set decorator Francesca Lo Schiavo, previous winners for The Aviator, helped make Tim Burton's Sweeney Todd the quirky, dark visual masterpiece that it is.

Camera (color, widescreen, 35 mm), Linus Sandgren; editor, Andrew Mondshein; music, A.R. Rahman; music supervisor, E. Gedney Webb; production designer, David Gropman; supervising art directors, Karen Schulz Gropman, Alain Guffroy; set decorator, Sabine Delouvrier; costume designer, Pierre - Yves Gayraud; sound (Datasat / Dolby Digital), Jean - Marie Blondel; supervising sound editor, Michael Kirchberger; sound designers, Dave Paterson, Kirchberger; re-recording mixers, Michael Barry, Paterson; special effects supervisor, Philippe Hubin; special effects coordinator, Jean - Christophe Magnaud; visual effects supervisor, Brendan Taylor; visual effects producer, Mitchell Ferm; visual effects, Mavericks VFX, Mr. X, Lola VFX; stunt coordinator, Dominique Fouassier; assistant director, Mishka Cheyko; second unit camera, Hugues Espinasse; casting, Lucy Bevan.

Yet production designer Michael Corenblith and set decorator Tiffany Zappulla...

Best Production Design: Production Designer: David Wasco; Set Decorator: Sandy Reynolds - Wasco, SDSA (La La Land)

Best Art Direction: Dante Ferretti, Production Designer, and Francesca Lo Schiavo, Set Decorator (Hugo)

Camera (color), Robert Brinkmann; editor, Sharon Rutter; music, Steffan Fantini, Marc Fantini; production designer, Seth Reed; art director, Jennifer Moller; set decorator, Kat Wilson; costume designer, Sandra Burns; sound, John C. Taylor; visual effects supervisor, Billy Brooks; associate producers, Billy Brooks, Melodi Hallenbeck, Alexander Koehne, Ilana Marks; assistant director, Jeremy Phoenix; casting, Eric Souliere.

Camera (color, Arri Alexa HD, widescreen), Roger Deakins; editor, Joe Walker; music, Johan Johannsson; executive music producers, Tara Moross, Darren Blumenthal; production designer, Patrice Vermetter; supervising art director, Paul Kelly; art director, Bjarne Sletteland; set decorator, Jan Pascale; set designer, Ricardo Guillermo; costume designer, Renee April; sound (Dolby Digital), William Sarokin; sound designer, Tom Ozanich; supervising sound editor, Alan Robert Murray; re-recording mixers, John Reitz, Tom Ozanich; visual effects supervisor, Louis Morin; visual effects, Oblique FX, Fly Studio, Cinesite; special effects supervisor, Stan Blackwell; stunt coordinator, Keith Woulard; associate producer, Emma McGill; assistant director, Donald L. Sparks; casting, Francine Maisler.

Set decorator is Oscar - nominated Hamish Purdy (The Revenant) and stunt coordinator is Paul Jennings (Game of Thrones, San Andreas, The Dark Knight).

Production Designer Suzie Davies, along with Set Decorator Charlotte Watts, construct an alluring atmosphere of time and history.

BEST ART DIRECTION Birdman — Kevin Thompson / Production Designer, George DeTitta Jr. / Set Decorator The Grand Budapest Hotel — Adam Stockhausen / Production Designer, Anna Pinnock / Set Decorator Inherent Vice — David Crank / Production Designer, Amy Wells / Set Decorator Interstellar — Nathan Crowley / Production Designer, Gary Fettis / Set Decorator Into the Woods — Dennis Gassner / Production Designer, Anna Pinnock / Set Decorator Snowpiercer — Ondrej Nekvasil / Production Designer, Beatrice Brentnerova / Set Decorator

Art Direction «Birdman» — Kevin Thompson / Production Designer, George DeTitta Jr. / Set Decorator «The Grand Budapest Hotel» — Adam Stockhausen / Production Designer, Anna Pinnock / Set Decorator WINNER «Inherent Vice» — David Crank / Production Designer, Amy Wells / Set Decorator Interstellar — Nathan Crowley / Production Designer, Gary Fettis / Set Decorator «Into the Woods» — Dennis Gassner / Production Designer, Anna Pinnock / Set Decorator «Snowpiercer» — Ondrej Nekvasil / Production Designer, Beatrice Brentnerova / Set Decorator

BEST ART DIRECTION Catherine Martin (Production Designer), Beverley Dunn (Set Decorator), The Great Gatsby

Production Designer Sarah Greenwood and Set Decorator Katie Spencer have been working together for more than 20 years.

Production designer Suzie Davies (L) and set decorator Charlotte Watts attend the 87th Annual Academy Awards at Hollywood & Highland Center on February 22, 2015 in Hollywood, California.

Production designer Mark Freidberg, set decorator Lydia Marks and costume designer Catherine George have fashioned a setting in their shared home that is an extension of both characters, representing his neatness, her mania for monochrome, and one bonus element: a scene - stealing English bulldog named Marvin (played by the now deceased canine performer, Nellie).

These feature information from Spielberg, Cruise, Wilson, Muren, Johnston, Wagner, Koepp, Fanning, Chatwin, director of photography Janusz Kaminski, producer Kathleen Kennedy, visual effects supervisor Pablo Helman, production designer Rick Carter, concept designer Doug Chiang, property master Doug Harlocker, stunt coordinator Vic Armstrong, special effects coordinator Daniel Sudick, digital production supervisor Curt Miyashiro, military technical advisor Major Joseph Todd Breasseale, model / miniature supervisor Steve Gawley, actor Tim Robbins, set decorator Ann Kuljian, compositing supervisor Marshall Krasser.

It features comments from Blomkamp, producer Peter Jackson, co-writer Terri Tatchell, director of photography Trent Opalach, special effects supervisor Max Poolman, lead set decorator Gary Potgieter, art directors Emelia Weavind and Mike Berg, production designer Philip Ivey, sound designer Dave Whitehead, supervising sound editor Brent Burge, film editor Julian Clarke, and actors Sharlto Copley, Jason Cope, Vanessa Haywood, Mandla Gaduka, and David James.

Camera (color), Andrew Dunn; editor, Paul Machliss; music, Dickon Hinchliffe; music supervisor, Nick Angel; production designer, Dick Lunn; art director, Andrea Matheson; set decorator, Anna Kasabova; costume designer, Suzie Harman; sound, Mitch Low; supervising sound editor, Jeremy Price; re-recording mixer, Nigel Squibbs; visual effects supervisor, Thomas Proctor; visual effects, Double Negative; stunt coordinator, Paul Kennington; line producer, Danny Gulliver; assistant director, Martin Curry; casting, Theo Park.

Camera (color, widescreen), Matthew Libatique; editors, Billy Fox, Michael Tronick; music, Joseph Trapanese; music supervisor, Jojo Villanueva; production designer, Shane Valentino; art director, Christopher L. Brown; set decorator, Christopher Carlson; set designer, Bryan Lane; costume designer, Kelli Jones; sound (Dolby Digital), Willie Burton; supervising sound editors, Mark.

Camera (color, widescreen), Shane Hurlbut; editor, Alex Rodriguez; music, Paolo Buonvino; music supervisor, Thomas Golubic; production designer, Daniel Clancy; art director, Gregory Weimerskirch; set decorator, Julie Smith; costume designer, Isis Mussenden; sound (Dolby Surround 5.1), Chris Strollo; supervising sound editor, Lew Goldstein; re-recording mixer, Goldstein; visual effects supervisors, Francesco Grisi, Stefano Leoni; visual effects, Edi Effetti Digitali Italiani; stunt coordinators, Jason Silvis, Lance Gilbert; associate producer, Bill Karesh; assistant director, Gregory C. Hale; casting, Mary Vernieu.

Camera (color), Arnaud Potier; editor, Joe Klotz; music, Nora Kroll - Rosenbaum, Brian McOmber; production designer, Kathrin Eder; set decorator, Lisa Son; costume designer, Emily Batson; sound, Amanda Beggs; supervising sound editor, Tom Paul; re-recording mixer, Paul; visual effects, Neal Jonas; special effects coordinator, Rudy Perez; stunt coordinator, Gaelle Cohen; assistant director, Stephanie Galvan; casting, Richard Hicks.

Camera (color), Scott Henriksen; editors, James Nelson, John Nau; music, Andrew Feltenstein; production designer, David Skinner; art supervisor, Debbie Stratis; set decorator, Roxy Topirowych; costume designer, Michelle Martini; sound, Marlowe Taylor; sound designer, Chris Diebold; supervising sound editor, Steven Iba; re-recording, Jason Gaya; visual effects supervisors, Grant Miller, David Lebensfeld; visual effects producer, Phil Crowe; visual effects, Ingenuity Engine, Jogger VFX; stunt coordinator, Kristin Baskett; assistant director, Daniel Katzman; casting, Jeanne McCarthy.

It's rare to see a double nominee in the craft categories at the Oscars, but this year there are three: costume designer Jacqueline Durran, production designer Sarah Greenwood and set decorator Katie Spencer.

We find comments from director Ridley Scott, writer William Monahan, production designer Arthur Max, costume designer Janty Yates, set decorator Sonja Klaus, armorer Simon Atherton, first assistant director Adam Somner, executive producer Lisa Ellzey, extras casting Billy Dowd, special effects supetvisor Neil Corbould, composer Harry Gregson - Williams, editor Dody Dorn, visual effects supervisor Wesley Sewell, supervising sound editor Per Hallberg, sound re-recording mixers Myron Nettinga and Michael Minkler, and actors Orlando Bloom, Liam Neeson, Marton Czokas, Jeremy Irons, Eva Green, Brendan Gleeson, Ghassan Massoud, and David Thewlis.

Camera (Deluxe color, widescreen), Bradford Young; editor, Spencer Averick; music, Jason Moran; executive score producer, Tracy McKnight; music supervisor, Morgan Rhodes; production designer, Mark Friedberg; art director, Kim Jennings; set decorator, Elizabeth Keenan; costume designer, Ruth E. Carter; sound (Datasat / Dolby Digital / SDDS), Willie Burton; supervising sound editor, Greg Hedgepath; re-recording mixer, Andy Koyama; visual effects supervisors, Dottie Starling, Susan Macleod; visual effects producer, Lauren Ritchie; visual effects, Wildfire Studios; stunt coordinator, Stephen Pope; assistant director, Myron Hoffert; casting, Aisha Coley.

It was fun working with Rosemary [Brandenburg], the set decorator, in that way.

Next we find a Design Team track that includes remarks from production designer Grant Major, costume designer Ngila Dickson, Weta Workshop creative supervisor Richard Taylor, conceptual designer / set decorator Alan Lee, conceptual designer John Howe, supervising art director / set decorator Dan Hennah, art department manager Chris Hennah, and Weta Workshop manager Tania Rodger.

Camera (3D, Deluxe color, widescreen), Lula Carvalho; editor, Bob Ducsay, Jim May, Debra Neil - Fisher; music, Steve Jablonsky; production designer, Martin Laing; art director, Miguel Lopez - Castillo; set decorator, Debra Schutt; costume designer, Sarah Edwards; sound (Datasat / Dolby Atmos), Tom Nelson, Peter Fonda; supervising sound editors, Jason W. Jennings, Nancy Nugent Title; re-recording mixers, Terry Porter, Anna Behlmer; special effects supervisor, J.D. Schwalm; visual effects supervisor, Pablo Helman; visual effects producers, Crystal Dowd, Susan Greenhow; visual effects, Industrial Light & Magic, Ghost VFX, Atomic Fiction, Base FX, Whiskytree Inc., Animatrik, FX3X, Virtuos, Bot VFX, Shade VFX, Lola VFX; stunt coordinators, Spiro Razatos, Jonathan Eusebio; fight coordinator, Jon Valera; associate producer, Lori Scowley, Basil Bryant Grillo, Bret Rowe, Marc Pappalardo; assistant director, Alexander H. Gayner; second unit director, Razatos; second unit camera, Jacques Haitkin; casting, Lisa Fields.

The film boasts a strong female creative presence that includes DP Crystel Fournier, production designer Anne Seibel, set decorator Christelle Maisonneuve, costume designer Milena Canonero, and composer Laura Karpman

Camera (Deluxe color, HD), Chayse Irvin; editor, Cindy Thoennessen, Franklin Peterson; music, Matthew Puckett; music supervisor, Mark Wike; production designer, Matt Hyland; art director, Lee Clayton; set decorator, Ryan Brennan; costume designer, Anney Perrine; sound, Dan Bricker; supervising sound editor, Michael Feuser; re-recording mixer, Leslie Shatz; sound designer, Andrea Bella; visual effects supervisor, Paul Silverstein, Gabriel Napora, Hassini Krshna; visual effects, 5eDigital, Tiyabella VFX; associate producers, Mandy Sherman, Sari Knight; assistant director, Randall Ehrmann; casting, Mandy Sherman, Sari Knight.

Camera (Deluxe color, widescreen), Oliver Wood; editors, Brent White, Melissa Bretherton; music, Andrew Feltenstein, John Nau; music supervisor, Erica Weis; production designer, Clayton Hartley; art director, Elliott Glick; set decorator, Jan Pascale; set designers, Barbara Mesney, James Tocci, Alexander, McCarroll, Danny Brown; costume designer, Susan Matheson; sound (Datasat / Dolby Digital), Whit Norris; sound supervisor, George Anderson; re-recording mixers, Marc Fishman, Anna Behlmer; visual effects, Mr. X Gotham, Lola VFX; stunt coordinator, Chris O'Hara; associate producers, Matt Rebenkoff, Robyn Wholey; assistant director, Matt Rebenkoff; second unit director, David Letich; casting, Allison Jones.