Sentences with phrase «several black artists»

Several black artists are featured in the literary supplement.
In the months between, some of the best art books of 2014 were published and the work of several Black artists graced the covers of a range of important magazines.
In the period between Pindell's rejection and now, several black artists have risen to prominence by resolutely working with the black figure, shifting it from the margins of culture.
OFFERING COVERAGE OF ARTS AND CULTURE that rivals its fashion reporting, W magazine has recently trained its lens on several Black artists.

Not exact matches

But new was the artist's social justice embrace of the Black Lives Matter movement — several videos on Lemonade and her song Formation prominently feature black women whose loved ones were killed by police — and thinly - veiled, sordid details of the singer's apparent marital stBlack Lives Matter movement — several videos on Lemonade and her song Formation prominently feature black women whose loved ones were killed by police — and thinly - veiled, sordid details of the singer's apparent marital stblack women whose loved ones were killed by police — and thinly - veiled, sordid details of the singer's apparent marital strife.
There was the Michael Stewart case - the black Graffiti Artist and model who died on a lower Manhattan subway platform from a chokehold and beating he received from several police officers.
Sen. Kirsten Gillibrand (D., N.Y.) is keynoting a conference in Brooklyn featuring several controversial artists, including a group that teaches kids how to become «radical agents of social and political change» using principles of the Black Panther Party.
The movie is well shot, and contains a rousing score by Jurgen Engler as well as contributions by several artists, including Onyx, Judy Collins, Black Plastic, Yellowman, Christian Death, and others.
Cave Wall also publishes several pages of black and white art by a single artist in each issue.
This fall, Dark Horse Comics will expand the universe of the Black Hammer with Sherlock Frankenstein & The Legion of Evil, written by Lemire and illustrated by artist David Rubín, for the first of several high profile mini-series featuring different artists.
In Marbella, the Black Box Theatre offers plays in Spanish and English; the unusual Bonsai Museum features one of Europe's most important collections of Bonsai Trees; and the Museum of Spanish Contemporary Engravings exhibits works by Picasso, Miró, Tapies, Chillida and several other important Spanish artists.
We will be showcasing several show - exclusive vinyl variants including an extremely limited «Black Pumpkin» vinyl variant for the The Addams Family «Original Music from the Addams Family» 50th Anniversary Edition LP, a «Brains & Guts» vinyl variant for the best - selling The Walking Dead «Original Soundtrack Vol.1» LP, a «Highland Mists» vinyl variant for the Outlander «Original Television Soundtrack Vol.1» Double LP, three colored vinyl variants for the Book of Life «Original Motion Picture Soundtrack» based on key characters from the hit animated film, as well as a very limited set of five 18» x 24» hand - screened art prints by artist Andrew Barr, inspired by everyone's favorite breakfast cereal characters and entitled «Cereal Chillers».
Several series of his photographs were collated into now - famous books, including Lady, Lisa Lyon with Bruce Chatwin (1983), Black Book with Ntozake Shange (1986), 50 New York Artists (1986), Some Women with Joan Didion (1989) and Flowers (1990).
Also on exhibit will be letters, photographs, and ephemera from students and fellow artists including Fielding Dawson, Franz Kline, Robert Rauschenberg, and Stefan Wolpe; photographs of Jack Tworkov at Black Mountain College by Robert Rauschenberg, and several original works by Rauschenberg from 1952.
Along with Ligon, Anatsui, Ofili and Thomas, there are a number of other black artists whose works (several with multiple lots) are up for auction across the three major houses, familiar names including Jean Michel - Basquiat, Mark Bradford, Nick Cave, Rashid Johnson, Kerry James Marshall, Julie Mehretu, Oscar Murillo, Chris Ofili, Martin Puryear, Lorna Simpson, Carrie Mae Weems, Jack Whitten, Kehinde Wiley and Kara Walker.
«100 % Other: Artists and Psycho - Demographic Transitions» follows several recent critically acclaimed exhibitions, including «Patriot Acts» (the first installment of «Future of Nations») and «Incognegro,» which offered a contemporary critique of race through the exploration of infamous black - face performance.
In 1983, he raised funds to purchase several contemporary works by Black women artists and positioned the College as an institution where objects by and about women of the African Diaspora would be accessible, exhibited and regularly discussed.
Included in the exhibition are several large - scale black and white photographs that the artist created by using a 400,000 - volt Van De Graaff -LSB-.....]
Vendler had already done an edition of Ashbery's «Self - Portrait in a Convex Mirror» for Arion, printed on roundel pages — wheels of paper 18» in diameter — with work by several artists, including Willem de Kooning and Jim Dine, as well as a selection of Wallace Stevens with a frontispiece by Jasper Johns; 1992 saw an edition of Kaddish, White Shroud and Black Shroud with lithograph portraits by Kitaj.
In his most recent body of work, Santiago reimagines the history and story of the Black Knight that figured in several Renaissance paintings and literary accounts, such as the one depicted in the painting Chafariz d'el Rey, c. 1570 - 80 (artist unknown).
The piece, which aims to compare Christianity with other world traditions, includes artifacts used in several non-Western religious traditions and video of the artist's spiritual music group, the Black Monks of Mississippi.
In recognition of Black History Month, the Virginia Museum of Fine Arts is offering several programs and upcoming exhibitions that bring attention to African - American artists, civil rights and social justice.
To more fully represent the working methods of photographers and news agencies, the RIC has in recent years acquired a number of large archival collections, including the Black Star collection of press photography, the Rudolph P. Bratty Family Collection of Canadian subject matter from the New York Times Photo Archive, and several individual artist archives.
A scholarly examination of Black British artists, several monographs and photographer LaToys Ruby Frazier's first book, made the cut, too.
In 1933, his paintings were include in several high - profile group exhibitions, including A Century of Progress at the Art Institute of Chicago, Contemporary Black Artists in America at the Whitney Museum of American Art, and Exhibition of Works of Negro Artists at the National Gallery of Art in Washington, D.C..
The Brooklyn - based artist (he used to live in Columbus, Ohio) currently has several works on view at Housing, Bed - Stuy's newest art gallery, which lives in American Medium's old haunt, and shows the work of black artists, curated by black artists.
Australian collector David Walsh commissioned the sale of Ofili's «The Holy Virgin Mary» along with several other works by various artists (including «The Naked Soul of Captain Shit and the Legend of the Black Stars,» another dung painting by Ofili) in order to raise funds for new acquisitions and the expansion of his Museum of Old and New Art.
White Cube, which has an outpost in Hong Kong, sold one of Damien Hirst's Black Scalpel Blade cityscapes of Shanghai for about $ 1.2 million, while White Space of Beijing reported that 70 percent of its works sold within the first two days, including several works by the young Chinese conceptual artist He Xiangyu.
«While several of Jackson Pollock's contemporaries combined black and white, his black paintings were exceptional in their absolute merging of color and surface, which went over and above what Pollock himself had previously achieved; this is a crucial difference for many contemporary artists revisiting Pollock's work today,» said Delahunty.
She was as much a muse to herself as she was to others, including New York - based artist Mickalene Thomas, who includes Kitt alongside several other black women in her show
The 120 artists named cover a broad spectrum, taking in figures as diverse as Anri Sala, Karla Black and Olafur Eliasson as well as several deceased masters and the film director John Waters.
In the late 1940s, several prominent artists of the New York School — among them Robert Rauschenberg, Ad Reinhardt, Mark Rothko and Frank Stella — were intently studying the color black.
The exhibition opened on December 5th with Black Ceremony, the artist's largest ever daytime explosion event and includes several large - scale site - specific installations.
In 2007, film critic Jonathan Romney described Starr's new silent film Theda: «In a 40 - minute black - and - white film Theda British artist Georgina Starr, best known for her series of works inspired by the 1965 thriller Bunny Lake is Missing, pays tribute to this stormiest of divas and undertakes an archeology of gestural art of the silent - era actress (Theda Bara), drawing on the styles of several other now forgotten grande - dames, such as Barbara La Marr and Maud Allan... the film is divided into three parts «prelude», «act» and «epilogue»... but «prelude» is the real coup: in a long single take, Starr runs through the codified expressive repertoire of the Theda - era performer with such precision that any ironic distance evaporate.
Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.
This mandate is fulfilled elsewhere in several locally - grounded works by artists of varied backgrounds, including Deana Lawson's enigmatic photographs of black homes and Oto Gillen's haptic explorations of New York.
I think that with most black artists there are several things that they tend to do.
Beginning with their first official collaborative piece, Hello Meth Lab in the Sun, the artists have created a series of recurring narratives that are present throughout several connected works, most notably Black Acid Co-Op and Bright White Underground.
Indeed, the interrogation of this terminology continues to be relevant today: The fact that the biracial artist Nayland Blake was initially neglected in the count of black artists in «Art AIDS America» (several early objections do not list him alongside Derek Jackson, Kia Labeija, Glenn Ligon, and Kalup Linzy) demonstrates some of the faultiness of a demographic approach and raises questions about misrecognitions and illegibilities.
Several prominent black artists began their careers in the L.A. area, including Melvin Edwards, David Hammons, Maren Hassinger, Senga Nengudi, John Outterbridge, Noah Purifoy, and Betye Saar.
This intimate and informative gallery talk will be led by several of the artists whose work is in the exhibition, including Jackie Black, Marianne Weil, and Almond Zigmund.
... For example, even though I have undertaken several research visits to the US, and have been privileged to visit many artist studios, and to collect a significant amount of material on African - American artists, I have yet to see examples of work that in any way deals with the hostile political realities of life for Black people in Britain.
Sen has had several solo shows including the Devoid at Gallery Nathalie Obadia, Paris (2012), In Transit at Espace Louis Vuitton, Taipei (2011), BLACK CANDY (iforgotmypenisathome), Chemould, Bombay (2010), I Dig, I Look Down, Albion Gallery, London (2008), Half Full, Bose Pacia, New York (2007), It's Good to be Queen, Bose Pacia Artist Space, New York, and Drawing room, Nature Morte (2006).
He has worked with artist Isaac Julien on several projects such as the film Frantz Fanon: Black Skin White Mask and the exhibition Reimaging October at the Calvert 22 Foundation in 2009.
Japanese bound and beautifully printed in deep, dark, black ink on several kinds of paper, this volume documents New York artist Banks Violette's recent solo exhibition at Galerie Thaddaeus Ropac in Salzburg, where he showed recent sculptures and site - specific installations made of metal, neon, varnish and glass.
Magnetic Fields features early - and later - career works, pieces from specific series, several exhibited for the first time, and the long - awaited reappearance of iconic works such as Mavis Pusey's large - scale painting Dejygea (1970) from the Whitney Museum of American Art's 1971 exhibition Contemporary Black Artists in America.
As a white artist making art about black pain and showing it at the Whitney Biennial, several activists responded negatively to the work, one with a letter calling for it to be destroyed, another a staged protest with a shirt reading: «Black Death Spectacle&rablack pain and showing it at the Whitney Biennial, several activists responded negatively to the work, one with a letter calling for it to be destroyed, another a staged protest with a shirt reading: «Black Death Spectacle&raBlack Death Spectacle».
His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson.
She is the author of several books and exhibition catalogues, including Energy / Experimentation: Black Artists and Abstraction, 1964 — 1980; Basquiat; and (with Thelma Golden and Chrissie Iles) Lorna Simpson.
In addition to these works, which are consistent with these artists» colorless mode of production, the gallery will present black and white works made by several of our newer artists who, in certain cases, typically make polychrome pieces.
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