The film is setduring the post-production of a fictional, third - tier exploitation flick, the kind of revenge - of - the - witch potboiler Lucio Fulci could have knocked out during his prolific heyday.
During his heyday in the 1970s, Springer's work was a favorite of the glamour set, who enjoyed the novelty of pieces finished in rich and striking materials that ranged from exotic hides and skins to lacquer and chromed metal.