Sentences with phrase «setting some of its stories into»

Dragon Quest VII has a clever way of setting some of its stories into motion.

The electrical energy between Alice and Lucy crackles with kinetic menace, as Mangan turn the mood and the setting of the story into a kind of composite force field that sucks the reader in almost instantly, like a wave of humid air blanketing you after emerging from an air - cooled room.

That's partially because of the electrical energy that crackles between Alice and Lucy, but it's also related to Mangan's ability to turn the mood and the setting of the story into a kind of composite force field that sucks the reader in almost instantly.

Not exact matches

With British officials raiding the offices of embattled political consultancy Cambridge Analytica, Mark Zuckerberg bending the knee before congress, and GDPR set to go into effect next month, no story holds greater sway in techland.

The volume is also divided into two separate stories, set a century apart: a long first - person narrative by a Handmaid in Gilead is followed by «Historical Notes on «The Handmaid's Tale,»» a fictive academic commentary by the urbane male editor of the anonymous woman's tapes discovered in the late 21st century, decades after Gilead's fall.

She's inviting apologies, or what most likely would be a set of counter-accusations and justifications, or at least explanatory context that would likely invite scrutiny into her behavior at the time because again divorces are competing clashing stories about pain and betrayal and rage and brokenness.

Ever since the publication in 1903 of Wilhelm Wrede's famous book on this subject, The Messianic Secret in the Gospels, scholars have been compelled to take seriously the thesis it set forth, namely, that the whole conception of the secret Messiahship is an intrusion into the tradition, either read into it by Mark or at a late pre-Marcan stage in the development of the tradition, and not really consonant with the story of Jesus as it was handed down in the earliest Christian circles.

We certainly have every reason to suspect he had a low regard for the set of third - tier artistic and literary talents that had emerged in 1830s - 1850s Paris, the prototype «bohemians» portrayed in Flaubert's A Sentimental Education and especially the Murger stories that later became adapted into the Puccini opera La Bohème, the set most like our indie - alternative rockers.

Some attention to the story form in apocalyptic can show us some of the reasons why the narrative form is in trouble, while process theology has some fundamentally useful hints about how we may re-imagine the story, or grasp a new narrative vision of the world, which will enable us to set the new into a meaningful framework and respond to it with hope.

In Tangled, the Walt Disney Company's new animated, feature - length, 3 - D adaptation of «Rapunzel,» critic Armond White finds, sadly, that the story of the girl with the very long locks not only «has been amped up from the morality tale told by the Brothers Grimm into a typically overactive Disney concoction of cute humans, comic animals, and one - dimensional villains,» but also that the film's «hyped - up story line... gives evidence that cultural standards have undergone a drastic change» in the decades since Walt Disney first set out to charm both children and adults with his animated retellings of fairy tales.

And though, as I have said, this is a worldwide story, it centres on Ireland, for reasons we will go on to discuss, the most immediate of which was the publication last year of the report of the Commission to Inquire into Child Abuse set up by the Irish government at the turn of the century.

While the content of this brief excursus into the basic tenets of process - relational thought will be familiar to most readers of this journal, it sets the stage for my development of an ethics of character and virtue, of the understanding of the Christian story, and the church - world relationship from a process perspective.

Let us set down three observations: (a) Mark 15:40 - 16:8 possesses several features which divide it so sharply from the Passion narrative that it could hardly have been the natural continuation of that in the stage of oral tradition, (b) this pericope, however, could not have existed in its present form as an independent tradition, (c) the pericope itself falls naturally into two parts, the first of which can exist as an independent story, but the second of which can not, for it depends upon the first.

Second, it sets the boundaries of the community, because it shapes those who enter into the story in a way that others who hear it can not be shaped.

One of the most remarkable parallels is the story concerning Sargon I, king of Assyria about 1200 years before Moses, who was said to have been set in a basket of rushes, its lid sealed with bitumen, and cast into the river, from which he was rescued by a «drawer of water.»

Here is my evil plan — Create a fictional character, have him born into poverty in a part of the world full of strife with no recorded history, cast some doubts on his conception (that will keep them guessing), leave a decade or so gap in his life story, re-introduce him in the middle of nowhere and tell everyone he has all these amazing powers, he confounds and confuses all his followers and tells them not to tell anyone about what he does or where he is going and Oh yeah, they are all prostiitutes and tax cheats and lepers and the really lowlifes of society, deny them the chance to follow him, set him at odds with both the government and the church powers of his time, cast doubts on his seexuality and intelligence, make it so he refuses anyone to come to his aid and kill him in the most horrible way imaginable, then hide his body, make it so nothing he does can be historically proven.

About Grimmway Farms: The story of Grimmway began in 1968, when brothers Rod and Bob Grimm set up a roadside produce stand and planted that would blossom into today's Grimmway Farms.

So many of the stories, characters, and settings your child sees on TV shows or in movies can be turned into imaginative, active play.

I am so set on breastfeeding but have so much anxiety going into this journey just because of horror stories I've heard from other mothers that have attempted breastfeeding.

He even acts out various stories in the living room (with elaborate sets, including couches on their sides and piles of cushions to jump into off our counter — not something a mama would think of regularly).

Your child can also think of different scenarios for the roles played with the train set, creating stories in their heads relating to the trains and any of their other toys they bring into the mix!

The Chicago Academy of Sciences wants to build another story onto its two - year - old Lincoln Park nature museum, provoking fear among park advocates that the building would tower over the natural setting it was originally designed to blend into.

This is the story of my natural birth in a hospital setting that turned into a medical birth.

I thought making a set of puppets for our story retelling would be an awesome idea and since my kids love to stick things into glue it was a win win.

This production is a reinvented version of the story, set in a timeless New England era that honors the 1830s but with a modern license to breathe fresh air into the story!

Set in the modern seminar rooms of Oxford's Manor Road Building, the meeting was divided into a series of panels which traced a progression of elements in the story of neoliberal law.

«Venturing from high street campaigning to top level political influence, and then stepping even further into the darker corners of the internet, Brexit (w / t) sets out not to be an analysis of who was right and who was wrong, but rather is the story of how it happened, and why.»

Certainly, we have nothing like Bob Woodward's Obama's Wars: The Inside Story (2010), based on wide - ranging contemporary interviews and documents, which sets out the extensive briefing and counter-briefing between the US politicians and military, and helps put into context some of the disagreements recently exposed in the UK.

In addition to the question of whether Mr. de Blasio — who won a primary with middling turnout and a general with dismal turnout — has earned his stripes to set an agenda for the Democratic Party nationwide, back at home there is the familiar drumbeat that perhaps the mayor ought to pay attention to his own city, a theme that has spread beyond the territorial tabloids and into stories in the city's higher - minded broadsheets.

Set in the not - too - distant future, without overt preaching or much scientific exposition, Gattaca uses the youthful dreams of Vincent Freeman (Ethan Hawke) to tell an affectingly human story about the consequences of putting too much faith into DNA, genetic destiny, and stereotypes.

After the opening scene - setting chapters, the reader is well rewarded with many nuggets: the story of his tramps around France mapping its geology; his fortitude in redistil - ling pure water for 101 days to prove that it would not turn into «earth» (he later proved that it consisted of hydrogen and oxygen); his marriage; his tests for tobacco adulteration; his brush with death at the gunpowder factory; his examination of mesmerism; his tragic final years; and, of course, his main discoveries and contributions, including his exchanges with the English scientist Joseph Priestley.

Others are into creating a cast of characters and saving it on the Web; for them The Sims is more like a set of actors and sets with which to tell stories.

As a public speaker and a writer for magazines such as Popular Mechanics and Amazing Stories, he romanticised the natural world, and gloried in the idea of brave explorers setting off into an unknown that awed and fascinated him.

And as I seamlessly transitioned into 31 the other day without much fanfare and devoid of celebrations minus a lovely cake in the flavors I craved that finally and unexpectedly worked out, I think I've come to understand a little more: the intentions I set, the high intentions, stories in my head and visions of «glory,» the culmination of work and work and work, on whatever it is I'm working on, very rarely pan out the way I envisioned.

More than 13,000 market research experts combine their passion with GfK's data History of ICE Archives It's a story that began more than ten years ago... In March 2003, the Homeland Security Act set into motion what would be the single

History of ICE Archives It's a story that began more than ten years ago... In March 2003, the Homeland Security Act set into motion what would be the single

In economic sense, a duty is also a kind of History of ICE Archives It's a story that began more than ten years ago... In March 2003, the Homeland Security Act set into motion what would be the single

Over time different cultures have developed History of ICE Archives It's a story that began more than ten years ago... In March 2003, the Homeland Security Act set into motion what would be the single

The opening cinematic just sets the tone for the whole game, visually stunning an unbeatable story that not just intrigues you and makes you want to go the extra mile by scanning objects so you can dig deeper into the universe of Metroid.

The DVD even contains the oft - forgotten «In Search of Dr. Seuss», a full 90 - minute film which is basically a series of set - pieces linking a whole bunch of Seuss's stories together into something approximating a coherent narrative.

But somehow, repackaging this message into a sci - fi movie with a «new» setting (i.e. not a major U.S. city) and a cast of unknowns, the story seems fresh, and becomes one of the most thrilling and fascinating sci - fi movies I've seen in a long time.

Same format as the first (as expected) with a different set of circumstances, which could have developed into a fairly good story, instead it turned in to quite a pointless sequel.

The participants get into cast and performances, characters and story issues, sets, production design, and shooting in Louisiana, deleted scenes and changes made for the extended cut, making their directorial debut, and a mix of other production topics.

As is customary with true stories, The Stanford Prison Experiment ends with on - screen text, talking about Dr. Zimbardo and his continued writing, lectures, and research into the susceptibility of people to turning into abusers and manipulators in a prison setting.

But despite Beatriz's big innocent eyes and meek, self - effacing appearance, she increasingly interjects herself into the evening's proceedings, interrupting their superficial banter about jet - setting vacations and making lots of money with her own reflections («I could feel the pain of the octopus,» she says, relating a story from her youth.)

The fantastic setting, grand story, exceptional writing and voice acting, engaging combat all coalesce into an exemplar of its kind.

It plays like a response to the age of fan theories and puzzle box fiction, in which stories are set up to be pieced together, with every element eventually snapping into place.

Director J A Bayona utilises a variety of camera set ups to immerse us into the heart of the story, whilst at other times allowing us to just observe the resultant chaos.

didn't really where they'd take the story, the first season set a high standard in execution and this carries forward into this season, everything you expect from the first is in this second with the dial turned up, with the characters developed from the first season this season just allows the writers to build up on that, the story is well crafted, less of Rinoa Rhyer's over the top screaming which did amazing things for my ears and sanity, great story progression, although slow at the start it ended with a bang.

Now The Post is set to open in wide release in early January, and Hannah, by telling this story, has come into power of her own.