Sentences with word «seurat»

[12] In 1916, he participated in the «Fifty at Montross» show at the Montross Gallery, which also included works by Cézanne, Matisse, Seurat, and Van Gogh.

In the show's terrific gallery guide, Rose writes that LeWitt's drawing «in effect pays homage to Seurat.»

Although Seurat's dot is comparable in its simplicity, my line has fractionally more going for it» (B. Riley, «Work,» in Bridget Riley: Flashback, exh.

This richly illustrated catalogue examines the inspiration that artists drew from their materials, and their expression of darkness through 70 works on paper, all produced in shades of black, by some the 19th century's greatest artists, including Georges Seurat, Edgar Degas, Odilon Redon, Goya, and Honoré Daumier.

The gallery's current exhibition is a case in point: the Italian Divisionists, an Italian translation of Georges Seurat's Neo-Impressionism, and a jumping - off point for the better - known Futurists (few of the artists are well - known outside of Italy, and when Boccioni appears in the final room it's as startling as seeing your elderly aunt in the Big Brother house).

Look at a painting by Seurat and it is all coloured dots: Kelly has massively increased the scale of those dots, and turned them into squares.

Very un-mucklike are Mark Grotjahn's Circus works of 2012 and 2013, lively bright loud oils on linen, during the construction of which the painter hung on his studio wall that most wonderful Seurat's «Circus» of 1891.

Drawing from Seurat's Chromoluminarism which shifts the task of color mixing from the artist to the viewer's eye, Faruqee, understands that a narrow placement of different colors can cause vibrations of colors that appear to be more vibrant and true.

If you want to know what interests inform Bridget Riley's work, you could study her modernist predecessors: Mondrian, perhaps, or Seurat.

We profile ALL the great Impressionist painters and ALL Post-Impressionist painters like Georges Seurat, Van Gogh, Gauguin, Cezanne and Munch.

Akunyili Crosby, another 2017 MacArthur Fellow, responded to «Embroidery: The Artist's Mother» by George Seurat (1859 - 1891).

Fond of an ivory laid Strathmore, he is attentive to the reticulated surface as he draws with charcoal, pencil, and pastel, similar to the way that Georges Seurat preferred the ribbed texture of the handmade paper he used for his Conté crayon drawings.

Divisionism Analytical painting technique developed systematically by Georges Seurat (1859 - 91); instead of mixing colours on the palette, each colour is applied «pure» in individual brush - strokes, so that from a certain distance, the viewer's eye and brain perform the mixing «optically»; see also Italian Divisionism.

To my mind, Hirst's Spot Paintings are no different in their engagement with art history, as these pulsating canvases of color — ranging from dense fields of tiny dots to a few spare circles isolated against an expanse of white — call to mind Georges Seurat, Hans Hoffmann, Kenneth Noland, Frank Stella, Gerhard Richter, and many more.

Bathers at Asnieres by Georges Seurat Interpretation of Neo-Impressionist Genre Painting MAIN A-Z INDEX

Focusing on Bridget Riley's seminal encounter with a painting by Georges Seurat, Bridget Riley: Learning from Seurat demonstrates how studying Seurat has enabled Riley to extend and transform her visual language.

The founding of the Museum of Modern Art in 1929 made available magnificent works by Paul Cezanne (1839 - 1906), Georges Seurat (1859 - 1891), Van Gogh (1853 - 1890), Paul Gauguin (1848 - 1903), Toulouse - Lautrec (1864 - 1901), Henri Matisse (1869 - 1954), Picasso and Leger, as well as special exhibitions of abstract art, and members of the Bauhaus design school.

Lash's unique contemporary pointillism is reminiscent of Seurat's dots of color.

Among the 126 invited artists who participated were: Impressionist painters like Whistler (1834 - 1903), Claude Monet (1840 - 1926), Renoir (1841 - 1919) and Camille Pissarro (1830 - 1903); the Symbolist Odilon Redon (1840 - 1916); Emile Bernard (1868 - 1941) and Louis Anquetin (1861 - 1932) the founders of Cloisonnism; the colourist Paul Gauguin (1848 - 1903) founder of Synthetism; as well as Post-impressionist painters like Georges Seurat (1859 - 1891), Toulouse - Lautrec (1864 - 1901), Paul Cezanne (1839 - 1906) and Van Gogh (1853 - 1890).

Bridget Riley test the limits of her Op art style with a new show at the Courtauld Gallery inspired by George Seurat's spotty Post Impressionism

- after two years copying Seurat's painting, Bridge of Courbevoie... I learned from Seurat this important thing about colour and light, that «a light» can be built from colour.

Inspired partly by the Pointillist innovations of Georges Seurat and the post-Impressionist paintings of Pierre Bonnard, Hirst continues his examination of color and its effect on the eye.

Her recent book From Point to Pixel (Dartmouth College Press, 2017) traces the rise of digital art from George Seurat to current computer - based work.

Georges Seurat (1859 - 1891) Founder of Neo-Impressionism.

Neo-Impressionism The development of Impressionism through Georges Seurat's scientific analysis and treatment of colour; see Divisionism; Pointillism.

Unlike Damien Hirst's spot art or Georges Seurat's Pointillism, these dots do not stand isolated from each other.

Think Georges Seurat meets Alfred Jensen meets Peter Young and you get an inkling of what the artist does with her deliberately limited vocabulary.

Past Times reimagines art history, taking as his point of departure Western masterworks of narrative painting such as Giorgione's The Tempest, Édouard Manet's Le Déjeuner sur l'herbe and Georges Seurat's A Sunday on La Grande Jatte.

Also, some major answers had been provided by the paintings of the Mannerists at the end of the sixteenth century, then by Poussin and after them, the long and beautiful «brochette»: Manet, Seurat, Cézanne....

Or, as he demonstrates, as drawing a Seurat.

On the contrary, Seurat's carefully planned compositions are full of emotional power.

The exhibition includes works on paper by five artists who impacted the development of drawing at the formative beginnings of modernism: Eugène Delacroix, Vincent van Gogh, Georges Seurat, Paul Cézanne, and Odilon Redon.

Under his tenure, the museum has acquired major works by Henri Matisse, Andy Warhol, Gerhard Richter and Louise Bourgeois; and presented major exhibitions such as Georges Seurat: The Drawings, Richard Serra Sculpture: Forty Years and Matisse Picasso.

Seurat's pointillist fields of coloured dots break up visual experience into its myriad constituent parts and reveal the complex nature of perception.

Groundwork for the study of color as an autonomous element (rather than in service of symbolism of signification) was set by Paul Seurat in the 1880s and taken up with a renewed vigor in the twentieth century by Modern masters such as Wassily Kandinsky, Paul Klee, Barnett Newman, Mark Rothko, Josef Albers, and Frank Stella.

But you see a connection to Seurat, don't you?

Under Barr's supervision, the museum's collection rapidly increased from an initial donation of eight prints and one drawing, and opened to the public on November 7, 1929 with a loan exhibition featuring works by Post-Impressionists Van Gogh, Paul Gauguin, Paul Cezanne, and Georges Seurat.

It includes 33 masterpieces by Claude Monet, as well as the seminal Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat, several high - class works from Cezanne, Van Gogh and Gauguin, and one of Toulouse - Lautrec's finest works.

One of several influential art critics - like Louis Leroy (1812 - 1885), Louis Vauxcelles (1870 - 1943) and Guillaume Apollinaire (1880 - 1918)- who found themselves in the middle of revolutionary developments in French painting at the end of the 19th century, the Parisian writer and anarchist Felix Feneon achieved lasting fame in modern art, at the age of 27, when he invented the term Neo-Impressionism to describe the Pointillism of George Seurat (1859 - 91) and others.

Post-Impressionists (flourished 1880 - 1900) Modern artists who separated from mainstream Impressionist painting included: James Abbott McNeill Whistler (1834 — 1903); Georges Seurat (1859 - 1891); Paul Cezanne (1839 - 1906); Van Gogh (1853 - 1890); Paul Gauguin (1848 - 1903); Henri Matisse (1869 - 1954).

He is known for his innovative recasting of ideas used by Impressionists (especially Edouard Manet, Claude Monet and Georges Seurat), such as the differing effects of light, and scenes of bourgeois leisure - seekers, executed using wet - in - wet oil techniques and loose brushwork.

Georges Seurat, the originator of Pointillism and Divionism, organized his landscapes along classical principles to convey quiet grandeur.

By the 1880s, the Impressionist movement was beginning to divide into two basic groups: those - like Monet - who continued to pursue the study of light with scientific zeal, and those - called Post-Impressionists - like Georges Seurat (1859 - 1891), Paul Cezanne (1839 - 1906), Vincent Van Gogh (1853 - 1890) and others who were becoming dissatisfied with what they considered to be the «passive» nature of Impressionism, and were more interested in interpretation.

Known as «the black drawings», this period is inspired by his experiences drawing in the coalmines in the 1940s and two Seurat drawings in his collection.

The painting was rejected by the official Salon, so in response, Seurat, along with artists Henri - Edmond Cross, Maximilian Luce, Odilon Redon and Paul Signac founded a new forum known as the Salon des Independants.

Kroller - Muller Museum (Otterlo) Located in the Hoge Veluwe National Park, this art museum and sculpture garden holds the second - largest collection of Van Gogh paintings in the world (after the Van Gogh Museum in Amsterdam), as well as works by Lucas Cranach, Paul Gauguin, Odilon Redon, James Ensor, Georges Seurat, George Braque, Piet Mondrian, Juan Gris, and Pablo Picasso.

Beautiful compositions by some of the best Post-Impressionist painters include: Nocturne in Blue and Green: Chelsea (1871, Tate Gallery, London) by Whistler (1834 - 1903); Lac d'Annecy (1896, Courtauld Gallery, London) by Paul Cezanne (1839 - 1906); Tahitian Landscape (1893, Minneapolis Institute of Arts) by Paul Gauguin (1848 - 1903); Wheatfield with Crows (1890, Van Gogh Museum, Amsterdam) by Vincent Van Gogh (1853 - 1890); Sunday Afternoon on the Island of La Grange Jatte (1886, Art Institute Of Chicago) and Bathers at Asnieres (1884, National Gallery, London) by Georges Seurat (1859 - 1891); The Talisman (1888, Musee d'Orsay, Paris) by Paul Serusier (1864 - 1927); Moulin de la Galette in Snow (1923, Private Collection) by Maurice Utrillo (1883 - 1955).

From Moore's «black period» inspired by his coalmining drawings and two drawings he owned by Seurat.

Highlights include Impressionist paintings by Gustave Caillebotte (1848 - 94), Edgar Manet (1832 - 83), Andre Derain (1880 - 1954), Camille Pissarro (1830 - 1903), Georges Seurat (1859 - 91), Henri Matisse (1869 - 1954) and Pierre Bonnard (1867 - 1947).

Other famous paintings being moved, include: Picasso's Woman with a Cigarette, Cezanne's Bathers and his largest version of The Card Players, Van Gogh's Postman and numerous paintings by Modigliani, Degas, Seurat, Gauguin and Monet, to name but a few.