Sentences with phrase «several collective exhibitions»

In 1970 Rollán participated in several collective exhibitions in the USA.

Subsequently, following several collective exhibitions, in 2005 she moved to Florence to continue her passion for art, enrolling at the Accademia di Belle Arti di Firenze where she was later awarded a first with distinction in Painting (110 e lode), specialising in wall painting techniques.

Not exact matches

Naturally, the international exposure of his work, widely exhibited in galleries and institutions such as Galerie Jeanroch Dard (Paris / Brussels), Rod Barton Gallery (London), Berthold Pott (Cologne) and in collective exhibitions at the Musée Musée Départemental du Sel (Marsal), Centre Georges Pompidou (Paris), BWA (Wroclaw) and Autocenter (Berlin) is considered, but also his role as a curator in several projects.

Hancock's work has be shown at several exhibitions including the Museum of Contemporary Art, Atlanta, and has been published internationally in various art and culture magazines such as Oh Comely, F5, and VUU Collective's Super Special.

He was involved in other different solo and collective exhibition projects for several galleries in France and he has also carried out several happenings in different urban contexts in the USA and the UK.

Funarte partnered with Vanessa Teodoro to present a collective exhibition of several national and international artists, including Faile, Lady Aiko, Pedro Zamith, Glam, Paul Neberra and more.

For three consecutive years, The Bruce High Quality Foundation — an anonymous collective comprised of several Cooper Union alumni — have been holding up a funhouse mirror to the Whitney Biennial in the form of a more frequent Brucennial exhibition.

Proof that a disconnect exists between the foundation's actual strengths and its in - crowd anxieties is visible immediately in several of the museum's five inaugural exhibitions (a sixth show, a terrific survey of the Danish collective Superflex, is on view at Fundación Jumex's original space, located inside the company's juice factory in suburban Ecatepec de Morelos).

With 90 exhibitions and several hundred artists showing work inside an urban area smaller than the perimeter of Berlin's ringbahn, there is a glut of shows — the best of which are of two kinds: selected solo shows by strong local galleries, and energetic collective and group shows by emerging artists.

And don't forget, on Friday, June 21, for the Late Nights at the Dallas Museum of Art, there will be several happenings associated with this DallasSITES exhibition, notably, Good / Bad Art Collective will have a performance and former members of the group Toxic Shock will talk about their work in the 1980s.

He curated a group exhibition at Arch Collective NYC and has participated in Bushwick Open Studios at several locations.

The exhibition will feature sculptures, drawings, paintings, video and prints by several contemporary artists currently working in California, as well as newly commissioned works by Los Angeles - based artist Andrew Schoultz, the Bay Area - based mural collective Precita Eyes Mural Collective, and the international artist collective Futurefarmers, founded by San Francisco artist Amy Fracollective Precita Eyes Mural Collective, and the international artist collective Futurefarmers, founded by San Francisco artist Amy FraCollective, and the international artist collective Futurefarmers, founded by San Francisco artist Amy Fracollective Futurefarmers, founded by San Francisco artist Amy Franceschini.

Karmelo Bermejo has been awarded with several prizes for the last five years and has participated in collective exhibitions together with names such as Sarah Lucas or Paul McCarthy.

He has participated in several collective and individual exhibitions, as well as in events of sound art (Festival Aural 2016).

The exhibition will feature sculptures, drawings, paintings, video and prints by several contemporary artists currently working in California, as well as newly commissioned works by Los Angeles - based artist Andrew Schoultz, the Bay Area - based mural collective Precita Eyes Mural Collective, and the international artist collectiveFuturefarmers, founded by San Francisco artist Amy Fracollective Precita Eyes Mural Collective, and the international artist collectiveFuturefarmers, founded by San Francisco artist Amy FraCollective, and the international artist collectiveFuturefarmers, founded by San Francisco artist Amy Franceschini.

Like several of his peers featured here, McFetridge was distinguished in the seminal 2005 exhibition Beautiful Losers, which brought renown to the «DIY» movement of street - based and collective art practices that emerged in the late 1990s.

Apart from this commercial segment of his work, he had several solo exhibitions, curated group shows, participated in numerous collective exhibitions and published a monograph, which is a compilation of the artist's best works from 2007 to 2013.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, BarExhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barexhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

She also participated in several collective exhibits, including If Everybody had an Ocean: Brian Wilson: An Art Exhibition (Tate St Ives, CAPC Bordeaux, 2007) and Tate Triennial (Tate Britain, London, 2006).

In addition to TVR's forum, it features several other events as well as an exhibition of work by members of the featured collectives — EverydayClimateChange, Invisible Borders, Kamoinge, Piece of Cake, Rawi (ya), and WRRQ — which remains on view in the gallery through March 9.